舞踊表現力 增進을 위한 Mime에 關한 硏究 = (A) Study on the Role of the Mime in Dance as a Factor to Increase Expressive Ability

다국어 초록 (Multilingual Abstract)

The mime in dance requires abundant expression and imagination. It also helps the performer express the human emotions and produce effective works of art.
The mime in dance is a kind of dramatic technique and an essential requisite along with the movements of dance, for the mime of a dancer in a work plays a role of a medium in expressing the theme, through which the contents of the work are conveyed.
A dancer's way of expression has had a tendency to be duplicatde through the course of understanding and repeating the way of his or her masters. However, recently there have been many efforts to develop a creative pattern of expression.
The creative pattern of expression covers both physical and psychological factors, and the study of the mime can be regarded as one of the resolutions for expressing accurately and beautifully the gestures and attitudes of a dancer, following the pattern.
The aim of this study is to reflect on the role of the mime, which can produce a proper way of expression for a dancer only by hard training. As for the metholology, the physical training course by the Grotoweski system is introduced in order to increase the practical understanding of the purpose of the training and the course of expression.

목차 (Table of Contents)

• 목차
• ABSTRACT = ⅰ
• Ⅰ. 서론 = 1
• 1. 연구의 필요성 및 목적 = 1
• 2. 연구방법 = 3
• 3. 연구의 제한점 = 4
• Ⅱ. 마임의 이론적 배경 = 5
• 1. 마임의 개념 = 5
• 2. 마임의 형성 = 8
• (1) 마임의 역사 = 8
• (2) 마임의 흐름 (학파를 중심으로) = 12
• 3. 마임의 특성 = 14
• Ⅲ. 무용표현을 위한 마임의 테크닉 = 17
• 1. 마임을 통한 기초적 신체훈련 = 17
• (1) 기본 훈련 (A Basic Training) = 17
• (2) 형을 만드는 훈련 (A Training for Shaping) = 22
• 2. 클래식 발레에서 사용되는 마임 = 29
• 3. 자연스러운 감정표현의 테크닉 = 36
• 4. 표현력 증진을 위한 가면의 안면훈련 (A Facial Training of the Mask to Introve the Expressive Ability) = 39
• 5. 무용표현을 통한 창조적 마임의 방법 = 42
• Ⅳ. 결론 = 47
• 참고문헌 = 50