무용인구의 저변 확대를 위한 방안

경임순 한국스포츠리서치 2003 한국 스포츠 리서치 Vol.14 No.2

Art has it's value based on the expression of the actual life, and the purity of art that is expressed and developed by the specific expert evokes common people's consensus and then has the popularity. But, the popularity of dancing art is getting weakened and the number of dancing population is getting reduced unlike the other arts. Therefore, I herewith describe the solution or alternative for enlarging the dancing population based on the appreciation that enlarging the dancing population shall be achieved when common people understand or accept the image dancer try to express and also, I consider how dancing society tries to solve the problem. We should perform the dancing corresponding to common people's feeling without losing artistic feeling in order to let the art be with common people as the part of their lifes and to enlarge the dancing population, and I herewith state some of alternatives. Fist of all, I look for the solution allowing the common people to better understand the dancing performance and ask for technical solution for achieving the popularity through the variety of trials for creative dancing. And also, I herewith suggest to utilize the little theaters in terms of investment for and growing the dancing population with exceeding the existing passive method, to achieve the popularity through the performance of excellent and marketable works and to grow the planner specialized in the dancing as some of alternatives. Finally, I suggest to activate the dancing culture of the community with local government agencies. It is true that dancing art is not easy to share among the common people living at the specialized modern society, but the dancing should not be reserved for only specialized dancer as the dancing art without any popularity shall be alienated without being considered. This consciousness of crisis is the most fundamental and important assertion stated in this paper.

진주검무의 보존과 현대화방식에 대한 연구

경임순 한국체육과학회 2007 한국체육과학회지 Vol.16 No.2

The aim of this essay is to elucidate the methods of preserving and modernization of JinJuGumMu. In Korea, traditionally, there have been five kinds of GumMu(Sword Dance). Of these, only JinJuGumMu. was designated as national treasure of treasure of intangible cultural property by the Ministry of Culture and Sightseeing in 1967.JinJuGumMu. was presered well as one of the most important source materials of Korean traditional Dance. And we cannot deny the importance of source materials when we use them as a method of academic or artistic pursuit. But here we should rethink that whether it is enough if we are satisfied that preserving the old tradition.All art forms including dance are changing. So is JinJuGumMu. So we should try to modernize the old art to make it more precious. Therefore, it is necessary for us to recognize the importance of the source material. And to try to find out various kind of artistic and choreographic method to modernize JinJuGumMu.

무용 : 전통무용과 무예의 미적 특성에 관한 고찰 - 악학궤범(樂學軌範)과 무예도보통지(武藝圖譜通志)를 중심으로 -

경임순(EmSoonKyung) 한국체육학회 1997 한국체육학회지 Vol.36 No.1

오늘날 서구 대중문화의 범람으로 인해 한국의 몸짓은 점차 잊혀져 가고 있는 추세에 있다. 한국적 몸짓이라 함은 인류보편의 신체운동이 아닌 지역적, 환경적, 유전적 형진에 의해 형성된 한국의 독특한 신체운동을 의미하는 것이다. 또한, 한국적 몸짓의 총채라 볼 수 있는 기(氣)를 바탕으로 우리 특유의 미를 추구하는 전통무용과 심신단련을 목적으로 삼고는 있지만 이 또한 기(氣)를 바탕으로 자연스럽게 힘을 풍기며 그 안에 무서운 위력을 내포하고 있는 무예를 통해 우리의 자주적인 미의식과 문화의식을 뒤돌아 보려고 한다. 따라서, 전통무예인 “24”반 무예 중에서도 동작설명이 고도의 문화적 언어로 묘사된 “장창”과 “예도”와 전통무용 중에는 남성적 특징을 지닌 “처용무”와 궁중무용의 백미인 “춘앵전”, “수연장”을 예로서 한국의 뿌리와 정체성을 다시한번 확인하며 “24”반 무예가 신체움직임의 예술인 무용의 폭넓은 발전에 활용되며, 한국의 창작무용에 있어서도 오늘날의 시각에서 재창조 해 낼 수 있는 다양한 몸짓의 보고임을 알 수 있었다. The purpose of this thesis is to anylize the meaning and the characteristics of the koean Motion. What we call korean Motion is not the general way of movement of other mankind but the way of athletic and emotional movement which had determined by own Koreans' local, envioronmemtal, and hereditiry condition.This research adapted the two typical korean traditional movement, Dance and Military Arts, to seek for the real sense and the peculiar quality of korean motion.The aim of traditional Dance is to express the aesthetic consciousness and mind, meanwhile the traditional Military Arts, to seek for the realsense and the peculiar quality of Korean motion.The aim of traditional Dance is to expresess the aesthetic consciousness and mind, meanwhile the traditional Military Arts embody the different goal, that is the training one`s body and mind.Thus, the aim of Military Arts is somewhat different from the Dances`, but these are still worthwhile to examine as an aesthetic object, in so far as the athletic movement include also some aesthetic expression.As the specimen of this study, the court dance of Lee-dynasty and the Military Arts of Chosun 24 Arts for which was made traning the soldiers during Lee- dynasty was selected from among each Korean traditional dances and mility arts.To research the aesthetic characteristics for the two Korean movements, The classicoflee-dynasty, < AK-HAK-GUE-BOEM > and < MU-YE-DO-TDNG-GH > was referred to the theorctic foundation. This process revealed something in common on both side and it is as follows.Firstly, Both the traditional Dance and Military Arts are originated from the oriental philosophy and these are all done with a view to relizaing the oriental philosophy.Secondly, The, Korean motion never fail to flow with natural way and it always accommodate natural characteristics.And the thirdly, The traditional Dance and Military Arts can bring the vitalityTo the men`s body and mindThe attitude toward the life - esteem is the ultimate destination of Korean motion

움직임의 EFFORT 에 대한 연구 - 한국 전통 무용에 있어서의 EFFORT ACTION 의 역동성을 중심으로 -

경임순 ( Lim Soon Kyoung ) 대한무용학회 1996 대한무용학회논문집 Vol.19 No.-

춘앵전 참가 청소년의 신체적 효능감이 감성지능 및 학교생활적응에 미치는 효과

경임순(Kyung Im-Sun) 한국체육과학회 2008 한국체육과학회지 Vol.17 No.3

Many Korean Dance have tried to find source in school organizational culture and leadership for responding to environment and increasing school life adaptability of adolecents since 2000's. But Chunaengjeun which is a court dance have not tried by recentley. The purpose of the study was to examine the effects of Chunaengjeun which is a court dance on school life adaptability of adolecent. In order to achive this purpose three research questions were established. First question was that there will be deferent according to group between participants and non-participants who is participating in Chunaengjeun which is a court dance and physical-efficacy, emotional intelligence, school life adaptability of adolencent. Second one was that there will be mediational effects of emotional intelligence between physical-efficacy and school life adaptability of adolecent. Participants for this study were 500 of 13-15 overaged adolecents. Of participations valid data were 415. They completed a modified inventory of the physical-efficacy, emotional intelligence, and school life adaptability. More details, physical efficacy scale by Ryckman(1982), emotional intelligenc by Mayer & Salovey(1990), and and school life adaptability scale by gu(2000) were using after remodifing scale to investigate the purpose of this study. Results were analysed in quantitative approaches. Data were collected through self-administered survey. The most three meaningful results of the study were as follows; First, there was deferented to related group between participants and non-participants who is participating in Chunaengjeun which is a court dance and physical-efficacy, emotional intelligence,, and school life adaptability of adolencent. Second, there was influenced to meditaed effects of emotional intelligence between physical-efficacy and school life adaptability of adolecent.