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明洋洋(Ming Yangyang),陳依諾(Chen Yinuo) 중국어문학연구회 2021 중국어문학논집 Vol.- No.130
This paper discussed ‘kebushi’ from three aspects : syntactic distribution, discourse function and formation mechanism. Firstly, fromthe aspect of syntactic distribution, through the statistics of the corpus, it is found that the occurrence of ‘kebushi’ is slightly higher than that of ‘kebu’, and the use of ‘kebushi’ and ‘kebu’ is higher than that of ‘kebushi ma’ and ‘lebushi me’, because ‘kebushi’ and ‘kebu’ themselves have a rhetorical tone. ‘Kebushi’ can be combined with ‘na’ to form the form of ‘na kebushi’, but it can not be combined with ‘zhe’. ‘Kebushi’ can appear in the dialogue, sentence groups or clauses. When it appears in the conversation, it can occupy the position of the beginning of the turn, but it can not be located in the position of the first turn. Secondly, from the perspective of pragmatic functions, this paper discusses the functions of ‘kebushi’ such as turn taking markers, response markers, attitude markers and topic markers. Finally, this paper investigates the formation mechanism of ‘kebushi’. ‘Kebuei’ first appeared in the Ming Dynasty as a response, and with the loss of later grammatical components, ‘kebushi’ began to be used independently in the Qing Dynasty to express the speaker"s subjective emphasis.
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金鉉哲(Kim, Hyun-cheol),明洋洋(Ming Yangyang) 중국어문학연구회 2018 중국어문학논집 Vol.0 No.112
This paper makes a study of the semantics of ‘verb+zai+location’. Depended on the meaning of zai which means ‘being’ and ‘arriving’, the meaning of ‘verb+zai+location’ can be divided into ‘scene of space’ and ‘scene of moving to the terminus’. First, according to the characteristics of verbs, the ‘scenes of space’ can be classified into dynamic type and static type. And the static type is divided into ‘simple static type in space’ and ‘static type after action’. Second, according to semantics, the ‘scene of moving to the terminus’ can be divided into ‘agent, patient, experiencer, instrument’ four elements. And each type of semantics is described in detail. It can be said that this classification is more meticulous than the previous semantic classification. In semantic analysis, we re-analyzed the meaning of ‘zai’, and then focused on the semantic relationship between the verb, the ‘zai’, the location and the argument involved in the verb, rather than just analyzing the verb and the location. We found that the ‘scene of space’ can be interchanged with the ‘zai+location+verb’ sentence pattern, and the ‘scene of moving to the terminus’ and the ‘zai+location+verb’ sentence pattern can be interchanged only when the ‘action’ related argument (agent, patient, experiencer, instrument, etc.) and the ‘action’ is located in the same location. Finally, the semantic meaning of ‘verb+zai+location’ is described by means of image schema and scanning in cognitive linguistics.
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‘熱족사’ 속 ‘熱’의 의미 범주 및 조어 기제에 대한 인지적 고찰
雷?(Lei Ting),明洋洋(Ming Yangyang),朱珊瑚(Zhu Shanhu) 중국어문학연구회 2021 중국어문학논집 Vol.- No.131
This paper probes into the semantic category of the temperature word "hot(熱)", and analyzes the semantic extension mechanism of "hot(熱)" and the word formation mechanism of "hot(熱)" word family. The conclusions are as follows: "hot(熱)" has other abstract meanings besides the prototypical meaning of "high temperature". Metonymy and metaphor are important cognitive models, which are the origin of new linguistic meanings. Through the process of metaphor and metonymy, these concepts are mapped onto more complex conceptual domains beyond the temperature perception domain, forming a variety of meanings. On the basis of these extended meanings, many new words are constructed by analogy, and finally these words combine into a regular and systematic "hot(熱)" word family.
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