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      • KCI등재

        日本 전통 頭髮樣式의 사적고찰을 통한 明治時代의 특성분석

        김지연(Kim Ji-yuon),최정명(Choi Jung-Myung) 한국인체미용예술학회 2006 한국인체미용예술학회지 Vol.7 No.3

          In the study, I analyzed to focus on Meiji era regarding characteristic analysis and modern application through historical study of Japanese traditional hair form.<BR>  For this, I have studied beauty care cultural and historical background. Through the type of hair style, method by the type, modern application, wedding, application instance of party and modern application research instance, at the new point view, I re-illuminated Japanese historical study of a characteristic and a popularity affected bysocial, political and economic effect through periodical flow.<BR>  Also it introduced the technique instance for the production of hair form. I knew beauty sense which can be discovered from traditional hair style, has been still used even today. From the base, beauty sense of human being can be a little different through race, people and period. However, I knew what is changed newly to Chignon type through natural hair control in modern age through the study that Mage shape which can be discovered from traditional hair style of Japanese.<BR>  Revived instance of like this technique I produced 4 application instance works based on Kimono, wedding party, research instance etc. For technique development process of the work idea, I created works which can be used by a historical idea and applied even into actuality. I concluded from the study as follows:<BR>  First, by observation to divide the feature and change and hair style from period I have the conclusion that it is the possibility of feeling an important role and the sense of satisfaction from woman’s beauty desire.<BR>  Second, by study of beauty care cultural background, in Japanese hair shape, all people kept stick to the hair style base on Mage shape no matter sex and age. I have the conclusion that it is possibility of knowing the identity social rank and position by through shape, height and accessory of Mage.<BR>  Third, through the research regarding the characteristic analysis and modern application from historical study of traditional hair style, shape of Mage has traditional characteristic feature, and when the feature with texture, I have the conclusion that the style known as Chignon appeared and women who live in modern can feel their character and self-esteem by technique of style.<BR>  The fourth, I proposed conclusively to import hair design with Japanese hair form through their social and cultural background, and beauty cultural background without limitation for Mage under grafting traditional ornament with hair, hair volume and the hair color. Even though we live in culture which is pretty hard to predict the speed of popularity predicts from past to a present time, I think it is necessary for effort of study to reach the development kept stick to traditional and newly created from new generations in new century to get a new inspiration by people who can foresee a future immediately researches and prediction for the future, through traditional historical study in the culture.<BR>  Consequently, the purpose of this study is to introduce traditional Japanese ese hair shape culture into our country by proposed modern technique with historical analysis regarding Japanese traditional hair style and modernized modeling. The preceding study regarding a hair design is not much and the studies with various subjects are not activated in current situation, I hope that it is benefit for hair style study and by my study is a stepping stone.

      • KCI등재

        日本人의 頭髮形態를 통한 頭髮裝節技術의 特性分析

        김지연(Ji Yuon Kim),장진미(Jin Mi Chang),정진도(Jin Do Chung) 한국인체미용예술학회 2010 한국인체미용예술학회지 Vol.11 No.1

        The consciousness for beauty in each country has been expressed as culture, environment, area and age differently. In modem society, however, there are a lot of people living with a life goal which lives beautifully. In this study as the beauty culture is globalized, we examine the genesis of ancient Darekami of japan by characteristic analysis of hair style, production method and hair culture of accessory and so on. In the modem age, the hair style in japanese woman's living is well expressing the living history of that time by introducing hair production method of Monkingtakashimada style used of a newly married woman in 300 kinds of a hair style of Japanese man and woman. The Mage style can be given the change of accessory by variation of various style, and it can be known the unmarried or married person and social position and so on by the hair style. It is found that this study is very useful to introduce the traditional hair culture of japan through the examination of the hair style in the specified age.

      • KCI등재

        日本女性의 頭髮樣式 및 裝身具에 관한 연구

        김지연(Ji Yuon Kim),황승민(Seung Min Hwang) 한국인체미용예술학회 2010 한국인체미용예술학회지 Vol.11 No.3

        The Taisho era in Japan which had caused the various changes from many sources in politics, society and culture, had risen to the interest about the education and human right of woman and had arisen to the terminology meaning the new woman in education society. Besides, popular culture was formed by radio and movie and so on, and it was greatly influenced on the hair style and accessories of woman. In this study, we investigates the characteristic of hair style and accessories in woman of Taisho era and considers about the beauty consciousness of woman in Taisho era. It is able to classify two styles as the traditional woman and the new woman in the hair style of woman. The hair style of new woman is also able to classify to hair style effected on advanced education and modernization, and hair style effected on popular culture of movie and woman magazine and so on. It is found about the beauty consciousness of woman in Taisho era through the hair style and accessories. The hair style of traditional woman and new woman shows the traditional beauty and exaggerative beauty which are emphasizing the Mage and the volume. In addition, the hair style of new woman effected on popular culture shows the freewheeling hair style and the curvaceousness which is emphasizing the wave.

      • 일본인의 마게(□)형태에 관한 연구 -에도시대(江戶時代)부터 현대시대(現代時代)를 중심으로-

        김지연 ( Ji Yuon Kim ),진형여 ( Hyung Yeo Jin ) 대한미용문화예술학회 2013 대한미용문화예술학회지 Vol.2 No.2

        This study contemplates Magae forms reflecting social and cultural characteristic of Japanese from Edo period to Taisho period and considers how Magae forms have been changed in modern times. The results of study are as follows: First, a diversity of changes in every direction such as politics, society, and culture were vitalized in the period of Edo and Taisho and Magae forms of women had influence on the period of Edo and Taisho based on economic stabilization and cultural development. Second, it implied that Magae forms were transformed by women who hung on their status and tradition and the modern women who were affected by western culture. Third, it also stands that Magae forms had the light Magae from used by beauty of curve and wave of the modern women who were influenced by traditional Magae forms which were voluminous of the Edo period. Therefore, Edo period had various changes in many different directions such as politics, society, and culture and it was focused on Magae forms and hair styles were centered on volume hair styles like Jeonbal, Bin, Tarboro, and Magae. It was turned by natural Magae forms like wave, shaggy, and twist in Meiji and Taisho period. When considering those results, this study indicates the changes of Magae forms of Japan by looking at the Magae forms of Japanese women and it shows how the Magae forms have been changed in modern. These results of this study would be helpful for people who research on hairdressing.

      • 이미지 메이킹 교육의 인식도와 필요성에 관한 연구

        진형여 ( Hyung Yeong Jin ),김지연 ( Ji Yuon Kim ) 대한미용문화예술학회 2013 대한미용문화예술학회지 Vol.2 No.1

        The purpose of this study is to seize the awareness and necessity of image making education for 20s and 30s people who would have the interview or find a job, and live in society. Therefore, the ultimate goal of this study is to have desirable image making training for them. 20s and 30s men and women living in Seoul or Gyeonggi province who have interviews or finding a job, and live in society were selected as research subjects for samples. The period of questionnaire was from March 19 th to April 17th in 2012. The study was conducted a total of 400 copies for the questionnaire and the collected data were done by SPSS (Statistical Package for the Social Science) WIN 18.0 program for analysis. As the analysis technique, t-test and frequency analysis were carried out to identify the general characteristics of participants, general data of image making education, and an actual condition survey of image making education, and awareness and necessity of image making education. The results obtained from the study are as follows. First, 79.3% which recorded the highest answer among the participants thought “It is the creating process to realize their seeking image.” Second, the phone manner (importance and characteristics of answering phones) ranked the first and general manner (greeting, posture, and attitude) was the next rank in the question of the necessity of image making education. Third, 93.0% of the total respondents said that they need the image making education and 90.5% of them responded that image making education is important. Fourth, 86.5% of participants answered that they are willing to take part in classes for image making education and 34.8% of the total subjects thought the proper number of image making education is twice. Finally, 52.0% of the whole participants answered that image making education is helpful for their social life, job interviews or employment. All things considered, the significance of this study is to identify the awareness and necessity of image making education of 20s and 30s men and women. When considering the social awareness changes, this study suggests the basic data for desirable and necessary image making educational programs in modern society where image making education is growing important.

      • KCI등재

        성인 여성의 아유르베다 체질유형과 모발ㆍ두피 특성과의 관련성

        최정명(Choi Jung-Myung),김지연(Kim Ji-Yuon) 한국인체예술학회 2007 한국인체미용예술학회지 Vol.8 No.3

        By the classification of the constitutions of women according to Ayurveda, it was resulted that 46% of the classified women belonged to Pitta constitution, whereas Kapha constitution and Vata+Kapha constitution obtained only 1.4% respectively and equally. Therefore, Pitta constitution is viewed as the most predominance among constitutions, but Kapha constituition and Vata+Kapha constitution are rare. A group belonging to Pitta constitution worried about loss of hair, a group belonging to Kapha constitution an oily scalp and dandruff, a group belonging to Vata constitution curly hair According to the above facts, we were able to realize that the Indian classification of constitution reflects partially the characteristics of constitutions respectively.

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