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『文学案内』誌研究Ⅲ-報告文学の実践と集団制作『東洋の一日』
海老原豊(Ebihara Yutaka) 동북아시아문화학회 2013 동북아 문화연구 Vol.1 No.34
This study aims of analyzing the literary argument of Reportage which was argued by Kishi-Yamaji and <One day in the East> as the group works which was invited public participation as the practice of it in <Bungaku-Annai> magazine. By the way, <One day in the East> as the group works was practiced in response to <One day in the world> which Gorky proposed it. First of all, in relation to genre of Reportage those essays is rare at Japan and Korea. Therefore, I will examine Reportage in Chinese literature for reference. Because in the Chinese literature the Reportage is systematized and reaches it at the present. The following part, I’m going to examine the literary argument of Reportage on <Bungaku Annai> magazine, and make clear difference with it of Chinese literature. And lastly, I will analyze <One day in the East> as the group works . <One day in the East> was written just after The February 26 Incident(on February 26, 1936). Therefore, <One day in the East> was described with this incident in the view points of workers who directly witnessed it. And I will reevaluate their analysis of those days. In analyzing the view of The Showa 10s which was described in <One day in the East>, I think that we can have a glimpse of The Showa 10s Japan.
海老原豊(Ebihara Yutaka) 동북아시아문화학회 2011 동북아 문화연구 Vol.1 No.28
〈Bungaku Annai〉 magazine published in July, 1935. This magazine(the chief editor: Kishi Yamaji) was an expression of his belief after conversion, for the purpose of construction of new literature by the working masses. However this magazine has planed tie-up with activist workers in the early times. Therefore, this magazine was different from before Marxists. This paper aims for analyzing the point of contact between 〈Bungaku Annai〉 magazine and Literary of Activism in japan. First of all, I will examine of the literary argument of activism in japan on 1930’, the following part, examining how was it developed the literary argument of activism on 〈Bungaku Annai〉 magazine in the last stage of it’s argument. Through this study, I think what is the point of contact between 〈Bungaku Annai〉 magazine and literary of activism workers.