東方文化에 影響을 받은 비잔틴 服飾文化의 特性에 關한 硏究

李順洪,權賢珠 誠信女子大學校 生活文化硏究所 1990 生活文化硏究 Vol.4 No.-

The costume culture includes the environmental factor influenced by the time and place as feel as the other racial culture. In the study of the costume culture the cultural historic environment and the sense of the times should be considered carefully. The Byzantine Empire formed glorious and unique costume culture based on constantinople from A.D. 395 to A.D. 1453. Constantinople, which was a largest and richest city in the Middle Ages of Europe and a commercial and industrial and cultural center of Byzantine Empire, was the border of the East and the West, so that the Byzantine costume culture was influenced by the oriental culture. The golden age of the Byzantine culture was, as a summit of Justinianus, around the 100, the Macedonia Dynasty, and the Commenos Dynasty, and from the Macedonia Dynasty, the cultural difernce from the beginning was distinctive through the costume while the deeply existed Greek style was gradually faded by the oriental style. In this study, the objective was to content limited to Persia, Turk and China, the influence of the orient culture on the Byzantine costume culture. The summary of the study is the following: 1. The Bzantine costume culture which was based on the Christianity showed the use of abundent color and silk and the splendied and magnificent beauty. 2. In the earliest time of the Empire, the silk was imported form Persia and Syria and either weared thinly or corss weaved with wool. In the time of Justinianus Emperor, after a sklk weaving workshop exclusively for the Imperial Household in Constantinople, using the cocoon from China the fabric became developed, and the Constantinople clothing became more splendid due to the silk weaving skill developed near Persia. 3. With the contact of developed Persia, the trouser which had worn by Median, Persian, and German was adopted and used by the nobles and the royal family since the 6th century. 4. In the decoration used directly for Byzantine costume, there were tablion, segmenti and clavi, Tablion and segmenti made guadrangle and round shape the prime object like the Chinese Hungbae and Boh, were the special Byzantine decoration and the sign of nobility. Segmenti was just used by quadrangle together with round shape.

결혼이민자에 대한 사회적 인식에 관한 연구

정혜은 誠信女子大學校 生活文化硏究所 2009 生活文化硏究 Vol.23 No.2

This study aims to examine how Koreans perceive marriage-based immigrants, depending on whether they have marriage-based immigrants around them or in their families, and to assess to what extent policy interventions are need-ed. 297 adult men and women aged 20 or more residing in Seoul and the metropolitan area were selected as survey respondents for this study. Frequency analysis, percentage analysis, analysis of variance (one-way ANOVA) and regression analysis were conducted; SPSS PC Program (Statistical Package for Social Science, Win Ver. 12.0) was used to analyze the data. Main results are as follows: Fast, respondents in Seoul as well as other metropolitan regions reacted positively to the idea of helping out a marriage-based immigrant. Respondents who were married or had children also showed a positive perception of marriage-based immigrants. As for monthly income, respondents with lower income showed a positive perception of marriage-based immigrants. Second, respondents who said that Korea is not a homogeneous country had a positive perception of marriage-based immigrants. Third, respondents who had personally met marriage-based immigrants or had any marriage-based immigrant in the family had a positive perception and responded positively to the idea of having their children or a relative getting married with someone from another country. Lastly, if a respondent lived in a small region, had a low level of pride as a homogeneous people, or had a family member who was from another country, their perception of marriage-based immigrants in Korean society was affected in a positive way.

디지털 시대의 소비생활변화와 소비자문제

허경옥 誠信女子大學校 生活文化硏究所 2002 生活文化硏究 Vol.16 No.-

Market environments surrounding consumers have rapidly changed. In particular. new high technology in internet and communication was rapidly diffused to greatly influence greatly variety aspects of consumer life. Changing consumers' lives are illuminated of consumers' purchasing process such as, stage of recognizing consumer needs, stage of searching consumer information, stage of purchasing consumer goods, stage of expressing consumer dissatisfaction, and stage of divestment. Given the technology in internet and communication, Consumers are able to advanced buy products and services with lower price in their convenient time by relying on electronic commerce. In addition, consumers have more chance to achieve their tastes and preferences in choosing products and goods with lower price, In sum, consumers can realize consumer sovereignty. However, there were several problems occurring in the new consumer environment including the cost problem in utilizing advanced technology, the difficulty and complexity in choosing what they want, the discrepancy of consumer information among consumers, abuse and misusage of consumer information, and consumer damages originating from purchasing, using, disposing consumer goods. Therefore, it is urgent to spend more time and energy in order to solve these problems.

영화의상이 패션문화에 끼친 영향 : 1920년대∼1960년대 할리우드영화 중심으로

김혜진,이순홍 誠信女子大學校 生活文化硏究所 2009 生活文化硏究 Vol.24 No.1

This study tries to analyze how the clothes that appear in movies have affected contemporary fashion, focusing on Hollywood movies from the 1920s through the 1960s, and to outline the trend of applying film costume to fashion. The specific findings are as follows. First, there is the retro look, which refers to the phenomenon of returning to the past in line with the fashion cycle of the 20th century. The 2000s saw the return of the straight silhouette from the 1920s. The look once made popular by Louise Brooks, a typical“ flapper girl,”was recreated by designers such as Chanel and Calvin Klein. Second, today's fashion has tapped into the gangster look from the 1940s, which minimized ornamental detail and played with military elements, emphasizing the square shoulders. Shown in the film,“ Bonnie and Clyde,”the gangster look has been reinterpreted in Alexander Mcqueen's avant-gard designs. Third, the feminine look examplified by the glamour star of the 1950s, Marilyn Monroe, has been changed into a more radical sexy look, emphasizing women's bodies. Today's feminine look exposes the body shape more and uses bolder colors and innovative texture. Fourth, the Hepburn look is a style that appeals greatly to the current young generation due to the charming and innocent image of Audrey Hepburn. The clothes worn by Hepburn, a style leader in the 1950s and 1960s, have been easily accepted by today's women. The short coat, jacket with cropped sleeves, Sabrina pants, the Givenchy dress worn by Hepburn are styles that women love to wear to this day. In conclusion, clothes shown in films not only play the role of costumes on screen but affect the fashion of women in general, reborn into new and innovative styles.

도시 빈곤층 독거노인 삶의 질에 관한 연구

임선영 誠信女子大學校 生活文化硏究所 2009 生活文化硏究 Vol.24 No.1

The purpose of this study is to provide basic data for improving the quality of life of elderly people living alone in poverty in the urban area. The subjects of this research were 181 elderly people living alone in Seoul over 60 years of age. Answers to the survey were analyzed with frequency, average and standard deviation, t-test, one-way ANOVA, Duncan's multiple range test, and multiple regression analysis. For accurate results, the SPSS WIN 15 program was used. The results as follows: First, the ADL mean score on a five point scale was 3.69 and the IADL mean score was 3.57. The mean score of community-based service programs for the single household elderly was 1.71. And the mean score of the quality of life was 3.06. Second, the ADL(IADL) showed significant differences according to sex, age, education and health. Community-based service programs showed significant differences according to age and health. The quality of life showed significant differences according to education. Third, factors affecting the quality of life of the single household elderly were ADL(IADL) and communitybased service programs, at 18.4%. In conclusion, it is considered necessary to use findings from this study as basic data for the development and application of social work intervention programs in order to raise the quality of life of the poor elderly living alone in the urban area.

히피 패션이 복식에 미친 영향에 관한 연구

이순홍,박선빈 誠信女子大學校 生活文化硏究所 2002 生活文化硏究 Vol.16 No.-

To see how Hippens influenced the fashion industry, this thesis makes a study of the individual characteristics and forms of self-expression within that group and futruter to discover the link between hippie and high fashion during the 1960's and 1970's. A study of hippie fashion requires the definition of 'hippie'. Hippie live their lives from a natural perspective, disregarding the constraints of urban life. Hippie refuse to conform to traditions in values defined by older generations. A common value among this group is the pursuit of peace in society. Hippies redefined male-female relationships, and as a result they became more liberal than at any time before that era. Self-expression was a major characteristic of the hippie community; psychedelic art, ethnic style, rock music and drug use were the major components. The hippie look manifested itself and realized the ideology of hippie through long hair, blue jeans, psychedelic art prints on clothing, the imitation of the fashion style of popular rock bands and the adoption of flower motif. After 1967 the hippie look grew popular within mainstream population and began to influence 'Hkgh Fashion'. Examples of this are: unisex clothing, layering and the birth of punk fashion. In 1990's the fabric and design became more advanced and of higher quality. New fashion styles such as Grunge, Neo-hippie, Romantic, Ethnic, Pagent, Layering have their roots in hippie fashion of the 1960's. In 1960's and 1970's hippie fashion was born of the streets, with little emphasis on the quality of fabric. As time passed, the hippie look was upgraded through the use of better quality materials and more creative accessorizing. Hippie fashion is recreated as a contemporary theme, combined with modern style and past design and has become a worldwide fashion trend.

생활한복 제품에 대한 비교 연구 : 착용 사례를 중심으로 Centering on Wear Cases

심화진,이지선 誠信女子大學校 生活文化硏究所 2003 生活文化硏究 Vol.17 No.-

With Industrialization expedited and everyday life globalized, people still long for tradition, looking for unique and folk tradition. Also, we should have own custumes representing national spirit and aesthetics. That's why 'Saenghwal Hanbok' have been popular regardless of sex and age gaining wide popularity through a campaign 'Revive Our Tradition'. In addintion, Saenghwal Hanbok have been modified to be more comfortable and functional and Saenghwal Hanbok play a role as day costumes. The 21st century is called 'the Century of Culture'. Invisible property will be a critical issue in global competition. We further improve Hanbok's advantages and introduce them to world market as a symbol of prestigious culture and tradtion, and hope that they will take a firm position as our cultural item in a world market.

청소년의 가정생활환경이 의류 상표지향성에 미치는 영향 연구 : 16~24세 여성을 중심으로

서영복,이명희 誠信女子大學校 生活文化硏究所 2009 生活文化硏究 Vol.24 No.1

The purpose of this study is to investigate the effects of the value system and material environment on consumers' brand orientation of clothes, and to understand how brand orientation, value system at home, and the motive for selecting a brand name are interrelated. As research method, questionnaire surveys were conducted on 498 high school and college girls in Seoul. Variables for home environment included status aspiration, materialism and traditionalism. Brand orientation was assessed based on brand involvement and brand loyalty. Variables for brand-selection motive included the place of a store, impulsive buying, and eight clothing attributes. Consumer groups were classified into four groups based on brand orientation, using brand involvement and brand loyalty median values: highly involved and loyal, highly involved and disloyal, less involved and loyal, and uninterested. The highly involved and loyal group showed a high level of status aspiration and traditionalism, belonged to a higher social class and had higher-educated parents. They took brand fame into much consideration when buying clothes. Additionally, this group paid much attention to the quality, fashion trends and comfort of the clothes, had a high level of expenditure on clothing and shopped for clothes mostly at department stores. The uninterested group showed a low level of status aspiration and traditionalism, belonged to the middle social class, and had lower-educated parents. Also, they took less consideration of clothing attributes, spent less money on clothing and did their clothes shopping at traditional markets and wholesale stores. The variables with the most amount of influence on brand involvement were in the order of social class, age, traditionalism and status aspiration (R²=.083). The variables with the most amount of influence on brand loyalty were found to be in the order of social class, age, traditionalism and materialism (R²=.090). Therefore, the most important variables for the clothing brand orientation of young females were social class, age and traditionalism at home.

衣生活과 美意識에 關한 調査 硏究 : 職業女性을 中心으로

許甲暹 성신여자대학교 생활문화연구소 1989 生活文化硏究 Vol.3 No.-

The aesthetic value which is built up through human's instinctive needs and the aesthetic experience of creative art comes to from beauty through our sense in daily life. The aesthetic conscioueness does not say that the existence of artistic work itself means beauty. When human expresses his aesthetic sensation resulting from its beauty, for the frist time, real bearty comes to be formed. We can see the desire which tries to create beauty through human's instinctive aesthetic experience and the aesthetic consciousness alway exitsting in our life. The purpose of this study is to examin the aesthetic consciousness of career wonen. Especially in Korea, we witnessed the rapid developing process of clothing production. Anymore, we can met expect consumers to purchase products which have been producted without fixed plan. This study makes career women, who have inhaboited in Seoul. The study makes career women, who have inhabited in Seoul. The objects are deveded according to whether married or unmaried, occupation, academic career age, income, and analized. This study aims to grasp which kind of clothing consumers are fond and to contribute the pre-estimate of coming clothing production. The object fo study includes career women who have inhabited in Seoul. The interval of study is from January 15th to March 27th of 1988. The writor distributed 400 sets of questionnaire, but collected and analyzed 312 sets of them except inadequate things. The analysis includes 52 persons of the educational world, 52 persons of general public official, salart man and bank clerk, 52 persons of clothing industrial world, 52 persons of liberal profession, 52 persons of commercial business, 52 persons of department saleman. The samples analyzed at random. The statistical analyses used in this study are t-test, F-test (ANOVA), Duncan's multiple range test, Chi-squre test, and so on. 1. Threr was a correlation coefficient of significat relation between occupation and aesthetic factor. 2. There was a significant difference beteen occupation and the beauty of fashion. 3. There was a significant different between low academic career and high academic career. 4. There was a significant relation between occupation and the element of design. The results of analysis are as following: As a result of F-test (ANOVA) according ot the occupation, there was s significant difference between the occupation and the fashion. Therefore, the aesthetic consciousness of the fashion of career women was different according to each of their tastes of dress and personality. As the results of Duncan's test to examine the difference between groups according to the occupation and the fashion, group of the clothing industrial world indicates higher level of aesthetic consciousness than each group of the liberal profession, general public official and salary man, and bank clerk, department salesman, educational world, and commercial business. Especially as the result of t-test to compare and analyze according to the level of academic career, the higher the level of academic career is, the higher the level of aesthetic consciousness reveals. As the result of Chi-square test to examine the realtion between career women and the elements of fashion design such as design line, color, texture, the tendency of liking them revealed differently according to the kind of occupation. As mentioned above, through the research of aesthetic consciousness of career women, we can grasp which one our consumer needs and likes and, furthermore, come to contribute the pre-estimate of clothing production in confrontation of rapid developing process of clothing production.

한복문화 정착을 위한 제언

김월계 誠信女子大學校 生活文化硏究所 2009 生活文化硏究 Vol.23 No.2

Korea has an economic scale of 13th in the world, a long history and a high level of traditional culture. However, Korea does not have a widely recognized image around the world. 'Hanbok' and Korean traditional costume do not have a distinct cosmopolitan image, compared to that of Japanese or Chinese traditional costume. As a result, Korean costume is frequently understood as an Asian costume similar to that of the Chinese or Japanese. The purpose of this study is to establish a concept of Korean image and find out the reason for why a cosmopolitan image of Korea and Hanbok has not been formed. It also seeks to find ways to enhance this problem by examining existing research. Chapter 2 outlines existing academic views regarding hanbok and the traditional Korean image by looking at previous studies and works done by designers. It also examines the Hanbrand project initiated by the Korean government, which has provided a foundation for the current progress hi establishing Hanbok culture. Chapter 3 looks into the problem of why Hanbok culture hasn't been popularized, and chapter 4 concludes with realistic and specific suggestions for solving this problem.