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Fold 건축 특성 분석에 따른 Issey Miyake 패션의 Fold 특성
서미희 ( Meehee Seo ),윤정아 ( Jung A Yoon ),이연희 ( Younhee Lee ) 복식문화학회 2015 服飾文化硏究 Vol.23 No.5
This study examines the formative characteristics of Fold architecture and how its properties are shown in the fashion of the modern work of Issey Miyake through analysis. In this research, the Fold classification criteria for analysis features that appeared in Issey Miyake fashion features were established through research literature on Fold architecture and leading research. Empirical data collection was conducted for Issey Miyake``s work and collection by collecting photo materials, and design concepts and the results are analyzed in terms of features. Study ranges of Issey Miyake’s creative design development are Pleats Please, A-POC, 132.5 project, and collections from 2000 to 2014. The conclusion is as follows. First, design concepts presented in the Issey Miyake fashion features of Fold are Hybrid, topology, and uncertainty. Hybrid look for the meaning of fashion, which is the interaction between the wearer and garments. The concept of topology designs clothing, focusing on interrelationship of the body and clothing, and pays no attention to absolute size or the form of the clothing. The concept of uncertainty is an uncertain form that is infinitely expandable because all the elements have openness and uncertainty due to the determined incomplete state by the creator. Second, in the results presented in the Issey Miyake fashion features is the destruction of the boundary and diagram form. The destruction of the boundary is free from traditional clothing. The diagram form is a geometric form which does not create a Dart or Princess line.
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파리・뉴욕 컬렉션에 나타난 남성 니트웨어의 Color 경향 : 2008 S/S-2010 F/W 컬렉션을 중심으로
유진희;서미희;조주연;이연희 한양대학교 2010 韓國 生活 科學 硏究 Vol.30 No.2
Recently, men get more interested in expressing themselves through the fashion design, and start to utilize drastic colors and materials of clothes. There is little research on clothing materials and colors related to men's wear including men’s knit wear. This research compares and analyzes color trends of men's knit wear shown in the Paris and New York men's collections from Spring/Summer 2008 to Fall/Winter 2010. Based on the analysis, this study also suggests the future trend of men's wear regarding colors. In addition, 745 color data were collected from the ten designers in the Paris and New York collections. The most frequently used color was yellow(Y) tones. Orange(YR) tones were most often used in the Paris collection and yellow(Y) tones were most often used in the New York collection. The colors mainly used in the Paris and New York collections would be the latest trend even though the colors cannot be regionally classified. This research has implication for researchers, designers and industrial personnel who require information about color trend of men’s knit wear.
ScienceON
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