Focusing on cultural content, the Korean tourism industry takes corresponding measures for Chinese tourists

Haiming Li KOREA INSTITUTE FOR HUMANITIES AND SOCIAL SCIENCES 2023 Journal of Arts and Cultural Studies(ACS) Vol.2 No.2

COVID-19 impacted international and domestic tourism in South Korea. The China Tourism Academy analyzed Chinese tourists' post-COVID-19 behavior from July 14th to July 26th, 2021. The survey results showed a shift from offline to online tourism. Purpose: In 2022, the number of people entering and exiting South Korea increased by 326% to 19,414,228 with an increase in the recovery momentum. South Korea is one of the first countries to construct smart cities, guided by the "ubiquitous everywhere" concept. Open policies and smart tourism attract foreign tourists. After the epidemic, the tourism industry’s development accelerated, and local governments introduced various policies. For Chinese tourists, this study analyzed the travel trends, considerations, and Korean tourism policies in the post-epidemic era. It took Incheon as a case of a smart tourism city. It analyzed the measures the Korean tourism industry took to attract Chinese tourists through interviews and surveys. Methods: Qualitative methods and literature demonstrate the tourism industry’s post-pandemic impact on the South Korean economy. This highlights the importance and value of this study. The case study method focuses on Incheon Metropolitan City, analyzing the rise of smart tourism and new media technologies in South Korea. Finally, research interviews were conducted with professionals in related industries to understand their views and attitudes toward the transformation of the smart tourism industry in South Korea. Results: Post-pandemic measures for Chinese tourists entering South Korea have diversified, encompassing online and offline platforms with corresponding tourism policies. The transformation process towards smart tourism has accelerated. Contribution: This study analyzes the simplification measures for Chinese tourists entering South Korea from individual, government, and platform perspectives. It aims to attract more Chinese tourists and stimulate smart tourism development in South Korea.

A Comparative Study of the Features of Reclusive Design in China's Lüdao Fang Residence Garden and Korea's Yunjeong Gotaek

Xinle Min,Hongshuai Qi2,Yani Li1 KOREA INSTITUTE FOR HUMANITIES AND SOCIAL SCIENCES 2024 Journal of Arts and Cultural Studies(ACS) Vol.3 No.1

Background: The classical gardens of China and South Korea, rich in traditional cultural connotations, provide a respite from the emptiness and anxiety brought by modern society. This is closely tied to the involvement of scholarly hermits, who represented the learned and morally cultivated class in the ancient garden constructions of both countries. Studying the spatial characteristics of these hermitage gardens is important for modern spatial design. Purpose:This research compares representative residential hermitage gardens in China and South Korea - the Lüdao Fang Residence Garden and the Yin Zheng Ancient Residence. It identifies the similarities and differences in their spatial features and the reasons behind these variations.It also explores the potential applications of these characteristics in contemporary spatial design. Methods: The study begins with a literature review to define the concept of hermitage gardens. It then proceeds with on-site and documentary research of the Lüdao Fang Residence Garden and the Yunjeong Gotaek, analyzing and comparing the spatial attributes of these two gardens. Results: Both gardens reflect the hermitage philosophies of "Moderate Reclusion" and "Confucian Hermitage," chosen for their locations in scenic, tranquil, and harmonious settings. However, their relationships with urban areas differ; both prioritize the creation of spaces that are secluded yet connected. Conclusion: Analyzing and comparing their reclusive cultural characteristics deepens and refines the understanding of Chinese garden art theory and hermit culture. It also provides a theoretical foundation for further exploring their revitalization and promoting creative transformation and innovative development in Eastern classical garden art.

On the Aesthetic Paradigm and Perception of Music

曹墨曦(Moxi CAO) Korea Institute for Humanities and Social Sciences 2023 Journal of Global Arts Studies (JGAS) Vol.1 No.1

【背景】音乐是一种以声音为基础的感官艺术,其审美范式是建立在声音合理的组合排列之上的。【目的】本文以审美的角度剖析人类对声音的感知,试图解释影响音乐“好听”与“不好听”的影响因素。【方法】音乐的本质属性是声音被感知后对于客体所产生的影响,这意味着不同感知力的客体会根据有差异的审美范式对音乐有不同的审美感受。同时,不同的审美范式也会影响人对音乐的感受。这也就解释了为什么不同年龄、不同地区、不同民族对于音乐的审美差异各不相同。【结果】本文旨在通过审美范式的内在机理,分析范式与感知之间的联系,并试图解释导致不同审美品味的诱因,为音乐的传播与音乐的创作探求人类意识层面上对于声音的理解。【结论】结果表明,音乐的审美与人类的感知形成强关联态,并在一定程度上解释了影响人类对音乐的主观判断的要素。 [Background] Music is a sensory art based on sound, and its aesthetic paradigm is established on the reasonable combination and arrangement of sounds. [Purpose]This article analyzes human perception of sound from an aesthetic perspective, attempting to explain the factors that influence whether music is perceived as “pleasant” or “unpleasant”. [Method]The essential attribute of music is the effect of perceived sound on the object, which means that subjects with different perceptual abilities will have varying aesthetic experiences based on different aesthetic paradigms. Simultaneously, different aesthetic paradigms will also affect one's feelings towards music. This explains why different ages, regions, and ethnicities have various aesthetic differences in music. [Results]This paper aims to analyze the connection between paradigms and perception through the internal mechanisms of aesthetic paradigms and attempts to explain the causes leading to different aesthetic tastes, contributing to the spread and creation of music by exploring human consciousness level understanding of sound. [Conclusion]The results show that music aesthetics and human perception are strongly linked and explain to some extent the elements that influence humans' subjective judgments of music.

Research on the application of 3D digital technology in the digital document construction of historical buildings

Xiang Chen,Fuwei Zhang Korea Institute for Humanities and Social Sciences 2024 Journal of design futures (JDF) Vol.1 No.-

Background: Historical architecture is an indispensable part of the cultural heritage of humanity and has cultural, historical, artistic, and scientific value. Objectives: The study aims to improve the preservation and management of historical buildings by leveraging advanced 3D digital technologies, such as three-dimensional laser scanning, slope photography measurement, and virtual reality, to create highly accurate digital archives. Methods: Based on three-dimensional laser scanning technology, slope photography measurement technology, and virtual reality technology, the use of visual information and spatial data of the historical building, the digitization of archiving, the realization of the preservation and management of the history of the building achieved the protection and use of the Historical building. Results: Digital archiving of historical buildings can improve their protection and contribute to coordinating urban construction development and protection management. Conclusions: Digital archiving plays a vital role in preserving and utilizing humanity's cultural heritage by creating databases for historic buildings, using three-dimensional digital technologies to enhance efficiency, and visualizing cloud data for more comprehensive storage of information on relics, ultimately reducing workload and improving conservation efforts for landmark structures.

Exploration of Ecological Classroom Teaching Integration of Architecture Major under the Concept of Sustainability--Creating a Classroom Atmosphere of Regional humanistic spirit

Jingnan Wang Korea Institute for Humanities and Social Sciences 2024 Journal of design futures (JDF) Vol.1 No.-

Background: Combined with the background of China's construction industry, this paper analyzes the new demands of the development of architecture teaching and learning from the aspects of urbanization, industrialization, integration of science and technology and innovation in China. Objectives:The purpose of this study is to explore the human-oriented construction of ecological teaching and create a regional cultural spiritual atmosphere under the concept of sustainable development. To explore the necessary conditions for training architectural composite talents with cross-field integration ability, critical and innovative thinking, and characteristic creation ability. Methods: Through the analysis of teaching ideas, the design of the teaching framework, the specific ways of creating an ecological classroom atmosphere, and the regional project practice around the curriculum platform, we explore to meet the needs of the development of architectural talent cultivation from the perspective of reality and era. Results: The research findings emphasize the effectiveness of integrating regional culture and ecological concepts into the teaching of architecture. It highlights how such integration enhances students' abilities in critical and innovative thinking, and regional expression, fostering a deeper understanding and application of sustainable development principles in architectural education. Conclusion: The study concludes that incorporating regional cultural elements and ecological perspectives into architectural education significantly enriches the learning experience. It aids in developing students' innovative and critical thinking skills and their ability to express regional characteristics creatively. This approach not only contributes to the field of architecture but also aligns with the broader goals of sustainable development and cultural preservation. The research acknowledges potential limitations and suggests directions for future exploration in this educational approach.

An Analysis of “Inheritance and Innovation” in Visual Communication Design——Take Jin Taiqiang and An Shangxiu, Chinese and Korean Designers, as Examples

许显龙(Xianlong XU) Korea Institute for Humanities and Social Sciences 2023 Journal of Global Arts Studies (JGAS) Vol.1 No.1

【背景】视觉传达设计作为一门融合艺术、文化和技术的综合性学科,其发展历程受到社会、文化和技术变革的深刻影响,承载着文化的传承与创新。【目的】本研究旨在探讨中韩视觉传达设计中的“传承与创新”理念,以设计师靳埭强和安尚秀为例展开分析。【方法】文章通过文献研究法对中韩两国设计师在传承与创新方面的具体体现和共同之处进行了比较分析。首先,概述了传承与创新的内涵与价值。随后,聚焦于“传承与创新”在靳埭强和安尚秀设计作品中的具体体现,突显靳埭强深刻理解与创新融合的传统文化,以及安尚秀通过创新手法使传统元素在字体设计中焕发现代时尚魅力。【结果】通过对靳埭强和安尚秀的视觉传达设计作品比较分析,凸显其在现代性风格、传统文化思想传承以及传承与创新关系方面的见解。【结论】最终,强调了两位设计师作品中传承与创新的相辅相成,为视觉传达设计领域注入深刻内涵与丰富价值。 [Background] Visual communication design is a comprehensive discipline that integrates art, culture and technology. Its development process has been profoundly affected by social, cultural and technological changes, and carries the inheritance and innovation of culture.[Objective]This study aims to explore the concept of “inheritance and innovation” in visual communication design in China and South Korea, taking designers Jin Daiqiang and An Sangxiu as examples for analysis. [Methods] Through literature research, this paper makes a comparative analysis of the concrete embodiment and common points of inheritance and innovation of designers in China and South Korea. Firstly, it summarizes the connotation and value of inheritance and innovation. Then, it focuses on the concrete expression of “inheritance and innovation” in the design works of Kan Tai-Keung and Ahn Chang-su, highlighting Kan Tai-keung's deep understanding of traditional culture and the integration of innovation, and Ahn Chang-su's innovative methods to make traditional elements in font design full of modern fashion charm. [Results] Through the comparative analysis of Kan Tai-Keung's and Ahn's visual communication design works, the author highlighted their views on modernity style, inheritance of traditional cultural ideas, and the relationship between inheritance and innovation. [Conclusion] Finally, it emphasizes the complementarity of inheritance and innovation in the works of the two designers, which injects profound connotation and rich value into the field of visual communication design.

Comparative Analysis and Considerations on the Current Development and Future Trends of Children's Museums in Korea and China

谈卜瑞(Burui Tan),易美琪(Meiqi Yi) Korea Institute for Humanities and Social Sciences 2023 Journal of Global Arts Studies (JGAS) Vol.1 No.1

[Background] Children's museums play a crucial role in childhood education, with an inherent connection to the future development of a nation. [Objective] Children's museums in South Korea and China differ in culture, display, education, etc., each with its own strengths. Reciprocal learning can enhance the development of these museums, acting as a conduit for international cultural exchange and cooperation, fostering global cultural interaction. [Method] Through extensive literature analysis, this paper compares and analyzes the development, quantity, exhibition, educational status, and future trends of children's museums in Korea and China. It discusses the similarities and differences, as well as the challenges faced by children's museums in both countries.[Results] The study reveals the following: 1) Cultural differences have shaped the unique historical features of children's museums' development in Korea and China. 2) There is a noticeable disparity in the number of children's museums between the two countries. 3) Korean and Chinese children's museums share similarities in exhibition and education, yet there are notable differences. 4) The future development trajectories for the two countries vary. [Conclusion] Korea and China are geographically and culturally proximate. This research, by comparing the historical development, current state, exhibition, and educational aspects, as well as the future trends of children's museums in these countries, aims to provide beneficial insights for the development of children's museums and cultural exchanges. 【背景】儿童博物馆在儿童教育中扮演着非常重要的角色,与一个国家未来的发展有着内在的联系。【目的】韩中两国儿童博物馆在文化、展示、教育等方面有差异和各自优势。相互学习可促进儿童博物馆的发展,并成为国际文化交流与合作的桥梁,对推动国际文化互动。【方法】本文通过大量的文献分析,对韩中两国儿童博物馆的发展、数量、展览和教育现状、发展趋势进行了比较分析,探讨韩中两国儿童博物馆的相同点和差异点,以及共同面临的挑战。【结果】研究结果如下。1)由于文化差异,韩中儿童博物馆在发展方面呈现出各国独特的历史特点。2)两国儿童博物馆在数量上存在显著的差异。3)韩中两国在展示与教育方面既有共同之处,又存在一些差异。4)未来发展趋势方面,两国具有不同的发展前景。【结论】韩中两国地缘相近,文化相亲。本研究通过比较韩中儿童博物馆的发展历史、现状、展览与教育情况、未来发展趋势,旨在为儿童博物馆的建设和文化交流提供有益参考。

Practices and Explorations in the Construction of the Visual Identity of the ‘Lu Liang Vegetables’ Regional Public Brand

李志安(Zhian LI) Korea Institute for Humanities and Social Sciences 2023 Journal of Global Arts Studies (JGAS) Vol.1 No.1

【背景】随着市场经济的发展,蔬菜产业品牌化已是一种趋势。【目的】通过对“陆良蔬菜”区域公用品牌视觉形象的构建进行研究、分析和总结,为陆良及相关区域公用品牌在品牌视觉形象构建中提供参考和借鉴。【方法】本文对“陆良蔬菜”前期发展情况进行调研,对中国、美国、日本、韩国四个国家的区域公用品牌建设情况进行比较分析,对“陆良蔬菜”现阶段的产业基础和品牌培育情况进行探索与总结。【结果】找出了“陆良蔬菜”在品牌视觉形象构建中存在生产端主体参与度不足、应用和推广不够、识别系统在执行中的规范性不够、表现品牌视觉形象的环境设计有待完善的四个问题。【结论】针对“陆良蔬菜”品牌视觉形象构建的现状,提出了完善参与主体间的管理制度、加强品牌视觉形象管理、探索价值共创模式三点建议。 [Background] With the development of the market economy, the branding of the vegetable industry has become a trend. [Objective] Through research, analysis, and summarization of the construction of the visual identity of the “Lu Liang Vegetables” regional public brand, this paper provides references and lessons for Lu Liang and related regional public brands in the construction of brand visual identity. [Method] This paper investigates the early development of “Lu Liang Vegetables”, compares the construction of regional public brands in China, the United States, Japan, and South Korea, and explores and summarizes the current industrial base and brand cultivation of “Lu Liang Vegetables”. [Results] Four problems were found in the construction of the brand visual identity of “Lu Liang Vegetables”: insufficient participation of the production end, insufficient application and promotion, lack of standardization in the execution of the identification system, and the environmental design expressing the brand visual identity needs to be improved. [Conclusion] In view of the current situation of the construction of the brand visual identity of “Lu Liang Vegetables”, three suggestions are put forward: improving the management system among participating subjects, strengthening the management of brand visual identity, and exploring the value co-creation model.

On the performance techniques and emotional expression of the flute music “Prokofyev's flute sonata in D major”

王浩茗(Haoming WANG) Korea Institute for Humanities and Social Sciences 2023 Journal of Global Arts Studies (JGAS) Vol.1 No.1

【背景】谢尔盖·希尔盖耶维奇·普罗科菲耶夫一生创作了大量的音乐作品,他的音乐创作生涯分为三个时期:俄国时期、国外时期、苏维埃时期,每个时期的作品风格都有所不同。【目的】本文以普罗科菲耶夫为长笛而作的唯一一首奏鸣曲《D 大调长笛奏鸣曲》作为研究对象,旨在从旋律、曲式和演奏注意事项等方面分析作品片段。【方法】第一部分以乐谱为案例分析《D 大调长笛奏鸣曲》的创作背景;第二部分分析作品《D 大调长笛奏鸣曲》的结构,并举例探讨演奏细节技巧;第三部分结合作曲家的创作背景和个人艺术风格,在《D 大调长笛奏鸣曲》中追寻贯穿始终的情感表达。【结果】通过《D 大调长笛奏鸣曲》的演奏版本进行对比分析,探究对音乐作品风格的把控,总结优秀演奏家的经验与技巧,以提高自己的演奏水平。【结论】《D 大调长笛奏鸣曲》的旋律不仅仅是一堆线条,它还遵循和声和对位的规则。该作品虽然是普罗科菲耶夫的晚期成果,但却包含了他风格的所有特征,即一种融合了经典和现代的情感表达,具有更引人注目的节奏和更紧张的情感。 [Background] Sergei Sergeyevich Prokofiev created a large number of musical works throughout his life. His musical career can be divided into three periods: the Russian period, the foreign period, and the Soviet period, each with a different style of work. [Purpose] This article takes Prokofiev's only sonata for the flute, “D Major Flute Sonata”, as the research object, aiming to analyze the fragments of the work from the aspects of melody, musical form, and performance precautions. [Method] The first part analyzes the creative background of “Flute Sonata in D Major” using music score as a case study; The second part analyzes the structure of the work “Flute Sonata in D Major” and provides examples to explore the playing details and techniques; The third part focuses on the creative background and personal artistic style of the collaborator, and explores the emotional expression that runs through the entire D major Flute Sonata. [Results] Through comparative analysis of the performance versions of “Flute Sonata in D Major”, this study explores the control of music style, summarizes the experience and skills of excellent performers, and improves their performance level. [Conclusion] The melody of the Flute Sonata in D major is not just a bunch of lines, but also follows the rules of harmony and counterpoint. Although this work is a late achievement of Prokofiev, it encompasses all the characteristics of his style, namely a fusion of classical and modern emotional expression, with a more striking rhythm and more intense emotions.

Research on the “Wonder-advocating” Thought in Gao Qipei's Finger Painting

侯明志(Mingzhi HOU) Korea Institute for Humanities and Social Sciences 2023 Journal of Global Arts Studies (JGAS) Vol.1 No.1

[Background] During the early and middle Qing Dynasty when Gao Qipei was living in, he largely inherited the old system of the Ming Dynasty. In the late Ming Dynasty, influenced by Wang Yangming’s Philosophy, individual willpower and subject spirit began to awaken, and he pursued novel ideas in his artistic creations. [Objective] In the history of art, some artists are in a state of being ignored, which is both normal and abnormal. The normal refers to that an art history is a history with both masking and exposure, while the abnormal means that some important artists are excluded from the vision of art history. [Method] Based on literature research methods, we organized articles and literature materials related to Gao Qipei, explored the origin of Gao Qipei's “Wonder-advocating” Thought in his painting from the perspectives of his career and personal experience and analyzed the “Wonder-advocating” Thought from multiple angles. [Result] There was an expression form of “Wonder-advocating” art in the Ming and Qing Dynasties, and Gao Qipei reflected the pursuit of “curiosity” taste from artists in the Qing Dynasty. Starting from Gao Qipei, the finger and pen have a distinction in painting. In his concept, the finger had many advantages over the pen, which prompted him to use the finger for painting and formed his own unique painting style. [Conclusion] It is revealed that Gao Qipei had a “brand new” understanding of painting art under the condition of “Wonder-advocating” Thought, which brought new vitality to Chinese painting art. 【背景】高其佩所处的清前中期,大体上承袭了明朝的旧制,明晚期,受阳明心学的影响,个性意思和主体精神开始觉醒,在艺术造诣上追求着新奇的思想。【目的】在艺术史上,有些艺术家处于遗漏状态,这即正常又不正常。正常的是一部艺术史就是一部遮蔽与显露的历史,不正常是一些重要的艺术家被排除于艺术史的视野之外。【方法】通过文献研究法整理有关高其佩的文章与文献资料,在以仕途和个人经历的角度探究高其佩绘画尚奇思想的渊源,以多种角度去分析“尚奇”思想。【结果】明清时期有尚奇艺术的表现形式,高其佩体现了清朝时期艺术家对于“奇趣”品味的追求。自高其佩开始,绘画中有了指与笔的区分,在他的观念中,指有众多高于笔的优点,这促使他运指作画,形成自己独特是绘画风格。【结论】窥探出高其佩在“尚奇思想”的条件下对绘画艺术有“崭新”的认识,为中国绘画艺术带来新的活力。