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- 저자 : Warwick Gould (검색결과 2 건)
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Warwick Gould 한국예이츠학회 2021 한국예이츠 저널 Vol.66 No.-
본 논문은, 1958년 처음 짐 맥게리(Jim McGarry)를 비롯한 창립 멤버들 이 <슬라이고예이츠학회>(The Yeats Society of Sligo)를 설립하고, <예이츠 컨트리 예술 축제>(Yeats Country Arts Festival)를 그해 5월에 개최하고, 그 이후오늘 까지의 예이츠 섬머스쿨의 연대기적, 문화적, 학술적 성장과정을 Sligo 지도와 예이츠의 전기 적 사실에 기초한 역사적 자료를 제시하면서 세밀하게 구성하고 있다. 또한 이 역사적 배경에 기초하여 예이츠 학자들이 <예이츠 인터네셔널 섬머스쿨>(Yeats International Summer School)을 운영해온 과정을 그린다. 또한 예이츠의 시와 학자들의 예이츠 시 의 이해를 중심으로 자세하게 연대기를 작성하여, 특히 창립초기의 학문적 배경과 문 화적 배경을 탐색하여, 이른바 슬라이고의 “조그만 지하문화”(Sligo’s small cultural underground)에서 성장하여 슬라이고 민속촌으로 변모해가는 모습을 제시하고 있다. The Yeats Society of Sligo, and a Yeats Country Arts Festival in May 1958 had been established by what Jim McGarry, one of the seven original plotters, called Sligo’s “small cultural underground.” It had included a lecture on Yeats from Roger McHugh of UCD. An occasional lecture series from Padraic Colum, Ethel Mannin, briefly a mistress of Yeats’s, who donated his letters to the Sligo Co. Library, and Thomas Rice Henn, author of The Lonely Tower, in 1959, followed. The pharmacist, Tony Toher, on the corner of O’Connell and Wine Streets, had on display a set of 38 photographs of Sligo sights prepared and a “Yeats County” map made up to show those pilgrims who came in search of Yeats the geography of the county according to the places in the poems. Starting with this image of Sligo as “underground culture,” the author reflects his own experience when he first attended the Yeats Summer School and traces the history of the Summer School, providing rich information on distinguished Yeats scholars, such as T. R. Henn, Denis Donoghue, Frank Kermode, and famous Irish poets including Seamus Heaney, Geoffrey Hill, Brendan Kennelly, Thomas Kinsella, and Michael Longley.
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‘Murmur[ing] Name upon Name’: Yeats, Daniel Crilly, John Kells Ingram and Young Ireland Balladry
Warwick Gould 한국예이츠학회 2023 한국예이츠 저널 Vol.70 No.-
Section V of The Tragic Generation, Book IV of The Trembling of the Veil (1922) opens with a double-themed meditation on the Rhymers’ Club and what became the Irish Literary Society. The connexion perhaps lies in the numbers of Irish- or Celtic-sympathizers among the active membership of the Rhymers’ Club. John Kells Ingram (1823-1907), who wrote in March 1843 ‘The Memory of the Dead’. arguably the greatest literary ballad of the Young Ireland era. By the time Yeats admitted authorship, Ingram’s ballad had been ‘for much of the nineteenth century the anthem of Irish nationalism.’ On the other hand, around 1916, Yeats recalls the diplomat Daniel Crilly (1857-1923)’s reading of the ballad ‘The Men of By and By’ in 1888 because, Yeats is not sure that even after the events of Easter, 1916, Ireland really has become the nation of Davis’s dream. Like Crilly then, he can only murmur over sacred names. Crilly’s old performance pushes Yeats to question only the harder this ritual of memorialisation.
KCI
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