작곡가 주용(周龍)의 관현악작품 : "대곡(大曲)", "당시사수(唐詩四首)"와 "1911 서곡(序曲)"을 중심으로

WANG YANBING 경희대학교 일반대학원 2017 국내박사

국문초록 작곡가 주용(周龍)의 관현악작품 창작방법과 구성형태 연구 -"대곡(大曲)", "당시사수(唐詩四首)"와 "1911 서곡(序曲)"을 중심으로- 지도교수: 이 우 창 응용예술학과 작곡전공: WANG YANBING 주용(周龍)은 현대 유명한 작가 중의 한 사람이다. 중국작가로서 그의 창작이념 속에는 중국전통문화에 대한 추구가 충분히 체현되었으며, 또한 익숙한 창작기법을 통하여 표현되었다. 독특한 그의 창작 스타일은 중국작곡가로서 국제적으로도 명성을 누리고 있을 뿐만 아니라 새로운 시대의 음악 창작자들 한테도 영향을 주었다. 본 논문에서는 주용의 관현악작품“대곡(大曲)”,“당시사수(唐詩四首)”와 “1911 서곡(序曲)”을 연구대상으로 하여, 고금(古琴) 음악소재를 중심에 놓고, 시의의 음악적 표현을 의지하며, 경극(京劇)예술원소 등 각도, 작품 속 음악 재료, 음색, 음향형태와 구조배치에 대해 다방면에서 작곡기법을 분석하고, 관현악 작품의 음악언어를 탐구한다. 또한 이를 통하여 작품 속 중국전통문화의 표현에 대해서도 분석한다. 논문은 서론, 본론, 결론 세 부분으로 나누어진다. 서론부분에서는 작곡가 주용의 국제적 영향력, 주요 창작성과 관현악 작품 “대곡”, “당시사수”, “1911 서곡”의 창작배경, 연구목적 및 의의, 연구방법과 현재 상황 등의 방면에 대한 내용을 소개한다. 본론부분에서는 상술한 몇몇 관현악작품의 음악 언어에 대해 해부하고 분석하며, 작품음악재료의 출처와 작품 중의 표현형식을 탐구하고, 작품 중 고금음악표현과 시적 정취 표현의 음색, 음향형태, 음향조형의 표현을 분석함과 동시에 전체적 음향의 영향력을 분석하면서 음높이, 구조 속에서 나타나는 전통적 음악원소의 운용 및 크로스오버 문화의 융합과 심미 경향을 귀납한다. 결론부분은 주용의 관현악작품에 대한 심층분석연구 후의 총괄이다. Abstract A Study of the Composing Skill and Score Structure in Zhou Long's Orchestral Music -- Centred on ‘Daqu’, ‘Four Tang Poems’, and ‘1911 Overture’ Supervised by Prof. Woo-Chang Lee Yanbing Wang Major in Composition Graduate School of Applied Arts Department Zhou Long is one of the most distinguished contemporary composers. As a Chinese composer, Zhou embodies the pursuit of Chinese traditional culture in his composing concept, and expresses it through his exquisite composing skills. The unique composing style makes Zhou world-famous as a Chinese composer, which has inspired a new generation of music composers. This dissertation takes Zhou Long’s orchestral works Daqu, Four Tang Poems and 1911 Overture as the research objects, analyzes the composing skills like music material, timbre, sound pattern, pitch organization and structure arrangement from the perspectives of Guqin music material, poetic music performance and the Peking Opera art elements, probes into the music language of the orchestral works, and on this basis, discusses the performance of Chinese traditional culture in the works above. The dissertation is composed of three parts: introduction, main part and conclusion. Chapter one is a brief introduction to Zhou Long’s international influence, his main achievements, the composing background of his orchestral works – Daqu, Four Tang Poems and 1911 Overture, the research objectives, methods and the research background. In the main part, the author firstly analyzes the music language, music material sources and their representation forms in Zhou’s orchestral works, are explored by analyzing the music language of his orchestral works; secondly analyzes the timbre, the sound form and sound modelling involved in the Guqin music and poetry representation in his works and their influence in the overall sound tension; and thirdly analyzes the use of traditional music elements in the pitch and structure in Zhou’s works, and summarizes the cross-cultural fusion and aesthetic orientation. The last chapter is Conclusion, which is a summary of Zhou Long’s orchestral works on the basis of deep analysis above. Zhou Long is famous contemporary composer living in America. The composing skills and music thought in his orchestral works – Daqu, Four Tang Poems and 1911 Overture exhibits the excellence of the fusion of contemporary Chinese and western arts. The most outstanding of all in his works is the use, quotation, assimilation and absorbing of traditional Chinese music elements, and this is used to set off the musical imagery, and thus, to realize the virtual clashing and fusion of Chinese and western culture, and traditional and contemporary culture. As for the imagery presented, the composer makes a deep analysis of the Chinese traditional poetry and use the imagery in it into the musical composing process; as for the orchestra compilation, it is not merely a simple mixture of the full use of Chinese and western musical instruments; as for the composing skills, the composer absorbs the music material form the traditional folk, and connects it with the western modern music composing skills, and makes any single sound with the cavity features, and thus the treated sound may drift between sound image and meaning imagery, which exhibits a strong Chinese traditional music feature. Then, it comes to the change of instrumental performance by introducing western tablature, which means to use the western stringed instruments to simulate Chinese national musical instruments, and to make the music to present traditional Chinese charm. As for the score structures, the composer uses the principle of structural variable speed in traditional music composing to organize the structure in his own works, and makes appropriate adaptations on the basis, and makes a blending of the western music composing principles of juxtaposition, convolution, and representation so as to better fit the development of the musical contents. Zhou Long has accumulated a great number of musical works during his lifetime with a wide range of styles. Each of his works exhibits its unique artistic charm. However, what remains to be interlinked is the artistic concept behind his composing, which presents Zhou Long’s heartfelt salute to the traditional music culture and even to the traditional Chinese culture.

Economic Analyses of Business Decisions, Environmental Sustainability, and Policies

Wang, Yanbing Purdue University ProQuest Dissertations & Theses 2017 해외박사(DDOD)

This dissertation investigates the interactions among business decisions, the environment outcomes of such decisions, and environmental policies. In three essays, I address two topics regarding decisions by industrial firms and agricultural producers and the environment. The first two essays are concerned with environmental self-regulation of public firms, in which I explore the potential for financial incentives to motivate voluntary environmental abatement in the short run and the long run. In the third essay, I investigate the impact of energy policies on agricultural producers' planting decisions. The first essay addresses the financial incentives driving firm disclosure of positive environmental information and the link to environmental outcomes. I classify positive environmental disclosure by informational content, and find that forward-looking announcements and recognition by a third party bear the largest financial incentives, though only the latter has a discernible link to environmental outcomes. Beyond valuing firm financials, the stock market values firm social, environmental, and corporate governance performance as a whole. The results identify third-party recognition as a channel through which environmental information may induce self-regulation. The second essay investigates the long-term financial incentives of corporate environmental responsibility by examining whether an environmentally responsible firm benefits from a lower cost of equity capital, focusing on a particular channel: sustainable and responsible investing (SRI). Using treatment effect models, I test whether investments from SRI mutual funds with environmental screening criteria impact firm cost of equity capital. The results indicate that accounting for interactions between firms and non-shareholder stakeholders and potential agency costs associated with certain environmentally responsible activities of the firm, SRI investing can facilitate the alignment of firms' environmental and financial goals. In the third essay I assess corn planting decisions of agricultural producers in response to the increased spatial competition among ethanol plants in the Midwestern United States, following the energy policies that mandate the use of renewable fuels. I develop a spatial competition model which yields an index of spatial competition that incorporates determinants of local corn prices: the number of plants, distance between competing plants, and production capacity in local ethanol markets, considering three types of market structures: monopsony, duopsony, and oligopsony. I find that a change in the distance between two competing ethanol plants, a plant's own capacity, and a competitor's capacity all influence a plant's intensity of spatial competition. Econometric analyses further show that the intensity of spatial competition has a positive and significant effect on corn production.

작곡가 주용(周龍)의 관현악작품 창작방법과 구성형태 연구 : "대곡(大曲)", "당시사수(唐詩四首)"와 "1911 서곡(序曲)"을 중심으로

왕옌빙 경희대학교 2017 국내박사