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- 저자 : 진승현(Seung-hyun Jin) (검색결과 49 건)
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진승현(Jin, Seung-Hyun) 한국영상제작기술학회 2016 영상기술연구 Vol.- No.24
“Reply 1988”is an animate drama which gave audience human touch. It has well-made story structure and a courtesy for humanity. While audience were watching it, they could feel themselves going up and down depending on each episode with joy and sadness. The just moment egoism and individualism get into full swing and children even harm their parents, people in modern society get cold-hearted and lost. In this view, 〈Reply 1998〉 plays a major role in medicine for those social circumstances. 〈Reply 1998〉 establishes a chance to reflect how we live in this modern society where we fiercely compete to survive in a daily life and what is the most valuable in our lives. It not only makes the audience think the reason Korea is called “Hell Korea” or “the republic of suicide but also suggests that we need to look around our neighbors and recover our warm-hearted mind. That is the theme of 〈Reply 1998〉. As mentioned earlier, 〈Reply 1998〉 conveyed an affectionate and moving story. I started this research with the hope that our society will change into a place which gets more warm people than unfriendly people. This study is researched that I analyze social trend on contemporary culture and study the paradigm of TV drama’ mega hit through 〈Reply 1998〉, essence of Dramaturgy.
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진승현(Jin, Seung Hyun) 한국영화학회 2013 영화연구 Vol.0 No.55
In this thesis, direction parts expressing melodramatic internal rhythm and oriental image to audiences in movies are described with ‘Love Letter’ of lwai shunji and ‘One Fine Spring Day’ of Heo Jinho as center. As the number of study over imaging technique for social role involved in movie is growing, messages that movies are trying to send to audiences are well delivered. Despite it’s been long time since the two movies, ‘Love Letter’ is chosen as the representative movie recalling soft memory of first love, and ‘One Fine Spring Day’ gets as one of the representative Korean movies. The two movies not only give simple joy to audiences, but also deliver deep and symbolic meanings with entire cultural mood, lead roles’ lines, actions, backgrounds, and props. With this, expression for emotion of lead roles, mood of movie, and image is efficiently delivered. The character of movie is that it gives integrated visual and acoustic part with image. With this, movie well delivers messages and images thorough cameras. Now, I want to introduce a study over melodramatic internal rhythm and oriental image in movie by classifying movie elements including visual element, acoustic parts like actors’ language, bgm, and narrativity and prop of story for story progress. Movies is a new world creating events, times, and space in visual ways under director’s intention. In movie, characters and spaces are created, and intentioned events are directed. Director studies directions how to express to audience, and produces movie to well deliver message. So, director clearly shows that movie has messages and symbolic meaning in movie is an intentioned direction, not simple expression. And this thesis is for studying meaning of symbolic image and internal rhythm. This thesis has focus on ‘Love Letter’ of lwai shunji, released in 1995 and ‘One Fine Spring Day’ of Heo Jinho, introduced in 2001, and it is for closely examining the rhythm and image by understanding the internal meanings. ‘Love Letter’ is a Japanese movie, and lwai shunji’s second work. It is about a heartbreaking first love story produced with daily subjects like memory and love, presenting soft and lonely emotion of first love to audiences. It is a movie beloved by many Korean audiences as it is decided to release again in 2013 since it was released in 1999. ‘One Fine Spring Day’ of Heo Jinho delivers delicate emotional expression to audiences with beautiful visual aesthetics and proper bgm. With images and sounds captured nature beauty, the movie gives both utter emotions and psychological description of love. It has become one of the representative Korean melodramatic movies. With the two movies, I want to examine the contents of internal rhythm and oriental image of melodramatic movies.
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진승현(Jin Seung Hyun) 한국영화학회 2010 영화연구 Vol.0 No.44
Frequently human called as 'a creature of feelings'. Compare with animals, human has more various feelings and live upon express it and give-and-take it. The feelings expressed more dramatic in movie. There is only the expression of angering actor who shaking he's fist, not just a word of script that 'forbear'. That is, by any act that would represent feelings. Moreover close-up actor's face and use the selective background music for more effective expression of feelings. These elements not only represent the characters' emotional flow but also work as an aesthetic aspect in movie like a Montage and Mise en Scene. Movie is an important social regime beyond simply entertainment offering. Movie is a part of modem mass society and helped us to formulate our life style. In particular, there is a consideration of children and youth from the significant influence by movie and the rating classification system operated since the rise of the necessity of social control. Basically 'movie watching' is a collective acts. The official classification system could operate because movie was approved as a social regime. Then what lead audience to watch a movie? The attraction of movie is not just in the fun of finding that our normal life which was exaggerated and embellished. It is in the impression that makes us to realize and conduct by ourselves what is more beautiful life, through an empathy with another life in movie. Empathy of the audience and other empathy what projected to the audience of character, these two empathies make a double empathy and amplify emotions. And contents also make one bridge, has two characteristic which contrary and also not contrary, between real and fiction, that is invented real. Therefore movie orient real and real orient movie. No matter how generation change and the emotion of audience change, the human nature's love and the despair of lover will not change that easily. In that sense, regardless of era and country movie has a common sense and emotion. If so, how movie expresses the 'emotion'? In this regard, 〈Love Letter〉 or 〈Monster Ball〉 is a work of meticulous attention to detail. Good performance, solid narrative and image composition which already proven in several film festivals, these things teaches why author chose upper two movies. Foreshadowing, metaphors and symbolic technique that appear in the movie have a considerable influence on the audience's involvement. That's because audience naturally assimilated to the psychology of characters by compact configuration and various dramatic devices. Sound is also same. We could say that movie and music in movie work as the function of the amplification of emotion. That is music used effectively to raise the basic emotions like sadness, joy, anger, fear and sometimes synesthesia emotions like solemnity or elegance, cold-hearted feeling, etc. In addition, we could say it's the mission of music that describing real state or situations effectively. The trait of movie as a media is more effective expression than other media. It's easy to movie that prepared scenario delivery because movie is a media which created combining image and audio at the same time. Unlike the TV programs what base on realism and actual situation, movie shows endless techniques of expression in lot of genres. That's why audiences accept it naturally and rather feels it is more realistic that somewhat out of touch with reality and even a world of fantasy presented because they experienced it postnatally. Movies are made to be shown to audience and desire the audience to be happy at least two hours by showing a movie. If we do not ignore that beautiful appeal, our life story would not end which movie would shows to the future.
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누벨 바그 시기 고다르의 작품들에 나타난 현대인의 소통과 소외
진승현(Jin Seung Hyun) 한국영화학회 2009 영화연구 Vol.0 No.40
Monsieur Godard is a reader and a creator in the Nouvelle vague. He made many films that were reflected on the mutual understanding and breaking moderner's relationship such as spiritual or physical prostitution, political ideology. Between 1960 and 1968, being a representative of the Nouvelle vague period, he dealt with communication and alienation between modem couple relationship in his major works. This study examines his films into details and researches several literatures about A Bout de Souffle (1960), Vivre Sa Vie (1962), Le Mepris(1963) and Pierrot le Fou (1965). These films showed Godard's keen sight about Communication and alienation between contemporary couple relationship Besides, this paper cover the depth of character, especially an essential element consisting of well-made film. Also, this study researches how the structure and relationship among characters were creatively comprised and vividly inspired by Godard. Finally, this study on Godard' films was expected to suggest various examples for characters in his films. Nouvelle vague period, Godard replaced communication and alienation with life and death. His consistent interests were connected to the verge of 'Life and Death' and 'Sunrise'. So did Another his efforts to capture both immortality and a flash moment. In 'A Bout de Souffle', he questioned the issue 'what the modem communication is' by the interview scene with movie director Jean-Pierre Melville who was a cameo in the movie. He answered the question that modem life alienated a man from a woman, saying ambiguously "everything has reasons' However, through these scenes he suggested obviously modem life alienated a man from a woman and he consistently tried to question "the aspect of the communication"
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스마트폰을 이용한 영화제작 현황분석과 효율적인 활용방안 연구
진승현(Jin, Seung Hyun) 한국영화학회 2012 영화연구 Vol.0 No.51
Since smart-phone made its first appearance in Korea, the number of its users has reached to 30 million. Not only that, as the era of 3G is transformed into that of 4G, around 1 million people is moving from 3G to 4G service after the market for 4G was opened in August of 2011. Smart-phone is a product that combines conventional cellular phone and PDA. As the smart-phone market opened, not only a variety of smart-phone but also a slew of applications are going around in the market. Thanks to the splendid development of electronic devices, Korean people have become more likely to be exposed to the media. Accordingly, people’s interest in the media is getting bigger as time goes by. Under the circumstances, 10,000 to 100,000 characterful videos are posted on YouTube and Social Networking Services. As smart-phones’ features are getting better all the time, smart-phones nowadays come with a high performance camera rather than an ordinary digital camera. LG released [Optimus 3D] that enables users to shoot short film clips, becoming all the rage in the market. Moreove, some people purchase iPhone to create films. As smart-phones’ features develop and applications become diversified, the production and distribution of the media became a lot earlier than in the past. Also, people who take interest in the media create films using their smart-phones. Not only that, as some smart-phones come with a high Definition feature, some users buy their smart-phones with the definition of camera considered the most important feature for them.
KCI
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