국내 대학 구어체아랍어 교육 현황과 학습자들의 인식 연구

윤은경 ( Eun Kyeong Yun ) 한국아랍어아랍문학회 2015 아랍어와 아랍문학 Vol.19 No.1

This research aims to study the status of spoken Arabic education and awareness of learners in Korean universities. Generally, sociolinguistic situation of Arabic language is characterized by ``diglossia``, it is co-existence of literary Arabic and spoken Arabic. So when teaching Arabic as a foreign language, issues to be considered primarily is how to teach a certain variant of Arabic - literary Arabic and spoken Arabic. Two kinds of variants are all important for a comprehensive language skills. According to the Arabic proficiency guidelines, Arabic learners with high levels of proficiency skills, should have the ability to communicate with a mix of two variants, with appropriate understanding depending on the discourse situation. Considering this importance, this paper will study the status of spoken Arabic education in Korean universities and awareness of learners through a survey of 70 students enrolled in the 3th and the 4th grade in department of Arabic language and department of Arabic interpretation & translation, Hankuk University of Foreign Studies which has the longest history of Arabic education in Korea. So we will analyze learners`` awareness and their demands of spoken Arabic education. Also we will seek to the direction of Arabic education based on results of the survey, while at the same time we will try to find a integrated teaching method of literary Arabic and spoken Arabic.

바레인 구어체 아랍어의 언어적 특징 연구

윤은경 ( Eun Kyeong Yun ) 한국중동학회 2004 韓國 中東 學會 論叢 Vol.25 No.1

아랍어 사전의 발달과정에 대한 연구 -초기 편찬 방식을 중심으로

윤은경 ( Eun Kyeong Yun ) 한국이슬람학회 2011 한국이슬람학회논총 Vol.21 No.1

This research aims to study the development of Arabic dictionaries focused on the early method of arrangement. In the compilation of dictionaries, the Arab scholars were very remarkable. The great interest in codification to make Arabic language a capable and uniform instrument of communication arose first in relation to Islam. And for the purpose of preserving the textual integrity and correct pronunciation of the Arabic language in the Qur``an, the first linguistic studies were started and they were systematized by Al-khalil Ibn `Ahmad who was considered as one of the greatest Arab linguists. Al-khalil had laid the foundations for the compilations of the Arabic dictionaries. For succeeding to Al- Khalil`s method, Al- Azhari compilated 『Tahdhib al- lughah』 and it is characterized by the permutational or anagrammatical arrangement. In second step, Ibn Durayd, and Ibn Faris composed 『Al- jamharah』and 『Al- maqayis』 by ordinary alphabetical order and anagrammatical arrangement. There was the third step of the method of Arabic dictionary compilation named the rhyme arrangement. The representative of this step is al-Jawhari`s 『Al-sahah』, and Ibn Manzur`s 『Lisan al-`arab』. These dictionaries drove the remarkable development of Arabic lexicography and built the foundation of the modern efficient dictionaries` compilation.

카타르 구어체 아랍어의 언어적 특징 연구

윤은경 ( Eun Kyeong Yun ) 한국외국어대학교 중동연구소 2006 중동연구 Vol.24 No.2

In the Arab Word, there exists a striking dichotomy between two or more varieties of the same language used by speakers under different conditions. This sociolinguistic situation was termed “diglossia” by Ferguson. It means that classical Arabic is the literary standard and, in principal, the language of formal discourse, while colloquial Arabic is everyday spoken language. By Johnston, Qatari Arabic is included to Eastern Arabian dialects that constitute a united group which share some general distinctive features. Morphologically the dialects of this group are closely related to the `Anazi type dialects. As for Qatari spoken Arabic it is more closer to `Anazi type dialects. The phonological system of literary Arabic is the same of Classical Arabic which consists of 28 consonants and 3 short vowels, 3 long vowels and two dipthongs. As for the Qatary spoken Arabic has 32 consonants under the influence of foreign languages and have many allophones for each consonant, for example it has four phonemes /g/, /c/, /p/./v/. We can find another differences between literary Arabic and Qatari spoken Arabic from emphatic sounds. In the literary Arabic, there are four emphatics only /s/,/d/, /t/,/z/. But in Qatari spoken Arabic there are many changable emphatics like /b/ and it possess the affricate consonants /c/,/j/ and it is also distinguished by /j/ > /y/ phenomenon. In addition, Qatari spoken Arabic possess some morphological features just like pattern /fa□al/ > /fi□al/, verb /□akalt/ > /kaleet/. Thus for the more efficient teaching Arabic for the students as a foreign language we must concern about teaching the phonological and morphological system of spoken Arabic.

문어체 아랍어와 구어체 아랍어의 음운 비교 -이집트 지역을 중심으로-

윤은경 ( Eun Kyeong Yun ) 한국외국어대학교 중동연구소 2004 중동연구 Vol.22 No.2

아랍 음악의 발전과정에 대한 연구

윤은경 ( Eun Kyeong Yun ) 한국외국어대학교 중동연구소 2009 중동연구 Vol.27 No.3

The Arab music has a long history of interaction with many other regional musical styles and genres. It is an amalgam of the music of the Arabs in the Arabian Peninsula and the music of all the peoples that make up the Arab world today. It also influenced and has been influenced by ancient Egyptian, ancient Greek, Persian, Kurdish, Assyrian, Turkish, Indian, North African music African music, and European music. As was the case in other artistic and scientific fields, Arabs translated and developed Greek texts and works of music and mastered the musical theory of the Greeks. This study aims to investigate the development of Arab music for understanding of Arab culture. focusing on the relation between Islam and Music and the history of Arab music and Arab musical instruments. The development of Arab music has deep roots in Arabic poetry dating back to the pre-Islamic period known as Jahiliyyah. Though there is a lack of scientific study to definitively confirm the existence of Arabic music at those times, most historians agree that there existed distinct forms of music in the Arabian peninsula in the pre-Islamic period between the 5th and the 7th century AD. Arab poets of that time used to recite poems with a high musical rhythm and tone. A number of musical instruments used in Western music are believed to have been derived from Arabic musical instruments. In the 20th century, Egypt was the first in a series of Arab countries to experience a sudden emergence of nationalism, as it became independent after 2000 years of foreign rule. Turkish music, popular during the rule of the Ottoman Empire in the region, was replaced by national music. Cairo became a center for musical innovation. One of the first female musicians to take a secular approach was Umm Kulthum quickly followed by Fayruz.

이집트 노랫말을 통해 본 이집트인의 의식구조 연구 -종교, 사회생활, 성(性) 모티프를 중심으로-

윤은경 ( Eun Kyeong Yun ) 한국아랍어아랍문학회 2007 아랍어와 아랍문학 Vol.11 No.1

The music of one country represent the life and culture of the people. And the domain of popular and folk music often provides insight into the psychological and social, cultural traits of a nation`s character. It means that one can often illustrate the spirit and beliefs of the people by studyng the types of songs, the styles, music related social occasions and musical traditions. The general characteristics of popular forms of art can be found in the texts of Egyptian songs. Egyptian popular and folk songs exhibiting such traits existed in the Islamic culture and was sung and played by the people. The functions of popular and folk music may be divided into two main divisions. The first division usually refers to music attached to social occasions, which covers such celebrations whether of rejoicing or wedding. The second division comprises songs of labor and covers a wide field in the everyday life of the Egyptian society. This study is aimed to illustrate characteristics of Egyptian songs and find the Egyptian`s way of thinking through the texts of songs by classifing motifs of Egyptian songs focused on religion, and social life and sex. The Egyptian songs express happiness and sorrows and religious beliefs of the people. We can devide several categories of Egyptian songs. They are religious song, pilgrim songs, lamentation, songs of joy, love-songs and songs of celebration. All moments of joy were naturally and appropriately celebrated with music and song. The song and music were used in emotional occasions such as weddings, births, feasts, the pains of the departure.

어학 : 이집트 지역의 사회언어학적 특징에 대한 연구

윤은경 ( Eun Kyeong Yun ) 한국아랍어아랍문학회 2005 아랍어와 아랍문학 Vol.9 No.2

뉴스 아랍어의 언어적 특징에 대한 연구 : 이집트 지역을 중심으로

윤은경 ( Eun Kyeong Yun ) 부산외국어대학교 지중해연구소 2004 지중해지역연구 Vol.6 No.1

In the Arab Word , there exists a striking dichotomy between two or more varieties of the same language used by speakers under different conditions. This sociolinguistic situation was termed "diglossia" by Ferguson. It means that classical Arabic is the literary standard and , in principal , the language of formal discourse, while colloquial Arabic is everyday spoken language. Arabic diglossia is not a new phenomenon. It goes back to the pre-islamic era and it was observed by Arab and Muslim grammarians. In nowadays the literary Arabic means the language of writing and reading which is used in magazines, newspapers, books, lectures, news broadcasts, formal occasions, etc. As for the colloquial dialects, they are the language of conversation which people use in daily life, at home and on the street. As for news Arabic , it differ from classical(literary) Arabic and is influenced in some way by spoken Arabic. This article is linguistic study of radio news Arabic focused on Egyptian area. In this study, we may find many differences in the phonological, morphological,and syntactic systems especially.

마그립 지역 노랫말 텍스트를 통해 본 마그립인의 의식구조 연구: 모로코, 튀니지 지역을 중심으로

윤은경 ( Eun Kyeong Yun ) 한국아랍어아랍문학회 2008 아랍어와 아랍문학 Vol.12 No.1