http://chineseinput.net/에서 pinyin(병음)방식으로 중국어를 변환할 수 있습니다.
변환된 중국어를 복사하여 사용하시면 됩니다.
민법 제2편(물권) 제6장(전세권)과 제8장(질권) 중에서 삭제하여야 할 규정들
강태성 한국민사법학회 2009 民事法學 Vol.44 No.-
In amendment of Civil Act, deletion of unnecessary and unreasonable provisions is as important as alteration of exiting provisions and establishment of new provisions. Therefore, in this thesis, I investigate provisions that need to be deleted in Korean Civil Act PartⅡ(Real Rights) ChapterⅥ(Chonsegwon) and Ⅷ(Pledge) as follows. Ⅰ. Civil Act Article 308 This provision provides very heavy responsibility of the person that contacted for chonchonse. As long as I think, This heavy responsibility can not be existed in real life. And it is right to load responsibility in the case that intention or negligence exit. So, this provision is unnecessary and unreasonable. Therefore, it is right to delete this provision. Ⅱ. Civil Act Article 336 and 337 This provisions provide sub-pledge on pledgee's responsibility. With all things concidered, pledgee can loan as a pledge for his claim and pledge, not using this sub-pledge. And these provisions do not square with Civil Act Article 324 Clause 2. Therefore, it is right to delete this provision. Ⅲ. Civil Act Article 339 This provision provides ban of contact for foreclosure. As long as I think, the object of contact for foreclosure can be realized by the redemption or etc. Especially, contact for foreclosure can be ruled reasonably by Civil Act Article 607 and 608. Therefore, it is right to delete Civil Act Article 339. Ⅳ. Civil Act Article 340 Because this Article Clause 1 can not protect anyone, this clause is not reason for exiting. therefore, it is right to delete this clause. And, in the case of deleting this clause, Civil Act Article 340 Clause 2 is not reason for exiting. Therefore, it is right to delete this clause. Ⅴ. Civil Act Article 347 This provision provides about delivery of documents evidencing obligation. This provision is applied to setting up pledge for nominative claim. As long as I think, nominative claim is not linked inseparablly by documents evidencing the claim. So, this provision is scarcely exiting-value. therefore, it is right to delete this provision. Ⅵ. Civil Act Article 348 This provision provides pledge against mortgage claim and additional registration of pledge. As long as I think, this provision is against Civil Act Article 186 and 187 that provide fundmental rules on changes in real rights over immovables. therefore, it is right to delete this provision.
강태성,Kang, Tai-Sung 한국미술이론학회 2003 미술이론과 현장 Vol.1 No.-
What is 'Art Theory'? In the western sense, the term poses a vague ambiguity, and in the eastern, it is rather an abstract and metaphysical concept. As for etymology, theory is derived from theoria and theoria from theoros. It refers to an act of viewing or seeing, of course not in a metaphysical sense. Plato understood it as 'eide'. During the time of Plotinus, theoria encompassed gazing at every possible reality, and this gazing, that is theoria, is closely related to reality as aunit that theoriacan perceive. However, we tend to distinguish, as other scientists of dualism have done, studio art from theory since a pre-modern approach to art has been particularly tuned to studio practice, set apart from theory. Therefore, in studio classes, students are expected to learn the subject based on the foundational curriculum methods such as medium, genre, technique:, rather than bringing out their own interpretations and discussing theories. As a result, students have become artists, who are not able to understand their own art. Art professors who conduct class in studio are required to proceed with specific 'theories' as well as 'intellectual reflections'. In this respect, this thesis presents poiesis and an idea of 'acting out'. Although art history and aesthetic theory tend to view art as a finished product, actual art-making and related theories should not only be acknowledged as 'completion' (finition) but also be accompanied by theoretic interpretations of the act itself and process. Accordingly, it is to accept and appreciate art as finished result in view of current theory and aesthetics thus boils down to aisthesis. Likewise, poietics starts from a point where an artist is related to studio and examines the 'work process' that extends as far as to the exact end of work. Through the study of such relationship, it is possible that theory understands 'studio' and 'process', and an artist can grant an independent meaning to studio where s/he pours her/his heart out creating a work of art. Theory is a study on artistic discovery thus should be equipped with functions that can accommodate fortuity, imitation, thinking, culture, and surrounding.