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- 저자 : 안동주 ( Dong-joo An ) (검색결과 4 건)
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온라인 맞춤 드레스셔츠 업체 현황조사 및 치수체계 분석
안동주 ( Dong-joo An ),이정임 ( Jeong-yim Lee ) 한국의류산업학회 2018 한국의류산업학회지 Vol.20 No.5
In this study, we surveyed the current status and sizing system of the custom dress shirts sold through online shopping, compared with the sizing system of the ready-made dress shirts. We tried to collect the information needed to make the well fitted dress shirts for middle-aged men from this study. The 17 online custom dress shirt brands were selected and the sales type, sales price, design options and size options of each brand were analyzed. The sizing systems of online custom dress shirt brands were compared with the sizing system of the 10 ready made dress shirt brands. The result showed that online custom dress shirts brands offered a variety of design options and size options to meet the consumers' individuality, taste and demand for good fit. In the ready-made brands, all 10 brands were using the same size notation system. In the same size designation, the difference in product size among the ready-made brands showed a tendency to be smaller than the online custom brands. The online custom brands had the different size notation system among brands. The size notation, the number of size designation and the size interval were different for each brand. Also, in the online custom brands, the product size among brands differed from each other in the same size designation. Therefore, the standardized size information and sizing system for middle-aged men that could be used as criteria when making the product size and pattern design in online custom brands were needed.
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安東柱 湖南大學校 1984 호남대학교 학술논문집 Vol.4 No.-
Korean modern poetry must aim at humanistic vision through an extention of poetic domain and a return to poetic origin. The flood of foreign culture and institutions caused by national sufferings, the industrial society by urbanization in the 20th century and the expansion of scientific civilization not only estranged human beings but also enslaved them. In this period, if a poet departs from the tradition of Korean poetry and is insterested in the new poetic style, he will check the development of Korean poetry. In this view, Midang's (Such Jeong-joo) poems suggest that they answer several questions about Korean poetry. Extending the poetic domain recursively and revolvingly, Midang, who is old enough to have the ripe experience in life, has found the courses Korean modern poetry should follow. In the first place, in “Whasa” written at the time of chaos, we realize it is dotted with Charles Baudelarie's morals and Friedrich wilhelm Nietzsche's will to exploit fate on the basis of humanism. In the second place, in his poems written after “Gwichokdo”, which we can call a return to the orien oriental idea, he exalts the thought towards externalism with Shamanism, unconventional confucianism's bitter grudge, No-Ja's sheer naturalism, and Buddhism's Transmigration. In the third place, In “poems of a Wanderer”, he recognizes the identity in the world, recreats historical data, makes life clear by wisdom, and reaches the starting-point of poetic revolution.
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安東柱 湖南大學校 1985 호남대학교 학술논문집 Vol.5 No.-
As a result of analyzing the poetic diction of Park Yong-chul, Kim Yong-lang and Jung Jee-yong, the major poets of the Si Moon Hak School, with special reference to their anthologies, their characteristics can be summarized as follows : While they pursued standard form in metre, they experimented new metre, sound symbols and rhyme and so forth in order to approach to modern Western poetry and added refinement and modernity to Korean poetry. In their use of poetic imagery they made subject-material sensual and gave impetus to the technical change of versification even though their use of imagery had no other functions than that of stimulating imagination. They attached importance to poetic diction not as a means of communication but as something to mean more than the ordinary. One of the contributions of the School was that they made significant the primary meaning in poetic language. The above three poets have something common in their preference for colourusage in poetic diction. When we notice that colour imagery in poetry, is based upon the universality of human mind, their usage is quite natural. White colour is used quite often while green colour is rare to be found. Besides, When we compare the frequency of using primary colours with that of using secondary colours the unhappy poets who lived in the colonial period seem to have embodied Korean national emotions inwardly although they were unable to thematize their social and historical consciousness.
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安東柱 湖南大學校 1985 호남대학교 학술논문집 Vol.5 No.-
The purpose of this paper is to study the directional of the Korean Poems suring the resistance period more apparantly. The directional of the poem is subdivided into the resistance will for enlight enment and the creative will. The former always places the social utility at the head and the latter emphasizes the art. The directional of the Korean poems during the resistance period shows the conflicts with the national enlightenment, patriotism, self-reflection, and nihility. Be the way, if the times is in a difficult situation, the resistance will for enlightenment is generally heightened prior to the art. However, the art of poem can be supplemented by the symbolic expression technique. As the examples of the above, Shin Eui-gwan Changeuike shows the former, and Lee yuk-sa does the latter. In conclusion, in order to elevate the voluntary poem on the artistic level we should recognize the fact there are both sides of a philosophy and an artistic style in a poem. Also, the magnification of the moral senses to heighten the human value and the emotional refinements by the native language are required.
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