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[기자회견문] 세계여성폭력추방주간 기념 여성폭력 근절을 위한 여성단체 공동 기자회견_우리는 '생존' 외에 '다른 꿈' 을 꿀 수 있는 세상을 원한다
성매매문제해결을위한전국연대(전국 11개 단체),전국가정폭력상담소협의회(전국 134개소),전국가정폭력피해자보호시설협의회(전국 62개소),전국성폭력상담소협의회(전국 129개소),전국성폭력피해자보호시설협의회(전국20개소),전국이주여성쉼터협의회(전국 19개소),한국성폭력상담소,한국여성단체연합,한국여성의전화(전국 25개 지부),한국이주여성인권센터,UN인권정책센터 한국여신학자협의회 2012 한국여성신학 Vol.- No.76
전국보일러설비협회,Korea Boiler Engineering Association 전국보일러설비협회 2007 보일러설비 Vol.11 No.-
지속적인 내수경기 및 건설경기 침체, 재개발, 재건축 등으로 인한 주택 개보수시 및 신축시기 연장 등으로 건설시공 수주물량 감소 등으로 인해 시공업계 전체가 힘든 시기를 보내고 있다. 관련업계 한 관계자의"IMF때도 이보다 힘들지 않았다"라는 말은 현재 시공업계를 대변하고 있는 말일 것이다. 일찍이 경험해보지 못했던 고통을 감내하고 있는 시공업계의 현재 상황을 점검하고자 박기준 전국보일러시공협회 회장과 신현석 한국열관리시공협회 회장과의 인터뷰를 진행했다. 이에 본지는 2회에 걸친 인터뷰를 통해 보일러 시공업계의 현실과 앞으로 나아갈 방향성에 대해 논의해 보고자 한다.
대한결핵 및 호흡기학회 급성 폐혈전색전증 전국 실태 조사 소위원회,Scientific Committee for National Survey of Acute Pulmonary Thromboembolism, Korean Academy of Tuberculosis and Respiratory Diseases 대한결핵및호흡기학회 2003 Tuberculosis and Respiratory Diseases Vol.54 No.1
연구배경 : ICOPER 보고에 의하면 급성 폐혈전색전증 발생 3개월내 사망률이 17.4%이며, 일본 조사에서는 사망률이 14%라고 보고하였다. 그러나 국내에서는 급성 폐혈전색전증의 전국 규모의 대단위 연구가 없어서, 그 현황에 대해 보고된 바 없었다. 따라서 본 학회에서는 급성 폐혈전색전증에 대한 전국 실태조사를 시행하였다. 방법 : 1998년 1월 1일부터 2000년 12월 31일까지 전국수련병원급 이상 종합병원에서 급성 폐혈전색전증으로 진단받은 환자를 대상으로 역학적 특성, 임상양상, 진단법, 위험인자, 치료, 임상경과 등을 조사하였다. 결과 : 환자들의 평균연령은 $58.3({\pm}16.3)$세 였고, 남자가 40.3%였다. 발생 위험인자로는 장기간의 부동상태, 수술, 악성종양이 각각 22.9, 19.2, 15.8% 였다. 가장 흔한 증상으로는 호흡곤란과 흉통이었다. 진단을 위한 검사방법으로는 폐관류 스캔을 시행한 경우가 가장 많았다. 흉부 방사선 검사상 정상 소견을 보인 경우가 53.5%로 가장 많았고, 이상 소견으로는 흉막 삼출액이 가장 흔하였다. 치료방법으로는 86.8%에서 헤파린 항 응고법을 시행하였고 혈전 용해요법은 시행한 경우는 12.3%였다. 사망을 예측할 수 있는 인자로는 병원내에서 이환된 경우, 폐암, 빈호흡, 쇼크, 청색증의 5가지로 분석되었고, 사망 위험도는 각각 1.88, 9.20, 3.50, 6.74, 3.45배 였다. 전체 사망률은 16.9%였고 그 중에서 급성 폐혈전색전증과 연관된 사망률은 9.0%였다. 결론 : 본 조사는 급성 폐혈전색전증에 대한 최초의 전국규모의 실태조사로서, 이 결과가 향후 국내 급성폐혈전색전증의 연구와 치료에 기여할 수 있을 것으로 사료된다. Background : According to the study in ICOPER (International Cooperative Pulmonary Embolism Registry), the overall mortality rate of acute pulmonary thromboembolism (APTE) at 3 months is 17.4%. According to the study for current status of APTE in Japan, the hospital mortality rate is 14%. Although the incidence and mortality rate of APTE has been increasing, patient characteristics, management strategies, and outcome of APTE in the Korean population have not yet been assessed in large series. We therefore performed the national survey for the current status of APTE in the Korean population. Methods : 808 registry patients with APTE were analyzed with respect to clinical characteristics, risk factors, diagnostic procedures, treatment, and clinical outcome. Results : Main risk factors were immobilization, recent major surgery, and cancer. Common symptoms were dyspnea and chest pain. Common signs were tachypnea and tachycardia. The majority of registry patients underwent lung perfusion scanning. Spiral CT was used in 309 patients(42.9%), and angiography in 48 patients(7.9%). Heparin was the most widely used treatment. On multivariate logistic regression analysis, onset in hospital (odds ratio 1.88, p=0.0385), lung cancer (odds ratio 9.20, p=0.0050), tachypnea (odds ratio 3.50, p=0.0001), shock (odds ratio 6.74, p=0.0001), and cyanosis (odds ratio 3.45, p=0.0153) were identified as significant prognostic factors. The overall mortality rate was 16.9% and mortality associated with APTE was 9.0%. Conclusions : The present registry demonstrated the clinical characteristics, diagnostic strategies, management and outcome of patient with APTE in Korea. The mortality rate was 9.0%, and the predictors of mortality were onset in hospital, lung cancer, tachypnea, shock, and cyanosis. These results may be important for risk stratification as well as for the identification of potential candidates for more aggressive treatment.
The Analysis of Greek Tragic Elements in The Emperor Jones
전국서 한국영어영문학회 경남지부 1989 현대영미어문학 Vol.6 No.-
Critics have often placed the work of Eugene O'Neill in the tradition of Greek tragedy : John Mason Brown finds in O'Neill's best plays a demonstration of "Greek-Revival"(126) ; Doris Falk remarks, "The greatest heroes and heroines of O’Neill's plays belong to … the tradition of Prometheus, Oedipus…"(5). O'Neill's own remark that "the Greek dream in tragedy is the noblest ever" (Peery 281) even more convinces us of his devotion to the Greek tradition in tragedy. The Emperor Jones is one of O'Neill's plays which reflect the Greek tragic tradition to a great extent. This play shows a number of parallels to the Greek tragic elements demonstrated in Aristotle's Poetics which, according to F. L. Lucas, is the best starting point for the study of tragedy to this day(13) : the play evokes the emotions of fear and pity (catharsis) ; the hero is a formidable character who has harmatia (tragic flaw) ; the plot shows peripeteia(reversal) and anagnorisis (recognition) ; the play observes the unities of time, place, and action ; the music evokes fear and pity ; the scenes are spectacular ; and the play has chorus - characters, though not the actual chorus. Alexander Woollcott calls this play "an extraordinarily striking and dramatic study of panic fear." "To invoke this pity and fear," he further says, is "part of the secret of The Emperor Jones"(5). In fact, this play produces in the protagonist and in the audience a high pitch of emotions of fear and pity, the excitation and purgation of which is the function of tragedy according to Aristotle (11). The protagonist, Brutes Jones, the Negro "emperor" of a West Indian island, experiences terrible fear as he flees(from the native negroes rebelling against his tyranny) through a forest at night. He encounters a number of ghostly figures : "the little Formless Fears" which represent his own fears(Frenz 32), the ghosts of two men he murdered in the past, the ghosts of his ancestors, a monstrous witch - doctor, and a huge crocodile. The dark forest and eerie glow of moonlight provide a ghastly setting for these dreadful encounters. Furthermore, the natives' insistent drumming("tom-tom"), enhances Jones' panic. Through this long night's ordeal, the Jones rapidly degenerates, step by step regressing to a state of abject terror ; his clothes are discarded to leave him almost naked like the natives. He is exhausted both physically and mentally : he feels hot, tired, hungry, and increasingly terrified. This reversed fortune of the protagonist, however striking it may appear, would hardly arouse pity in the audience if his role in the play simply ends with being a tyrant punished for his past sins. According to Aristotle, a very bad man coming to a bad end does not arouse pity(24). However, the major role of Jones in the play seems to be a representative of all American black people whose history, revived in scenes V and VI(the episodes of a slave auction and a slaveship), is sad enough to stimulated universal sympathy. Doris Falk remarks that the idea "which excited O'Neill in The Emperor Jones was Jung's fundamental premise -- the existence and power of the collective unconscious." She explains Jung's theory: "The mind of a given man contains ideas from the collective unconscious which come to him simply by virtue of his membership in the human race, as well as ideas inherited from his own specific race, tribe, and family" (66). We indeed see the revelation of the "collective unconscious"in Jones when he echoes his ancestors desperate wail and rowing motion on board the slave-ship in scene VI : A shudder of terror shakes his whole body as the wail rises up about him again. But the next time, his voice, as if under some uncanny compulsion, starts with the others. As their chorus lifts he rises to a sitting posture similar to the others, swaying back and forth. (30) In this scene, Jones is portrayed as a miserable American black son, who has long suffered the injustice and humiliation perpetrated by the white people against him, and consequently arouses the audience's sympathy both for his person and for his present ordeal. In sum, as Woollcott observes, the emotions of pity and fear are presented as predominating forces in this play.
The Confidence-Man에 나타난 담론으로서의 복화술
전국서 한국영어영문학회 경남지부 1995 현대영미어문학 Vol.12 No.-
There have been many interpretations of The Confidence-Man and the tendency bids fair to continue in the future. There are many reasons why the interpretations proliferate. One of the reasons is that Melville' use of the ventriloquy. By using ventriloquy Melville wants to show the nature of the language and the man. If we can understand how the ventriloquy works, we can grasp deeper meaning of the work.