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월터 그로피우스 단독주택의 경계구조적 특성에 관한 연구
왕설서(Wang Xuerui),전병권(Jun Byung-Kweon),곽경숙(Kwak Kyoung-Suk),김경연(Kim Kyoung-Yon) 대한건축학회 2011 대한건축학회 학술발표대회 논문집 - 계획계/구조계 Vol.31 No.2(계획계)
The Boundary structure in architecture is a form of combining and arranging the architectural elements such as columns, beams, floors, ceilings, walls, windows, and doorways. Walter Gropius presented a new possibility for the boundary of time, space, material use, and interior and exterior spaces through the corner of the Fagus Factory, one of his representative works. Therefore the purpose of this study is to conduct an in-depth investigation of the boundary characteristics of Walter Gropius’ works by investigating the boundary structure characteristics of detached houses, which are more closed to life than other works.
‘1933노장방(老场坊)’에 나타난 상해 근대건축의 공간재생 특성에 관한 연구
왕설서(Wang, Xuerui),김경연(Kim, Kyoung-Yon),전병권(Jun, Byung-Kweon) 대한건축학회 2014 대한건축학회논문집 Vol.30 No.5
This study investigated the features of spatial regeneration, which have been presented in modern architecture in Shanghai, through the example of the ‘1933 Old Millfun’, which used to be a slaughterhouse, but now have a new look after its complete renovation. Such features include: (1) the newly renovated building, ‘1933 Old Millfun’, has become a media where visitors can experience the past and present, as well as it is leading the cultural and economic development in Shanghai; (2) as creative industries open stores in the building; (2) the ‘1933 Old Millfun’ is a product of Chinese culture and Western architectural style, and it pursued co-existence of history and the present through the preservation of basic elements, as well as through cultural and technological exchanges between China and the West; (3) the architecture of the ‘1933 Old Millfun’ could prove crafts art or architectural technology of that time through techniques of restoring and preserving existing elements; (4) the ‘1933 Old Millfun’ attempted to create new elements to satisfy the lifestyle of modern society, as well as the existing architecture of a slaughterhouse, through the actions of selecting flexible elements, adopting colorless materials, and forming new space. Through these features, this study attempted to evaluate the value of modern architecture and make a modern interpretation of the architecture. In addition, this study explored the identity of historical space and the temporal juxtaposition where the past and present intersect by experiencing the past architecture in modern life. It also investigated how such spatial recomposition and renovation of modern architecture influence the urban development of Shanghai.