부산 성악 연주문화 총람 및 분석 = (The) Total arrangement and analysis for vocal concert culture in Pusan

다국어 초록 (Multilingual Abstract)

This study is focused on mating and analysis to overall index for Busan vocal concerts, from the day of the vocal concert in Busan had played till present, feeling strongly to the necessity for it which would dealt with a role for information documents by collecting and sorting concert programs.
In the overall index about programs for 476 vocal concerts are centered to vocal concerts and collected by periods, composers, performers and groups. In case of foreign composers, it was sorted by birthday, and if the birth years were same, sorted by alphabetic order. Korean composers were sorted by hangul. The linitations of the study were set from 1962 to way 1990.
It has known that the studies and performances for modern unexploited composers were very insufficient through this overall index. Furthermore, many performances were biased sgainst a few works of L.V. Beethoven, G. Donizetti, G. Verdi, G. Puccini. It also found that a certain player had performed a special piece of only one composer repeatedly.
It is advised that the choice of pieces might be varied and the performances for playing Korean composers would be increased as well as foreigners. Also, modern works to be announced recent days would be performed.
I would like to point that the considerations about making concert pamplets to Korean language for understanding music of audiences and the systematic conservation for documents about Busan musicians would be placed as soon as possible.

목차 (Table of Contents)

• 목차
• Ⅰ. 서론 = 1
• 1. 연구의 필요성 및 목적 = 1
• 2. 연구방법과 범위의 한계 = 2
• Ⅱ. 연주곡 총람 = 3
• Ⅲ. 분석 = 102
• 1. 시대별 분석 = 102
• 2. 작곡가별 분석 = 103
• 3. 곡목별 분석 = 104
• 4. 가곡과 오페라 아리아별 분석 = 106
• 5. 우리나라와 이탈리아, 독일, 프랑스, 기타 국가 가곡별 분석 = 108
• Ⅳ. 결론 = 111
• 참고문헌 = 113
• SUMMARY = 114