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RISS 인기검색어
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- 저자 : ( James O`sullivan ) (검색결과 3 건)
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“The Excusive Cormac McCarthy: Recent Critical Approaches”
( James O`sullivan ) 한국영어영문학회 2016 영어 영문학 Vol.62 No.3
The case for McCarthy to be treated seriously by the Korean academic community is, in this reviewer’s opinion, irrefutable. The writer’s multi-dimensional themes invite a panoply of theoretical and critical interpretation-whether these take the form of new criticism, new historicism, marxist, deconstructionist, feminist, eco-critical, or post-structuralist approaches. Because of his interesting mix of genre, exciting action, pared-down language and elevated style, he is a delight to read and study at the same time. His blending of different forms-especially the romance-epic and bildungsroman-lend themselves particularly well to post-structural concerns about narrative undecidability, subjective contingency, and reflexivity (McCarthy once said: “books are made out of other books”). Moreover, his generally accessible style, along with the fact that a lot of his novels have been turned into film, is ideal for undergraduate and graduate study. All in all, it is time for a serious appraisal of McCarthy in Korean academia. Therefore, the review discusses McCarthy within the context of recent critical approaches to this important writer.
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( James O`sullivan ) 한국영어영문학회 2016 영어 영문학 Vol.62 No.4
This essay begins with Franco Morreti`s comment that the ideology underpinning the Bildungsroman constitutes “an escape from freedom.” It then applies this problem to Cormac McCarthy`s late-modernist novel Suttree (1979). Suttree takes the form of the Kunstlerroman, a variant of the Bildungsroman, and tells the story of Cornelius Suttree, a disaffected drifter, with artistic leanings, living on a houseboat in Knoxville, Tennessee in the late forties, early nineteen fifties. The aim is to trace the various existentialist themes in Suttree as a way of understanding McCarthy`s late-modernist response to a post-war America that has no place for the art ist-dreamer, the typical hero of the classic Kuntstlerroman. In dialectical terms, the images of pollution and waste that accrue in the novel can be interpreted as metaphorical stages of transformation that aid the hero`s `escape to freedom.` During the course of the novel, McCarthy pits various existentialisms, mainly of the religious and Sartrean kind, against each other as a way of highlighting the choices on offer for this besieged artist. The late-modernist Kuntstlerroman can only offer a fragmented transfigu ration. Therefore, in the refusebeatnik figure of Cornelius Suttree we see a new Kunstler -figure emerging: an artist bricoleur piecing together a new mosaic out of a decaying and shattered social order.
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