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Universal view synthesis unit for glassless 3DTV
Jungsik Park,Ji-Youn Choi,In Ryu,Jong-Il Park IEEE 2012 IEEE transactions on consumer electronics Vol.58 No.2
<P>As 3D content is becoming popular, the data size of such content is getting larger, which may cause a critical bandwidth problem in deploying 3D broadcast services. View synthesis using depth maps can play a key role in avoiding the bandwidth problem. In this paper, we propose a universal view synthesis unit (UVSU), which allows depth image-based fast view synthesis by parallel processing using a programmable graphic process unit (GPU). Assuming that a few stereo images and their corresponding disparity maps are given, we synthesize multiple virtual viewpoint images in realtime. Moreover, the proposed UVSU can freely adjust various requirements, such as the number of virtual viewpoints, their positions, and the intervals of each virtual viewpoint depending on 3D display devices. The effectiveness of our approach is verified through many experiments with various real images.</P>
( Jungsik Park ) 미국소설학회(구 한국호손학회) 2017 미국소설 Vol.24 No.3
This article examines the textual engagement of John Hersey, as exemplified in The Algiers Motel Incident, with the four text types―narrative, description, argument, and speech. John Hersey is one of the earliest and leading advocates of the New Journalism who involved the literary techniques of fiction-writing in writing The Algiers Motel Incident. He traces the contours of the ‘12th Street Riot’ in Detroit, Michigan, during which three innocent black teenagers were killed by the officers and soldiers of the Detroit Police Department and the Michigan Army National Guard. Based on his collections and findings, he rigorously and toilsomely constructed the challenging story world where the three teenagers were not the “perpetuators” of the incident but the “victims” and they were unjustly condemned as snipers and brutally killed by the law enforcement personnel. Hersey’s multi-textual representation of the incident makes The Algiers Motel Incident a highly performative space where the new journalist shapes his stance towards the reported and constructs his role, whereas the readers become an observer, a listener, a co-author, and a judge, depending on the text type the journalist is configuring the event with. His effective counter-storytelling well showcases his use of textual engagement with the four text types.
Author, Audience, and Autobiography : A Narratological Analysis of Philip Caputo's A Rumor of War
Jungsik Park 21세기영어영문학회 2007 영어영문학21 Vol.20 No.1
In this article, I argue that although the concept of “author” has been extremely troubled and difficult to sustain in some areas of reading, the Barthesian argument more often obscures than clarifies in other areas of communication and particularly so in autobiographical genres. As a subject to be discussed, I choose Philip Caputo's A Rumor of War, where the concept of author becomes illustrative in understanding the arguably distinctive structure of autobiography in terms of, first, narrative levels and, secondly, the pragmatic relationship between textual and paratextual properties.