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국내 영상 전문 인력에 대한 인적자원 통계조사 및 분석
김창유 용인대학교 조형연구소 2001 조형논총 Vol.6 No.-
This report has been made for providing department of culture of korea policy decision making database for bringing up related human resources of korean film industry. This report contains as following data categorized by professional film industry fields; directing, cinematography, editing, producing, lighting, scenario writing music, sound effects, sound recording, production design, props, costume make-up still image. On the other hand human resources of the each fields are divided into parts according to age, marital status, educational background year of his/her debut, motivation getting involved into specific fields, career route of his/her professional skill acquisition, monthly income, his/her suggestion toward korean government policy especially department of culture, korea for effective bringing up korean film industry human resources. This report has been completed not only by survey collection from korean film industry related people through printing material and face-to-face meeting but also by research of various raw status database which were collected by korean film commission and korean film archive.
한국예술종합학교 영상원의 교육 현황과 국립영상교육기관의 역할
김창유 용인대학교 조형연구소 1999 조형논총 Vol.4 No.-
The objectives and values of YOUNGSANGWON, Korean Government-Run film and multimedia school has to be different from those of private film schools because it runs by the government revenue made up with taxes from the people. According to it's annual report, 1999 YOUNGSANGWON has a objective of developing elite human resources for filmmaking. But I believe it can not be sufficient reason for the existence for the Government-Run school. It has to have public purposes for the people or at least, for Korean film industry. There are more than 40 of 4-year course film schools with more than 6,000 students around and over-much for needs of Korean film industry. But YOUNGSANGWON has objectives and values nothing different from that of private film schools and has spent huge budget of the Government for 5 years. Considering situation of film school and industry in korea, YOUNGSANGWON has to take one of these two. First, YOUNGSANGWON has to change its' objectives and values for the public purposes and second, transforms itself into the school independent from Government budget.
포토매트릭스를 활용한 영화/영상 조명디자인에 대한 연구
김창유 용인대학교 조형연구소 1998 조형논총 Vol.3 No.-
In terms of production stage, cinematography would be one of the main parts. Which is consisted with camera and lighting related works. However lighting job itself has to be done by lighting design which is ideal rather than practical or actual. A lighting design is nothing but a plan or blue print how to set lights position. Its color, its angle of beam projected from the source. Its own color temperature, its footcandle arriving at subject according to output of light itself and distance between light and subject, etc. Lighting design surely belongs to pre-production stage because it is not the practical job doing something in a set or location but the ideal job planning something related to lights. Usually setting lights takes most of the time for cinematography in production even if there is lighting design for the film, and let's think about the case of production which has no lighting design. There is no choice but two things, just making junk film or wasting long time for lights set up. Both will not be plesant situations for of the people taking a part in the film production. Lighting design job can be done by using lights related data what we call photometrics, basic mathematical understanding and a little knowledge of blue print scale map for a set of location. It is the purpose of this technical thesis to suggest how to practice lighting design for cinematography.
HD 카메라를 이용한 제작 시스템의 가능성과 현실적 문제들 그리고 대안들
김창유 용인대학교 조형연구소 2002 조형논총 Vol.7 No.-
THERE ARE FOUR MAIN TOPICS IN THE THESES, TECHNICAL COMPARISONS BETWEEN 'SONY CINEALTA 24P' AND 'PANASONIC VARICAL' THROUGH MY OWN TESTS, AND PRACTICAL PROBLEM IN HD PRODUCTION INCLUDING FILMLOOK, LATITUDE, LENS, MENU FOR DIGITAL EFFECTS, ETC. AND THEN SUGGESTION FOR IDEAL HD PRODUCTION METHODS SUITABLE TO PRESENT HDCAM SYSTEM WITH CONSIDERATION OF THE PRACTICAL PROBLEMS. AND ALSO I AM SUGGESTING THE ALTERNATIVES TO HIGH-END HDCAM, 'SONY CINEMA 24P' AND 'PANASONIC VARICAM' TO MAKE HIGH QUALITY MOVING IMAGE WITH LOW BUDGET SUCH AS NEW JVC 'HD-MOVIECAM' AND PL MOUNT FILM LENS ACCEPTABLE ADAPTOR WITH 6MM FORMAT DVCAM.