http://chineseinput.net/에서 pinyin(병음)방식으로 중국어를 변환할 수 있습니다.
변환된 중국어를 복사하여 사용하시면 됩니다.
임대근(Great Root Woods) 한국영화학회 2014 영화연구 Vol.0 No.62
This study discusses Ang Lee’s early three films: Pushing Hands, The Wedding Banquet, and Eat, Drink, Man, Woman. It uses the concept of ‘displacement’originated in surrealism. All of them represent important problems of displacement: Pushing Hands represents it composed by phsycal space; The Wedding Banquet represents it by sexual space; Eat, Drink, Man, Woman represents it by blood and social space. It has some conclusion as following: (1) There are various terms and conceptions that explan decontextual interaction such as diaplacement, diaspora, transnationality, translocality and so on. They were accepted as very useful instrumental conceptions. Meanwhile, they have an unstable position because of inter-struggling. So, it needs more detailed review and application. (2) Transnationality or translocality does not build up any composition of surface layer. They certanly wake problems get entangled in identity, race, sexuality, blood and so on in depth layer. If we explan them in abstract layer, it will cause some results that exclude specific aspects of life. (3) The specific aspects of life must study with the power relationship between subject and object, their decontextualization and recontextualization. The decontextual interaction certanly has the change of power realtionship, and explain the complex and multiple layers of power. (4) Translocality as a recent coneption claims to some oppositive categories such as center vs local, politics, economics vs culture, or nation vs region. It naturally provides new point of view, and we cannot criticize the attitude of cheer of new term or conception obstinately. However, it needs more detailed discussion rather than accepted as the political correctness immediately.