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    「최생우진기」의 배경 묘사 양상과 기능 = An Aspect of the Description of Background in 「ChoisaengUjingi」 and the Function

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    다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

    「ChoisaengUjingi」 is a well-made work by the description of background. The description of back ground of this work showed as the aspects such a type of long distance view, a type of characterizing a certain rear scene and a type of solving mazes.
    First, a type of long distance view can be found in the description of background for the introduction of this work. It is a view that the narrator's eyes on the hither side were looking around widely the majestic scenery extending into the distance. The place was taken view of the place of the real world referring as Dutasan, but it was incubating the secret fantasy world referring as the place of Taoist hermit with miraculous powers. A type of long distance view contributed to show the whole character of work.
    Second, the description of characterizing a certain rear scene on the heroine's back has given an impression of being closer to the character on the reader's side. It was the scene of autumn when Choisaeng decided to go to find the fantasy world firstly, on the other hand, the moment when he returned from the fantasy world and the moment when he went down into the yard of a temple in the real world was described to be characterized pedagogism. Moreover, when he entered to the real world, as it was characterized the certain scenes such as gold and a white chair of jade, it symbolized that he finally arrived at another world. The way of description of background gave a clue for present situation of Choisaeng.
    Third, the author set the description of background of a type of solving mazes in the work for Choisaeng's adventurous character. It is the description of background that was built newly from that moment when the heroine fell down a cliff. Even if it could not be seen with the eyes of the real world, there was definitely the mazes of the fantasy, it is a way of describing that presented more realistic Choisaeng's exploration and showed concretely the heroine's character.
    Such description of background has a novelistic function from reinforcement of the character's superman consciousness. First, even if Choisaeng entered to the fantasy world and was for just one day, the time of real world went by 70days.
    Moreover, it was depicted the change of time as the change of background. The narration was progressed differently in the passage of time for revenge, respectively, which are 'the time when the fall foliage was beautiful' and 'the time when the light snowfall was end and the new moon was bright'.
    The change of narration for revenge was done by indirect experience of another character, not a heroine. It is the scene to show the search process of JeungGong who had ever been there before Choisaeng searched the fantasy world. The reason why the change of narration for revenge could visually touch our heart and arouse our interest is the function of the description of background.
    Second, while Choisaeng overcame wild nature, he became a superman. Finally when he entered the cave where was a path for the fantasy world, sat face to face with a superman and discussed about the philosophical principles of universe, his consciousness of a superman could revive as consciousness of subject in which this work sought.
    「ChoisaengUjingi」 has been showing the author's creative consciousness, who concentrated to make the background that linked organically the work. It is a well-made novel because he was interested in the creation technique, which was immersed in the plot of a novel different with the earlier years.
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    「ChoisaengUjingi」 is a well-made work by the description of background. The description of back ground of this work showed as the aspects such a type of long distance view, a type of characterizing a certain rear scene and a type of solving mazes....

    「ChoisaengUjingi」 is a well-made work by the description of background. The description of back ground of this work showed as the aspects such a type of long distance view, a type of characterizing a certain rear scene and a type of solving mazes.
    First, a type of long distance view can be found in the description of background for the introduction of this work. It is a view that the narrator's eyes on the hither side were looking around widely the majestic scenery extending into the distance. The place was taken view of the place of the real world referring as Dutasan, but it was incubating the secret fantasy world referring as the place of Taoist hermit with miraculous powers. A type of long distance view contributed to show the whole character of work.
    Second, the description of characterizing a certain rear scene on the heroine's back has given an impression of being closer to the character on the reader's side. It was the scene of autumn when Choisaeng decided to go to find the fantasy world firstly, on the other hand, the moment when he returned from the fantasy world and the moment when he went down into the yard of a temple in the real world was described to be characterized pedagogism. Moreover, when he entered to the real world, as it was characterized the certain scenes such as gold and a white chair of jade, it symbolized that he finally arrived at another world. The way of description of background gave a clue for present situation of Choisaeng.
    Third, the author set the description of background of a type of solving mazes in the work for Choisaeng's adventurous character. It is the description of background that was built newly from that moment when the heroine fell down a cliff. Even if it could not be seen with the eyes of the real world, there was definitely the mazes of the fantasy, it is a way of describing that presented more realistic Choisaeng's exploration and showed concretely the heroine's character.
    Such description of background has a novelistic function from reinforcement of the character's superman consciousness. First, even if Choisaeng entered to the fantasy world and was for just one day, the time of real world went by 70days.
    Moreover, it was depicted the change of time as the change of background. The narration was progressed differently in the passage of time for revenge, respectively, which are 'the time when the fall foliage was beautiful' and 'the time when the light snowfall was end and the new moon was bright'.
    The change of narration for revenge was done by indirect experience of another character, not a heroine. It is the scene to show the search process of JeungGong who had ever been there before Choisaeng searched the fantasy world. The reason why the change of narration for revenge could visually touch our heart and arouse our interest is the function of the description of background.
    Second, while Choisaeng overcame wild nature, he became a superman. Finally when he entered the cave where was a path for the fantasy world, sat face to face with a superman and discussed about the philosophical principles of universe, his consciousness of a superman could revive as consciousness of subject in which this work sought.
    「ChoisaengUjingi」 has been showing the author's creative consciousness, who concentrated to make the background that linked organically the work. It is a well-made novel because he was interested in the creation technique, which was immersed in the plot of a novel different with the earlier years.

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    목차 (Table of Contents)

    • 1. 서론
    • 2. 배경 묘사의 양상
    • 3. 배경 묘사의 기능
    • 4. 결론
    • <참고문헌>
    • 1. 서론
    • 2. 배경 묘사의 양상
    • 3. 배경 묘사의 기능
    • 4. 결론
    • <참고문헌>
    • [Abstract]
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    참고문헌 (Reference)

    1 신상필, "?기재기이(企齋記異)?의 성격과 위상" 민족문학사학회 24 : 188-215, 2004

    2 정민, "초월의 상상" 휴머니스트 2002

    3 윤채근, "일반논문:??企齋記異??의 창작 배경과 그 소설적 의미-수사적 蔓衍性을 중심으로-" 한국고전문학회 (29) : 339-375, 2006

    4 소재영, "신광한의 최생우진기고" 숭실대학교 숭실어문연구회 1988

    5 권도경, "세기 기재기이의 전기소설사적 의의 연구-현실성의 확대와 주체의 의지 강화 양상을 중심으로" 한국고전연구학회 6 : 2000

    6 박철희, "문학개론" 형설출판사 1985

    7 이상섭, "문학 연구의 방법" 탐구당 1972

    8 최재우, "기재기이의 장르적 특성과 형상화 의미" 연세대학교 2007

    9 유기옥, "기재기이의 소설사적 의의" 전주우석대학 1992

    10 소재영, "기재기이연구" 고려대 민족문화연구소 1990

    1 신상필, "?기재기이(企齋記異)?의 성격과 위상" 민족문학사학회 24 : 188-215, 2004

    2 정민, "초월의 상상" 휴머니스트 2002

    3 윤채근, "일반논문:??企齋記異??의 창작 배경과 그 소설적 의미-수사적 蔓衍性을 중심으로-" 한국고전문학회 (29) : 339-375, 2006

    4 소재영, "신광한의 최생우진기고" 숭실대학교 숭실어문연구회 1988

    5 권도경, "세기 기재기이의 전기소설사적 의의 연구-현실성의 확대와 주체의 의지 강화 양상을 중심으로" 한국고전연구학회 6 : 2000

    6 박철희, "문학개론" 형설출판사 1985

    7 이상섭, "문학 연구의 방법" 탐구당 1972

    8 최재우, "기재기이의 장르적 특성과 형상화 의미" 연세대학교 2007

    9 유기옥, "기재기이의 소설사적 의의" 전주우석대학 1992

    10 소재영, "기재기이연구" 고려대 민족문화연구소 1990

    11 유정일, "기재기이 연구" 경인문화사 2005

    12 신광한, "기재기이" 범우사 1990

    13 김시습, "금오신화" 솔 1998

    14 경일남, "고전소설에 나타난 사찰공간의 실상과 활용양상" 우리말글학회 29 : 191-212, 2003

    15 김현화, "<최생우진기>의 禪小說的 美學" 어문연구학회 57 : 111-133, 2008

    16 엄기영, "<기재기이>의 창작방법 연구" 고려대학교 대학원 2007

    17 文範斗, "<崔生遇眞記>의 構造와 意味" 한국어문학회 (72) : 121-144, 2001

    18 유정일, "<崔生遇眞記>연구­傳奇的 人物의 특징과 작가의식을 중심으로-" 한국어문학회 (83) : 339-358, 2004

    19 유정일, "<<기재기이>>의 전기소설적 특성에 관한 연구" 동국대학교 대학원 2003

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