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    신석기시대 적색토기의 양상과 의미 = Aspect and Meaning on the Red Painted Pottery in Korean Peninsula during the Neolithic period

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    https://www.riss.kr/link?id=A106310591

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    다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

    Aspect and Meaning on the Red Painted Pottery in Korean Peninsula during the Neolithic period Park, Seong Jin (Department of Archaeology, Graduate School of Pusan National University) The main aim of the present study is to review the red painted pottery in the Neolithic period and to examine the pattern of the pottery during the Neolithic period.
    The red painted pottery was categorized into bowls, pots, and jars. With regard to the properties, most of them were associated with unglazed, but pots were associated with Doorip pattern A and jars were associated with complex patterns. Also bowls and pots were strong in polishing and jars were strong in handling.
    In the correlation between the pattern and the property, the unglazed and the impressed pattern were strong in polishing, and raised pattern has a high rate of hanmding. Looking at the patterns by period, there are many eruptions in the early part of the east coast, and only the motifs and the crests are confirmed. In the first half of early phase, there are many bowls, and It shows only unglazed and impressed pattern in the east coast, In the handling technique, polishing is overwhelming and many inner and outer surfaces are painted. In the second half of early phase, the ratio of pots increases, jars appear, and a round bottom is identified. In the frontal technique, polishing is overwhelming and many inner and outer surfaces are painted. The number of impressed pattern has decreased significantly from the first half, and the proportion of water-handling has increased significantly.
    Middle phase of the east cost has less population, but seems to have the characteristics of pottery in middle phase.
    In the early phase of south coast, there are a lot of unglazed bowls, and the absence of water -handling is characteristic. In second half, jars appears and the number of complexed and cordmarked pattern was more frequent than other patterns. Although the first phase has a large number of bowls, the number of jars increases greatly. Although the unglazed patterns are the most common, the number of complexed pattern has decreased significantly compared to the early period and the number of impressed and cord-marked pattern has increased, which is similar to that of early phase on the south coast. In the middle phase, there is the highest number of deep-bowls, and unglazed pattern.
    In addition, the red painted pottery excavated from the Jukbyeon-ri, Sinam-ri, Sejuk, Dongsandong, Sugari was analyzed by an optical microscope and SEM-EDS. The pigments were identified as mineral oxidant ferrite (Fe₂O₃), and the middle layer identified in the previous study was visible on the cross-section. However, the mass concentration did not differ significantly from the base layer, so it is difficult to say that the middle layer was deliberately applied to red painted pottery of the Neolithic period.
    Furthermore, the prehistoric ritual was divided into rite of passage, production, and life; the relevance of red pottery was also reviewed. Rite of production was considered to be related to red painted pottery, and it is thought that the ritual of hunting, gathering, fishing, and respecting of game were related to red painted pottery.
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    Aspect and Meaning on the Red Painted Pottery in Korean Peninsula during the Neolithic period Park, Seong Jin (Department of Archaeology, Graduate School of Pusan National University) The main aim of the present study is to review the red painted pott...

    Aspect and Meaning on the Red Painted Pottery in Korean Peninsula during the Neolithic period Park, Seong Jin (Department of Archaeology, Graduate School of Pusan National University) The main aim of the present study is to review the red painted pottery in the Neolithic period and to examine the pattern of the pottery during the Neolithic period.
    The red painted pottery was categorized into bowls, pots, and jars. With regard to the properties, most of them were associated with unglazed, but pots were associated with Doorip pattern A and jars were associated with complex patterns. Also bowls and pots were strong in polishing and jars were strong in handling.
    In the correlation between the pattern and the property, the unglazed and the impressed pattern were strong in polishing, and raised pattern has a high rate of hanmding. Looking at the patterns by period, there are many eruptions in the early part of the east coast, and only the motifs and the crests are confirmed. In the first half of early phase, there are many bowls, and It shows only unglazed and impressed pattern in the east coast, In the handling technique, polishing is overwhelming and many inner and outer surfaces are painted. In the second half of early phase, the ratio of pots increases, jars appear, and a round bottom is identified. In the frontal technique, polishing is overwhelming and many inner and outer surfaces are painted. The number of impressed pattern has decreased significantly from the first half, and the proportion of water-handling has increased significantly.
    Middle phase of the east cost has less population, but seems to have the characteristics of pottery in middle phase.
    In the early phase of south coast, there are a lot of unglazed bowls, and the absence of water -handling is characteristic. In second half, jars appears and the number of complexed and cordmarked pattern was more frequent than other patterns. Although the first phase has a large number of bowls, the number of jars increases greatly. Although the unglazed patterns are the most common, the number of complexed pattern has decreased significantly compared to the early period and the number of impressed and cord-marked pattern has increased, which is similar to that of early phase on the south coast. In the middle phase, there is the highest number of deep-bowls, and unglazed pattern.
    In addition, the red painted pottery excavated from the Jukbyeon-ri, Sinam-ri, Sejuk, Dongsandong, Sugari was analyzed by an optical microscope and SEM-EDS. The pigments were identified as mineral oxidant ferrite (Fe₂O₃), and the middle layer identified in the previous study was visible on the cross-section. However, the mass concentration did not differ significantly from the base layer, so it is difficult to say that the middle layer was deliberately applied to red painted pottery of the Neolithic period.
    Furthermore, the prehistoric ritual was divided into rite of passage, production, and life; the relevance of red pottery was also reviewed. Rite of production was considered to be related to red painted pottery, and it is thought that the ritual of hunting, gathering, fishing, and respecting of game were related to red painted pottery.

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    참고문헌 (Reference)

    1 전남문화재연구원, "麗水 鏡島 新石器時代 貝塚-內洞⋅外洞⋅五福1⋅五福2貝塚-" 2014

    2 계명대학교 행소박물관, "金泉松竹里遺蹟Ⅰ" 2006

    3 김재윤, "환동해문화권의 전기신석기시대 교차편년 연구 - 한반도 동해안∼연해주∼아무르 강 하류를 중심으로 -" 동북아시아문화학회 1 (1): 507-527, 2013

    4 렴주태, "함경북도에서 새로 알려진 유적과 유물" 사회과학원출판사 2 : 1965

    5 임상택, "한반도 신석기시대 토기 양식의 성립과 변동" 중부고고학회 16 (16): 39-102, 2017

    6 임상택, "한국 중서부지역 빗살무늬토기문화 연구 : 문화변동과정을 중심으로" 서울대학교 대학원 2006

    7 양성혁, "한국 신석기문화 개론" 2011

    8 한스-요아힘 파프로트, "퉁구스족의 곰 의례" 2007

    9 김현주, "토테미즘의 흔적을 찾아서" 서강대학교 출판부 2009

    10 이상길, "청동기시대 의례에 관한 고고학적 연구" 대구효성가톨릭대학교 대학원 2000

    1 전남문화재연구원, "麗水 鏡島 新石器時代 貝塚-內洞⋅外洞⋅五福1⋅五福2貝塚-" 2014

    2 계명대학교 행소박물관, "金泉松竹里遺蹟Ⅰ" 2006

    3 김재윤, "환동해문화권의 전기신석기시대 교차편년 연구 - 한반도 동해안∼연해주∼아무르 강 하류를 중심으로 -" 동북아시아문화학회 1 (1): 507-527, 2013

    4 렴주태, "함경북도에서 새로 알려진 유적과 유물" 사회과학원출판사 2 : 1965

    5 임상택, "한반도 신석기시대 토기 양식의 성립과 변동" 중부고고학회 16 (16): 39-102, 2017

    6 임상택, "한국 중서부지역 빗살무늬토기문화 연구 : 문화변동과정을 중심으로" 서울대학교 대학원 2006

    7 양성혁, "한국 신석기문화 개론" 2011

    8 한스-요아힘 파프로트, "퉁구스족의 곰 의례" 2007

    9 김현주, "토테미즘의 흔적을 찾아서" 서강대학교 출판부 2009

    10 이상길, "청동기시대 의례에 관한 고고학적 연구" 대구효성가톨릭대학교 대학원 2000

    11 김재윤, "지역 간 교류에 대한 방법론적 제시 -선사시대 토기문화권을 중심으로-" 2014

    12 河野摩耶, "일본고고학에서 적색안료 연구의 현황과 과제" (사)한국문화유산협회 (21) : 103-121, 2014

    13 이소라, "오산리식토기 편년 연구 -오산리 A지구의 층서를 중심으로-" 동국대학교 대학원 2017

    14 하인수, "영남해안지역의 신석기문화 연구 : 편년과 생업을 중심으로" 부산대학교 대학원 2006

    15 하인수, "영남지방 단도마연토기에 대한 신고찰-형식분류와 편년을 중심으로-" 부산대학교 대학원 1989

    16 고동순, "양양 오산리 C지구 조기문화층 출토 적색마연토기에 대한 검토" 한국신석기학회 2010

    17 한영희, "신석기시대의 생업과 사회-의식, 신앙 및 예술" 국사편찬위원회 2 : 1997

    18 임학종, "신석기시대의 무덤" 한국신석기학회 15 : 2008

    19 임학종, "신석기시대 주칠토기의 삼예" 한국고고미술연구소 10 : 1999

    20 임학종, "신석기시대 주칠토기의 과학적 분석" 한국고고 미술연구소 11 : 2000

    21 김권구, "선사시대 儀禮와 사회적 性」(gender)의 고찰" 동아대학교 박물관 16 : 2000

    22 신숙정, "상노대도조갯더미유적의토기연구" 백산학회 (28) : 1984

    23 도유호, "문화유산 3" 과학원출판사 1958

    24 황기덕, "문화유산 1" 과학원출판사 1962

    25 하인수, "동해안지역 융기문토기의 검토" 2010

    26 고동순, "동해안 오산리 c지구 최하층유적의 조사 성과" 2009

    27 임상택, "동·남해안 지역의 신석기시대 조기 토기 양식 - 죽변 유적을 중심으로 -" 한국신석기학회 (24) : 1-30, 2012

    28 국립광주박물관, "돌산송도Ⅱ" 1990

    29 국립광주박물관, "돌산송도Ⅰ" 1989

    30 하인수, "남해안 융기문토기의 편년" 2012

    31 임학종, "남해안 신석기시대의 매장유적" 한국고대학회 18 : 2003

    32 장은혜, "남부지역 신석기시대 조·전기토기 전환과정 연구" 부산대학교 대학원 2013

    33 국립문화재연구소, "고성 문암리 유적Ⅱ" 2014

    34 국립문화재연구소, "고성 문암리 유적" 2004

    35 복천박물관, "고대의 언어, 그림"

    36 한재욱, "강원지역 출토 적색마연토기의 재료학적 특성연구 : 양양 오산리, 고성 대대리, 영월 주천리 유적을 중심으로" 공주대학교 대학원 2010

    37 국립김해박물관, "飛鳳里Ⅱ-창녕 비봉리양배수장 신축공사 부지내 신석기시대 패총-" 2012

    38 국립김해박물관, "飛鳳里" 2008

    39 藤田亮策, "靑丘學叢" 大阪屋號書店 1930

    40 한국문물연구원, "釜山 加德島 獐項遺蹟" 2014

    41 김정학, "金谷洞栗里貝塚"

    42 예맥문화재연구원, "襄陽 鰲山里遺蹟" 2010

    43 黃龍渾, "藝術과 信仰" 國史編纂委員會 12 : 1983

    44 삼한문화재연구원, "蔚珍 竹邊里 遺蹟" 2012

    45 부경문물연구원, "蔚州 新岩里 遺蹟" 2017

    46 동국대학교 매장문화재연구소, "蔚山細竹遺蹟Ⅰ" 2007

    47 국립광주박물관, "突山 世救地 遺蹟" 1994

    48 乙益重隆, "神道考古學講座(大場磐雄編) 1" 新熊野神社 1972

    49 국립중앙박물관, "煙臺島Ⅰ" 1993

    50 한영희, "煙台島 조개더미 斷崖部Ⅱ" 26 : 1991

    51 강원문화재연구원, "江陵 草堂洞 新石器 遺蹟" 2006

    52 釜山大學校 博物館, "水佳里貝塚Ⅱ" 2011

    53 국립진주박물관, "欲知島" 1989

    54 勝部明生, "橫田健一先生還曆記念 日 本史論叢" 1976

    55 예맥문화재연구원, "東海 望祥洞遺蹟Ⅰ" 2008

    56 부산박물관, "東三洞貝塚淨化地區 發掘調査報告書" 2007

    57 국립중앙박물관, "東三洞貝塚Ⅲ" 2004

    58 국립중앙박물관, "東三洞貝塚Ⅱ" 2004

    59 국립중앙박물관, "東三洞貝塚Ⅰ" 2005

    60 동아대학교 박물관, "晋州上忖里先史遺蹟" 2001

    61 岡本勇, "日本考古学講座 Ⅲ" 何出書房 1956

    62 羽生淳子, "日本繩文考古學" Cambridge University Press 2006

    63 佐原 真, "日本の原始美術2繩文土器2" 講談社 1979

    64 정징원, "新石器時代 丹塗磨硏土器에 對한 一考察-南海岸地方 貝塚出土品을 中心으로-" 釜山大學校 史學會 4 : 1980

    65 국립중앙박물관, "新岩里Ⅰ" 1988

    66 鳥居龍藏, "平安南道黃海道古蹟調査報告書, In 大正五年度古蹟調査報告" 朝鮮總督府 1917

    67 岡本勇, "岩波講座日本歴史 I" 岩波害店 1975

    68 국립광주박물관, "安島貝塚-여수 금오도~안도간 연도교 건설구간 내 유적" 2009

    69 신숙정, "土器의 成分分析" 國史編纂委員會 12 : 1983

    70 부산박물관, "凡方遺蹟" 2009

    71 부산박물관, "凡方貝塚Ⅰ" 1993

    72 橫山將三郞, "人類學⋅先史學講座 9" 雄山閣 1939

    73 Shepard, A. O., "Ceramics for the Archaeologist" Carnegie Museums of Pittsburgh 1981

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