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- 저자 : 鄭潭淳 (검색결과 1 건)
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鄭潭淳 단국대학교 1980 論文集 Vol.14 No.-
With a close relation between clay and man's life, man has made necessities of life with a clay. However, according to the change of the mode of living and of industrial structure and the pursuit of intellectual aesthetics of thought, more and more ceramic artists have tried to pursue the depth of representation towards intrinsic value of man in it's objects. Consequently, the representation of ceramic arts immensely become to change and ceramic artists are interested in prectical commodities or in artistic originality. Particularly, since 1950, there has been the trend of clay as only the medium of plastic form of clay and to understand this trend in detail we can classify as follows; 1. The change expressed in modern ceramic arts 2. As to the abstract of plastic form of clay in modern ceramic arts. (1) Relation between cermic arts and sculpture (2) Appearance of object ceramic Arts] (3) Return to the clay (4) Pottery as a plastic form (5) Clay as a culture enjoyed (6) Object solidified (7) World of aboriginality and incasstation form (8) Change of materials 3. The trend of the abstract ceramic artist's work. (1) Self-requlation of representation (2) Creation eliminated the function (3) Change of structure as the clay form (4) Clay as a symbolic object. Studying above the mentioned, we have understood that modern ceramic arts are expressed the abstract of representation and the importance of the general beauty in the pursuit of the nature as clay without the punction influenced by Pop Art, Mininal Art, NeoDada and so on, and the abstract of modern ceramic arts became the method of artistic representation.
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