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        淺議淸代後期漢語官話課本中“兒系列字”的讀音問題

        彭靜(Peng Jing) 중국어문학연구회 2013 중국어문학논집 Vol.0 No.82

        Whether the initial R(日母) of such words as “?, 耳, 二” still existed or not is very important when talking about the Mandarin language in the Qing Dynasty. Some researchers like Mr Ye Baokui argued that the initial R(日母) of the words like “?, 耳, 二” still existed in the Mandarin language in the late Qing Dynasty, while this article argues that it didn’t exist at all and the pronunciation of the words like “?, 耳, 二” should be [?] in the Mandarin language in the late Qing Dynasty, and that Mr Ye’s view on the Mandarin Language in the Qing Dynasty is not convincing. The initial R(日母) of such words as “?, 耳, 二” in some Mandarin textbooks is only something in the author’s mind or what written in the classics, and the sounds recorded in the Mandarin textbooks sometimes didn’t reveal the pronunciation in reality.

      • KCI등재

        《正音新纂》聲母系統考

        彭靜(Peng Jing) 중국어문학연구회 2014 중국어문학논집 Vol.0 No.86

        “Zhengyin Xinzuan” ,written by a native Nanjing speaker,is a very valuable material which records the Nanjing mandarin in the late Qing Dynasty. The research on its initial consonant, vowel, tone system helps to make clear the true face of Nanjing mandarin. Through the investigation on the twenty consonants of Nanjing mandarin given by the author and the pronunciation of the characters under them, this paper gives a clear description of the characteristics of the initial system of Nanjing mandarin in the late Qing Dynasty. The following are the characteristics: Firstly, most of the voiced initial consonants had changed to voiceless initial consonantsVoiceless consonant Voiceless consonant. Secondly, there existed a distinction between the a flat tongue ([ts][ts‘][s]) and cacuminal tone ([t?][t?‘][?]), but some cacuminal words had gone into the flat tongue, which was different from that of Beijing mandarin. Thirdly, there existed a distinction between the JianYin(尖音)([ts][ts‘][s])and TuanYin(團音)([?][?‘][?]). Fourthly, there was no initial [n], all the words from the old initials “Lai(來母)”, “Ni(泥母)”, “Niang(娘母)” and a few “Yi(疑母)” had changed to [l]. These are the characteristics of the pronunciation of Jianghuai dialect(江淮方言). Though the intial consonants of Nanjing mandarin were different from that of the Nanjing dialect, both of them belong to the Jianghuai dialect(江淮方言).

      • KCI등재

        論陳維崧“詞史觀”視野下的詞藝開拓

        黃偉(Huang Wei),彭靜(Peng Jing) 중국어문학연구회 2021 중국어문학논집 Vol.- No.129

        In the development map of Chinese classical Ci-poetry, Ci-poetry in the Qing Dynasty occupies an important position. Chen Wei-song played an important role in promoting the development of Ci-poetry in the Qing Dynasty. First of all, Chen Wei-song broke through the concept of “The poem is solemn and Ci-poetry is charming”and “ to amuse the guests and relax one"s mind”and put forward the great idea of “choosing words is to preserve words, that is, to preserve history.”.He elevated the Ci-poetry which is considered as “Xiao Dao”and “Shi Yu” by traditional scholars to a literary position of equal importance with the classics and history. Chen Wei-song"s admiration of Ci-poetry greatly promoted the continuous movement of Ci-poetry in Qing Dynasty. Secondly, Chen Wei-song invoked the poetic viewpoint of “An injustice makes an outcry”and “Poverty makes progress”.On the basis of respecting the style of writing, Chen Wei-song further emphasized the use of words to express the difficulties of times. Thirdly, Chen Wei-song"s aesthetic orientation was based on his proposition that he was not partial to one school in terms of aesthetic style. Finally, Chen Wei-song"s boldness and harshness of Ci-poetry lead to the evolution of the style of Ci-poetry in the early Qing Dynasty. Chen Wei-song has opened up a new frontier in the pioneering of Ci-poetry.

      • KCI등재

        “好好(兒)+的+一+量+NP”構式分析

        金鉉哲(Kim, Hyun-cheol),彭靜(Peng Jing) 중국어문학연구회 2016 중국어문학논집 Vol.0 No.98

        “好好(儿)(hǎohāor)+的(de)+一(yi)+量(liang)+NP” is a kind of typical Chinese structure. This paper discusses the judgment method, the source, the components of this structure and the semantic restrictions it causes on the predicate. We believe that the structure meaning of it is that the NP which had been in a normal situation or a good condition appeared unexpected bad condition. The components of this structure can have different combinations according to the NP. As the syntactic reduplication form of the adjective “好(hǎo)”, not only the grammatical meaning but also the form of “好好” has changed. There are many kinds of quantifiers and nouns which can enter into this structure, but the NP which contains the senses of “[-normal]” or “[- intact]” cannot enter into this structure. This structure has restriction on the meaning of predicate verbs. Semantically the predicate of the sentence should refer that NP appeared some unexpected unpleasant situations, or the predicate have some negative effects on NP.

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