시네마테크 전용관의 활성화에 관한 연구-서울아트시네마 운영사례를 중심으로- = Research on Popularization of Cinematheque Theater : Focusing on the Example of Seoul Art Cinema

다국어 초록 (Multilingual Abstract)

Nowadays, movies identify themselves not only as the mainstream of the current mass culture, but also as an essential part of cultural industry. For the past few years, Korean movies have enjoyed a rapid increase in the number of audiences and in the size of movie industry. However, many have questioned the sudden development of Korean movie industry for the unbalanced growth focused on few commercial movies, concerned with the fact that the development might be limited to quantitative aspect. Actually, the concentration on the specific movies is intensifying as years pass by. For example, so-called "popular" movies are constantly screened at numerous multiplex theaters, taking over limited spots. Such phenomena banish many movies without financing and distribution systems from the market and may worsen the condition of Korean movie production, especially those of the so-called "unpopular" movies. If this goes on for a long time, foundation of Korean movie industry would become unstable, fundamentally hindering a long-term development. For the constant development of Korean movie industry, not only a quantitative growth but also a qualitative balance and diversity should be secured.
Diversity of movies could promote a continuous development of the industry, and nevertheless is important because movies are parts of "culture"' or "cultural inheritance." It is important that diversemovies should be produced for cultural diversity. However, development of image culture is possible when production, distribution, screening are systemically connected. Secured places for screening are especially important since they provide the space where the movies can meet the actual audiences, since movies can gain meaning only when they get screened at theaters and meet the audiences.
To minimize damages caused by the intensifying concentration on the specific movies, an alternative solution should be provided for survival of low-budget movies, independent movies or arthouse movies. This research plans to examine the current situation, considering Seoul Art Cinema as the alternative solution for ensuring diversity of movies, and look for answers to existing management problems.

목차 (Table of Contents)

• 목차
• Ⅰ. 서론 = 1
• 1. 연구의 목적 = 1
• 2. 선행 연구 및 연구문제 = 4
• Ⅱ. 한국영화 성장과 전용관의 등장 = 9
• 1. 한국영화 성장과 우려 = 9
• (1) 불균형 성장 = 10
• (2) 불안정한 구조 = 13
• 2. 전용상영관의 필요성 = 17
• (1) 영화의 개념 변화 = 18
• (2) 문화의 다양성 보장 = 20
• (3) 지속성 = 22
• (4) 관객의 문화적 권리 확대 = 24
• 3. 국내 전용관 현황 = 27
• (1) 시네마테크 전용관: 서울아트시네마 = 29
• (2) 예술영화 전용관 = 33
• Ⅲ. 서울아트시네마 운영 사례 = 39
• 1. 서울아트시네마 운영 = 39
• (1) 극장 운영 비용 = 40
• (2) 프로그램 비용 = 43
• 2. 서울아트시네마의 문제점 = 49
• (1) 비영리성 = 49
• (2) 필름 아카이브의 부재 = 55
• (3) 영화상영 시설 = 58
• Ⅳ. 문제점 해결을 위한 제언 = 62
• 1. 공적 지원의 확대 = 62
• (1) 공적 자금의 투입 = 65
• (2) 조세지원 = 70
• (3) 안정적인 공간의 확보 = 72
• 2. 원름 아카이브 구축 = 77
• 3. 네트워크 형성 = 82
• Ⅴ. 결론 = 85
• 참고문헌 = 87
• 별첨 = 91
• 별첨1 = 91
• 별첨2 = 94
• 별첨3 = 102
• ABSTRACT = 103