리안(李安)의 초기작 혹은 경합하는 개념들 = ‘전치’와 ‘트랜스’ 개념을 중심으로

다국어 초록 (Multilingual Abstract)

This study discusses Ang Lee’s early three films: Pushing Hands, The Wedding Banquet, and Eat, Drink, Man, Woman. It uses the concept of ‘displacement’originated in surrealism. All of them represent important problems of displacement: Pushing Hands represents it composed by phsycal space; The Wedding Banquet represents it by sexual space; Eat, Drink, Man, Woman represents it by blood and social space.
It has some conclusion as following: (1) There are various terms and conceptions that explan decontextual interaction such as diaplacement, diaspora, transnationality, translocality and so on. They were accepted as very useful instrumental conceptions. Meanwhile, they have an unstable position because of inter-struggling. So, it needs more detailed review and application. (2) Transnationality or translocality does not build up any composition of surface layer. They certanly wake problems get entangled in identity, race, sexuality, blood and so on in depth layer. If we explan them in abstract layer, it will cause some results that exclude specific aspects of life. (3) The specific aspects of life must study with the power relationship between subject and object, their decontextualization and recontextualization. The decontextual interaction certanly has the change of power realtionship, and explain the complex and multiple layers of power. (4) Translocality as a recent coneption claims to some oppositive categories such as center vs local, politics, economics vs culture, or nation vs region. It naturally provides new point of view, and we cannot criticize the attitude of cheer of new term or conception obstinately. However, it needs more detailed discussion rather than accepted as the political correctness immediately.

목차 (Table of Contents)

• 1. 리안의 영화와 ‘전치’
• 2. 경합하는 개념들
• 3. ‘전치’와 권력 관계
• 4. 맺음말
• 참고문헌
• ABSTRACT

참고문헌 (Reference)

1 Stuart Hall, "현대성과 현대문화" 현실문화연구 1996

2 "영화 <쿵푸선생>, <결혼피로연>, <음식남녀>"

3 정은영, "역사적 아방가르드의 미학과 정치학의 갈등: 구축주의와 초현실주의를 중심으로" 현대미술사학회 (34) : 179-208, 2013

4 柳父章, "번역어 성립 사정" 일빛 2003

5 김용규, "로컬리티의 문화정치학과 비판적 로컬리티 연구" 한국민족문화연구소 (32) : 31-69, 2008

6 孫慰川, "試論李安≪家庭三部曲≫的敍事主題及美學特徵" 1 : 2007

7 余銳, "自我實現的影像歷程: 論李安“父親三部曲”的眞正內涵" 3 : 2007

8 葉基固, "李安電影的鏡語表達: 從文本、文化到跨文化" 新銳文創 2012

9 Rob Arp, "李安的電影世界" 五南 2013

10 周斌, "在中西文化衝撞中開掘人性: 評李安的“父親三部曲”系列影片" 5 : 2005

11 李道新, "中國電影文化史" 北京大學出版社 2005

12 진성희, "‘경계’가 만들어내는 주변인의 서사 － 리안(李安) 영화론" 한국중국소설학회 (33) : 265-287, 2011

13 Michael Berry, "Speaking in Images: Interviews with Contemporary Chinese Filmmakers" Columbia University Press 2005