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성은애 영미문학연구회 2022 영미문학연구 Vol.43 No.-
This thesis proposes to re-read early novels of Amy Dillwyn(1845-1935) in the context of the tradition of Welsh literature in English. Recent trends of viewing Welsh history as ‘postcolonial’ is utilized to reveal the disparate forms of representations which circulate across the barrier between colonial rule and Welsh nationalism. Dillwyn’s first novel Rebecca Rioter explores and re-evaluates the historical significance of Rebecca Riots, in which her father and uncle, then the local magistrates, ambushed and arrested the Rebeccaites. Dillwyn controverts the derogatory view of the contemporary parliamentary report on the Rebeccaism, creating a fictional, sympathetic autobiography of a ‘rioter’. Rebecca Rioter and other early novels show that Dillwyn is keenly aware of the intricate class structure and of her family’s situation in Wales and UK society, especially after the Industrial Revolution and the advent of financial capitalism. She deals with the problems of class, money, crime and gender against the background of the rapidly changing Welsh countryside. Although she has been regarded mainly as a business woman and later an activist for woman’s rights, Dillwyn and her novels are worth revisiting, as a major turning point in the history of Welsh women’s literature in English, as well as a significant reference for rewriting the Welsh history.
성은애 19세기영어권문학회 2022 19세기 영어권 문학 Vol.26 No.2
This paper aims at reading Mona Caird’s The Daughters of Danaus, as a feminist attempt to establish a new form of Künstlerroman portraying the frustrated artist as a married woman with three children. As the most ‘notorious’ feminist whose controversial essays denounce marriage as a failed institution, Caird alludes to the Greek mythology of the Danaides, who kill their husbands on the wedding night to be punished in the underworld with an endless toil to fetch water. Caird portrays an aspiring and frustrated female artist, given no other choice than to flee from the family or to suffer from the exhausting labour of caring. Hadria, whose musical talent is so rare among the Victorian heroines, has to give up her ambition to be a composer, in order to meet her family obligations. Caird presents various types of independent women, a novelist and a social worker, more or less acceptable in their contemporary society, and goes further to raise a question of woman’s basic human right to develop her talent and to give expression to her rare genius as a musical composer. Caird, herself a married woman with a son, is a trailblazing “New Woman” writer who tries hard to make the woman’s paid work and family life compatible and peacefully coexistent. Describing Hadria’s passion and artistic ambition, with her breakthrough and frustration, Caird not only records the deadlocked conditions of female artists at the fin-de-siècle, but also makes various suggestions to help ameliorate the contemporary gender relations, throwing light on the ‘feminist dilemma’ of our age.
벤삼주의(Benthamism)에 대한 반성 : J.S. Mill과 D.H. Lawrence의 경우
成銀愛 광주대학교 1989 論文集 Vol.6 No.-
This study is proposed to examine some reflections on Benthamism in terms of the development of dialectical thinking in Britain where the soil for the growth of philosophical systems has been said to be so barren. As dialectics is not mere a trend in philosophical history but a way of thinking in general which can grasp the movement of things in the universe properly, there should be some properties of dialectics in any great philosophers' works whether they declare themselves as dialectic thinkers or not. We found that kind of hidden dialectical way of thinking in J.S. Mill and D.H. Lawrence. In both cases, it appears as a reflection or a critical acceptance of Benthamism, as the latter is the core of modern civilization corresponding to the capitalist made of production. Mill defines Bentham's method as "method of detail", the method of treating wholes by separating them into their parts, breaking every question into pieces before attempting to solve it. He appreciates Bentham's method as essential to the protection of nation's material wealth, while poiting out that Bentham lacks a kind of sysmpathetic imagination. Mill says Coleridge's historical method can make up for Bentham's weakness. Mill declares Bentham and Colridge as two main opposite forces so indispensable to the progress of human thought. But Mill's synthesis is rather a moderate eclecticism than a proper dialectic synthesis, because what he wants to do is to 'humanize' the Benthamism by so called 'culture' as Raymond Williams says. D.H. Lawrence is a novelist and he thinks as a novelist, which is a very important point because it can throw some light on the problem of 'art and thought' or, to put it more precisely, 'art as thought'. In his Fantasia of the Unconscious, he shows us, in criticizing Freud's psychoanalysis, somewhat Benthamite method of detail which enhancing that method to a higher dimension. His age (and our age, too) is so prevailed with Benthamism that it sways its tremendous power over every field of human activities. In our age, as F.R. Leavis referred to as 'Technologico-Benthamite', Benthamism is the most prevalent among the formative principles of our society, which makes it a very important job to evaluate Bentham's method. When some people maintain that a computer can write poetry, we are at a loss for what should be done with this, What is to be done must not be a denial of modern technology as a whole, but a balanced and creative response toward the struggle now confronting us, which means a quite different thing from a naive 'hapy medium'.