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中國 苗族 女子服飾과 朝鮮後期 女子服飾에 나타난 紋樣 比較硏究
沈和珍 아시아민족조형학회 2001 아시아민족조형학회 국제학술회의 Vol.2001 No.-
Because of the proximity of Korea to China we have always been affected by Chinas political, social and cultural characteristics. Especially in the dress culture we have received and given influence to each other. The continuous struggle and fusion between these races include the Meo which is a minority among the 56 races in China and who have continued interaction and shares a tradition and culture with the Chinese. All races have a characteristic to the shape of its fabric and embroidery. Each shape has its own meaning and characteristic, especially the Meo people have a moral, social philosophical, religious characteristic and also represents incantation, social status and the legends of its people, nature, good luck, peace and fertility in its fabric and embroidery. This study centers on the female dress of the Meo people, which has maintained a stable shape for the past 100 years unlike the male dress which has assimilated during this time to lose its characteristics. It has also compared with the characteristics of Koreas Lee dynasty to examine meaning and other specialties. We then looked into political, social, cultural and historical aspects of China towards the racial minorities. We have also look at various shapes used by both cultures. The following conclusions were reached; First, The Meos used embroidery, flower embroidery and dyes. In Korea embroidery, shapes and gold prints were used. Second, both peoples used nature as the main theme. Meos used imagination to vary their design but maintained a rule in its flower embroidery. Third, the Meos used various colors to express shapes. Dye colors used brown and white as the main colors while in Korea prints used gold and silver colors. Fourth, the Chinese Meos reflected history, culture and moral values in their shapes to express fortune and happiness. In Korea many were passed from China and shapes represented social class to reflect fortune, wealth and fertility. Fifth, while both countries used embroidery the Meos used more than the Koreans who used accessories more. As seen above, both cultures were affected by the Chinese culture and have many similarities. At the same time each had original aspects to its culture which flourished in its long history.
우리나라의 織物依類의 國際競爭力 分析과 展望 : 中國ㆍ홍콩ㆍ싱가포르를 中心으로
沈和珍 성신여자대학교 생활문화연구소 1987 生活文化硏究 Vol.1 No.-
The purpose of this study is analyzed Korean's construction of clothes industry and next time Korea and rival object nation to compare and analyze, Korean's triangular posion of clothes industry to grope and that followen of to present policy direction of this industry. A means of this study compared because of diffecult the gathering of Chinese material for convenience trade metrials of OECD and Korea to use a comparative object nation of international competitive power, clothes industry of present condition and woven goods of international competitive power of analysis displayed to use tables and diagrams, expont commodity of comparative adrantage of measurement analyzed to compute 「Revelation Comparative Adrantage Index」「Morphology Comparative Index」「Regional Groups Export Competitive Power Index」and the like, to look around woven goods of international competitive power used Reveoled Comparative Adrantage Index(RCA). Study result out of woven goods acommodity Coat, Jacket, Short, and so on in comparative advantage and in 1983, Korea is comparative advantage compare with Hong Kong·Chinese·Singapore·But since 80 competitive power of Chinese is continuously in creasing the other side Kores and Hong Kong is slowly become weakend in future this situation is continuely prospect. Nothing but international clothes technical of improve rapidly developing and a consumer's demand making variousion, high-grad, too. Domestic and outside circumstances change with Korea's as export industry clothes industry continuous gorw to maitain a few did present. 1. Facilities be modernized decide beforehand : Improvement of one's old age facilities, arrive to the newest equipment, equipment automatic etc. 2. High-grade of goods and variousion is in need : Design and fashion improve, improvement of technical level, improve in quality of raw materials etc. 3. In view of a high level in international clothes industry and a high level in technical industrial, decide beforehand cultivation and security of special techmical (human power).
沈和珍 성신여자대학교 생활문화연구소 1995 生活文化硏究 Vol.9 No.-
Koryo inherited the cultural heritage of Shilla but politically was a close nation to Koguryo. Because of this there continued political confilict with the northern peoples. Externally, Koryo abosrbed various cultures to include those of Dang, Song and Won china. In the early period of Koryo the clothing culture of Koryo was close to that of Shilla. Also trade of clothing material and clothes were conducted with the nations of Yoojin, Curan and Song China through traders of therse nations. The main items of this period were for export, Jeo-po and Sema-po and high quality silk was imported. In the later of Koryo, clothes and fabric were greatly affected. The main material used during the Koryo era was the Munjeo-pom, Gyun-po silk and other silk fabrics, shic were the main items of export. Jeo-po, because of its thin and equal composition but strong texture was items like the Nun-na and Kum-gae which were of the highest quality silk. Lastly, with the import of cotton seeds from won china it brought about the rapid manufacture of cotton products. Trade during the Koryo period by official and private trade was very active during this era. Especially the manufacture of cotton cloth was major event during the Koryo dynasty.
생활한복 제품에 대한 비교 연구 : 착용 사례를 중심으로 Centering on Wear Cases
심화진,이지선 誠信女子大學校 生活文化硏究所 2003 生活文化硏究 Vol.17 No.-
With Industrialization expedited and everyday life globalized, people still long for tradition, looking for unique and folk tradition. Also, we should have own custumes representing national spirit and aesthetics. That's why 'Saenghwal Hanbok' have been popular regardless of sex and age gaining wide popularity through a campaign 'Revive Our Tradition'. In addintion, Saenghwal Hanbok have been modified to be more comfortable and functional and Saenghwal Hanbok play a role as day costumes. The 21st century is called 'the Century of Culture'. Invisible property will be a critical issue in global competition. We further improve Hanbok's advantages and introduce them to world market as a symbol of prestigious culture and tradtion, and hope that they will take a firm position as our cultural item in a world market.