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    전통미술을 활용한 미술교육의 효율화 방안 연구

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    https://www.riss.kr/link?id=T12766541

    • 저자
    • 발행사항

      삼례: 우석대학교, 2012

    • 학위논문사항

      학위논문(석사) -- 우석대학교 교육대학원 , 미술교육 , 2012.2

    • 발행연도

      2012

    • 작성언어

      한국어

    • 주제어
    • KDC

      374.6 판사항(4)

    • 발행국(도시)

      전북특별자치도

    • 형태사항

      vi, 59p.: 삽도; 27cm.

    • 일반주기명

      참고문헌: p.44-45

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    다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

    Abstract

    A Study on the improvement
    of efficiency of art education by applying
    a traditional fine arts education


    Kang Nan-Young
    Major in Art Education
    Graduate School of Education
    Woosuk University
    Directed by professor : Cho Don-Gu


    A tradition means a cultural heritage of tangibility and intangibility, which has been pass down from past and also established trends of custom, cultural styles, spirit that have been inherited in the community.
    Various elements such as the spirit of the nation, philosophy, religion, the sense of beauty, the custom, emotion, wisdom and originality are reflected in our traditional fine arts culture and thus the traditional art will have to be understood as a complex of broad culture rather than narrow down to simply the embodiment of the fine arts.
    In the respect that the traditional fine arts pass down the nation's culture coherently and separate it from different cultures, Korean characteristic and endemicity that differentiate other nations are contained in our traditional fine arts.
    Rather, the traditional art education help people to accommodate different cultures and judge the value of them. Also, it can be the basis for creating new culture by finding the cultural superiority and an artistic depth of the nation with understanding our unique culture deeply. Therefore, nothing is more important than the educational value of the traditional art.
    Although the traditional fine arts has changed according to the times, it has been reflected to the ways of life of members in the society within emotional values. Our traditional art is the historic embodiment of the fine arts for artistic style and the sense of the beauty so that it reflects the spirit of the times and emotions. It would be able to objectivity, systematize, deliver and sustain the culture in our future art education.
    Therefore, this study has present the educational effects trying to grope improvement of the effective art lessons and write the studying plan which can be applied to the educational arena as a measure of the traditional art education with the stream of the times.
    Catching students' interest in traditional art and situations of traditional fine arts educations about the current art textbooks, this study has groped how to maximize the learning effects on the basis of the analysis.
    This paper will play an important role to forward the direction of culture and arts, and implant the values of own culture for students who live in multi-cultural society and the age of globalization. The traditional fine art education is significant in the sense that it provides the attitude of reflection on the past and the opportunities to communicate with the present and increase the sense of national pride in our unique culture.
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    Abstract A Study on the improvement of efficiency of art education by applying a traditional fine arts education Kang Nan-Young Major in Art Education ...

    Abstract

    A Study on the improvement
    of efficiency of art education by applying
    a traditional fine arts education


    Kang Nan-Young
    Major in Art Education
    Graduate School of Education
    Woosuk University
    Directed by professor : Cho Don-Gu


    A tradition means a cultural heritage of tangibility and intangibility, which has been pass down from past and also established trends of custom, cultural styles, spirit that have been inherited in the community.
    Various elements such as the spirit of the nation, philosophy, religion, the sense of beauty, the custom, emotion, wisdom and originality are reflected in our traditional fine arts culture and thus the traditional art will have to be understood as a complex of broad culture rather than narrow down to simply the embodiment of the fine arts.
    In the respect that the traditional fine arts pass down the nation's culture coherently and separate it from different cultures, Korean characteristic and endemicity that differentiate other nations are contained in our traditional fine arts.
    Rather, the traditional art education help people to accommodate different cultures and judge the value of them. Also, it can be the basis for creating new culture by finding the cultural superiority and an artistic depth of the nation with understanding our unique culture deeply. Therefore, nothing is more important than the educational value of the traditional art.
    Although the traditional fine arts has changed according to the times, it has been reflected to the ways of life of members in the society within emotional values. Our traditional art is the historic embodiment of the fine arts for artistic style and the sense of the beauty so that it reflects the spirit of the times and emotions. It would be able to objectivity, systematize, deliver and sustain the culture in our future art education.
    Therefore, this study has present the educational effects trying to grope improvement of the effective art lessons and write the studying plan which can be applied to the educational arena as a measure of the traditional art education with the stream of the times.
    Catching students' interest in traditional art and situations of traditional fine arts educations about the current art textbooks, this study has groped how to maximize the learning effects on the basis of the analysis.
    This paper will play an important role to forward the direction of culture and arts, and implant the values of own culture for students who live in multi-cultural society and the age of globalization. The traditional fine art education is significant in the sense that it provides the attitude of reflection on the past and the opportunities to communicate with the present and increase the sense of national pride in our unique culture.

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    목차 (Table of Contents)

    • 목 차
    • Abstract ......................................................................ⅳ
    • Ⅰ. 서론........................................................................ 1
    • 목 차
    • Abstract ......................................................................ⅳ
    • Ⅰ. 서론........................................................................ 1
    • A. 연구의 목적 및 필요성...................................................................... 1
    • B. 연구의 내용 및 방법........................................................................... 3
    • Ⅱ. 전통미술의 배경.................................................... 5
    • A. 전통미술 배경 및 특성..................................................................... 5
    • B. 전통미술의 교육적 가치.................................................................. 9
    • Ⅲ. 전통미술 교육의 현황 및 미술 교육의 방향......12
    • A. 전통미술 교육의 현황.................................................................... 12
    • (1) 전통미술 교육 현황..................................................................... 12
    • (2) 학생들의 전통미술에 대한 흥미도.................................. 16
    • (3) 학생들의 전통미술에 대한 인식도와 자료 활용.............. 17
    • (4) 교육 정책에 나타난 전통 미술 교육..................................................... 17
    • (5) 미술 교사들의 전통미술 교육에 대한 인식도...................................... 19
    • B. 전통미술 교육의 실태와 미래 교육의 방향............................... 20
    • Ⅳ. 전통미술 교육을 활용한 교수-학습안........ 23
    • A. 전통미술 교육의 지도 방안................................................. 23
    • B. 교수-학습 자료 및 수업 개발과 적용........................................ 25
    • (1) 풍속화 그리기............................................................... 25
    • (2) 민화를 주제로 한 수묵 목판화............................................... 28
    • (3) 전통문양을 이용한 생활용품 만들기........................................ 32
    • (4) 토우 만들기.................................................................................. 34
    • (5) 한지공예............................................................................................ 37
    • Ⅴ. 결론...................................................................... 39
    • 국문초록.................................................................................... 42
    • 참고문헌.................................................................................... 44
    • 부 록.................................................................................... 46
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