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- 저자 : 배리듬 ( Rhy Thm Bae ) (검색결과 3 건)
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배리듬(Bae Rhy-Thm),김은정(Kim Eun-Jung) 한복문화학회 2014 韓服文化 Vol.17 No.4
The current academic dress worn by Korean college students simply imitates Western collegiate dress, failing to contain unique elements specific to Korea. In this regard, the study aims to suggest designs for academic gowns for Korean universities through applying the shapes of Po used in the Joseon Dynasty. Through a review of the literature, the origin, shape and type of academic dress and Po (plain clothes) in the Joseon Dynasty were discussed, and the current state of wearing the academic dress among Korean college students was examined through field research. This study limited the Pos of Joseon Dynasty to be applied to the design development, to those of the then scholars, and selected universities including School of Korean Music in Chung-Ang University, Sungkyunkwan University, Korea University, Seoul National University to research the state of wearing academic dress. Based on the results of research, designs of academic gowns were developed, and the findings are as follows: First, design 1 applied Aengsam aimed to simplify the composition of clothes and make application easier, and it reproduced the image of traditional dress in modern style. Second, design 2 applied a long crane-white gown to feature straight lined lapels and vertical pleats rather than numerous decorations. It focused on expressing details through a traditional image in the western academic costume. Third, design 3 applied Korean full-dress attire to use the lapel of the attire in the neckline of a gown, and expressed such characteristics of Po as trapezoidal Mu and hem. It aimed to strongly express a traditional image through form and colors. This study is expected to provide a practical solution in order to modernize traditional costume based on the actual application of contemporary designed attire.
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배리듬 ( Rhy Thm Bae ),이미숙 ( Mi Suk Lee ),김은정 ( Eun Jung Kim ) 한국패션비즈니스학회 2016 패션 비즈니스 Vol.20 No.1
Korea traditional dresses are making news everyday through popular media and a number of exhibitions and fashion shows that have been held as a way to activate the use of the hanbok. This study intends to examine the current status of handbook brands and analyze the aesthetic characteristics of the hanbok. This study defined the terms related with the hanbok and examined the chronological changes in the hanbok through a literature review, an examination of the aesthetic characteristics of Korean traditional clothing, and ananalysis of the aesthetic characteristics by dividing currently available hanbok brands in to the traditional hanbok. According to the results of the study, hanbok brands were divided into Traditional Hanbok, Life Hanbok, and New Hanbok. The Traditional Hanbok brands represented traditional beauty, the beauty of formality, symbolic beauty, and the beauty of nature. The Life Hanbok brands represented symbolic beauty, natural beauty, the beauty of blending, and the proportional beauty. The New Hanbok brands represented natural beauty, unproportaional beauty, the beauty of line, and the beauty of moderation. Therefore the New Hanboks gave changes to the traditional clothing and the unique clothing of our nation. Its formative elements coexist according to their characteristics.
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KCI
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