現代感覺의 質感을 通한 이미지와 色彩硏究 : 나의 作品을 中心으로 = a study of imager and color through nature of modern sense : around my works

다국어 초록 (Multilingual Abstract)

It is the real picture of today that the Korean painting could not get rid of framework of educational concept under the Japanese colonial rule as it is the oriental painting under the general common sense. I tried to correct such a wrong concept, to settle new Korean painting feature in the stand of today and to give progressive consideration and, the method for it I could have aggressive experiment to express as meeting with the modern sense of today as much as possible with much expressive style and various experimental processes though the studying course of this experimental work.
I made endeavors to seek modernization through groping for new course of Korean painting through the canvas sense and nature of material through the experimental process. Especially, it has visualized the expressive style with maximization of colors and new colors and forms by reproduction of our colors which were lost since Chosun dynasty and was a work has done my best in formation of the canvas with full of vigror mainly for atmosphere rather than a particular shape.
The content of this sentence I mainly studied the knowhow for expressive effect and method of canvas with stress through quality of material in the material aspect and as the method, I firstly saught for natural harmony by casual, schemic and willful expressions of quality nature the material give and secondly, I chose the imaginative method mainly for that is not canvas composing type in realistic descriptive style in the content aspect of the picture.
As per the concrete expressive method I chose color than the shape and put stress on how to express my self ascertion with clean and intensive.
I studied feature of the dyestuffs and devoted to sensitive studies and harmonization of atmosphere through complementary color comparison, brightness contrast, pigment comparison and color comparison and also endeavored to alive mixing light, feature in mixing colors and pigments in balanced manner. I also utilized and studied all methods the clearness, purity and difference in colors bring forth by aliving all processes and feature of color mixing.

목차 (Table of Contents)

• 목차
• 작품 목차 = 1
• I. 서론 = 1
• II. 본론
• 1. 이미지 연상 = 3
• 2. 기법 연구 = 5
• 1) 재료의 선택 의미
• 2) 재질감의 형성과정과 표정
• ① 바탕과 부피감의 변화
• ② 접착제를 달리할 경우
• 3) 화면의 조화
• 3. 색채 연구 = 11
• 1) 자연과 한복의 색채
• ① 자연의 색
• ② 한복의 배색
• 2) 천연 염료의 접근
• ① 천연염료의 종류
• ② 감물의 공정과정과 특성
• ③ 나의 작품에 시도된 감물 염색법
• 참고도판 = 21
• 작품 해설 = 24
• III. 결론 = 45
• 참고문헌 = 46