АСЕАН в контексте азиатско-тихоокеанской стратегии и Россия(конец XX – начало ХХI в.)

Vartanyan E. G. 경북대학교 러시아-유라시아 연구소 2023 러시아유라시아연구 Vol.10 No.-

이 논문은 아시아 태평양 지역(APR)의 전략적 맥락에서 동남아시아국가연합(ASEAN)의 개발 문제를 고찰한다. 이때 이 전략에서 러시아의 역할이 드러난다. 논문은 1997-1998년의 ‘금융 폭풍’과 2008-2013년의 글로벌 경제 위기와 관련된 지역 개발의 어려움 또한 살펴보되, 시간순으로 1990년대부터 2013년 글로벌 경제 위기가 끝날 때까지를 다룬다. 아시아 태평양 경제 협력체 (APEC) 조직 내에서 통합된 대다수의 아시아 태평양 국가들은 경제 통합의 길로 더 나아가고자 열망하고, 이는 러시아의 국익에 영향을 미칠 수밖에 없다. 빠르게 발전하는 APEC 국가들의 경제는 상품과 서비스를 위한 대규모 국내 시장과 주로 지역 통합 프로그램의 실행을 통해 상당한 경제 및 기술 발전의 기회를 가지고 있다. The report examines the development problems of the Association of Southeast Asian Nations (ASEAN) in the context of its strategy in the Asia-Pacific region (APR). The role of Russia within this strategy is shown. The difficulties in the development of the region associated with the “financial storm” of 1997–1998, as well as the events of the global economic crisis of 2008–2013, are considered. Chronologically, the article covers the period from the 1990s. until the end of the global economic crisis in 2013. It is concluded that the desire of the majority of Asia-Pacific countries united within the Asia-Pacific Economic Cooperation (APEC) organization to move further along the path of economic integration cannot but affect the national interests of Russia. The rapidly developing economies of APEC countries have a large domestic market for goods and services, and opportunities for significant economic and technological development, primarily through the implementation of regional integration programs.

ДЕЯТЕЛЬНОСТЬ БРИТАНСКИХ КОЛОНИАЛЬНЫХ ВЛАСТЕЙ В ИНДИИ В ОБЛАСТИ ПРОСВЕЩЕНИЯ И КУЛЬТУРЫ (КОНЕЦ ХVIII - ПЕРВАЯ ПОЛОВИНА ХIХ В.)

Эгнара Гайковна Вартаньян(Е.G. Vartanyan) 경북대학교 러시아-유라시아 연구소 2021 러시아유라시아연구 Vol.5 No.1

The article is about the British colonial authorities activity in India in the field of education and culture at the end of the 18th - first half of the 19th century. The author aims to show the creation of the European-type educational institutions in India, the appearance of the first newspapers and magazines, the formation of cultural, educational and scientific societies, Indian collections in British museums. There was necessity to develop free communication between Europeans and Indians that motivated to the colonial authorities to take the first steps to spread knowledge of local languages and culture among the employees of the East India Company. The colonial authorities were also interested in the formation of the European educated stratum of Indian society. The cultural activity of Great Britain in India was appeared in creation of a number of educational institutions - colleges, and in 1857 - three universities in Calcutta, Bombay and Madras. Discovery of the West heritage due to wide spreading educational ideas in India and cooperation with Europeans in this sphere increasingly captured thoughts of the Indian intellectuals. In connection with the growing interest to classical Indian culture not only in England, but also in Europe, the study of Sanskrit and the translation of the Indian writing monuments into English have been began. Indian manuscripts, paintings, utensils, musical instruments, weapons and many other objects of art have been supplemented the collections of British universities and church libraries. There is significant role of the Asian Bengal Society in the study of Indian history and culture, familiarization of the European society with the achievements of Indian spiritual culture, and the Indian society with the European one. Conclusion.. In the considered period of British dominion India turned into an agrarian and raw material appendage of the metropolis. At the same time, the colonial authorities were interested in spreading the Western education system and culture in their colony, the English language became an integrating factor of Indian society, the English intelligentsia began to study the richest culture of India, and the Indian people joined to the achievements of European civilization.

Формирование гуманистической культуры токугавской Японии на примере творчества выдающегося драматурга Тикамацу Мондзаэмона

Эгнара Гайковна Вартаньян(E.G. Vartanyan) 경북대학교 러시아-유라시아 연구소 2022 러시아유라시아연구 Vol.7 No.1

Статья посвящена творчеству великого японского драматурга Тикамацу Мондзаэмона (1653-1724), выявлению гуманистических основ его произведений. Показаны законодательные и этические запреты и регламентации, существовавшие в токугавском феодальном обществе, цензурные ограничения и надзор над театром со стороны правительства. Рассмотрен японский городской театр, сформировавшийся и достигший расцвета в ХVII-ХVIII вв. - дзёрури и Кабуки. Анализируются этапы жизненного пути Тикамацу, первые шаги на поприще драматургии, появление жанра бытовой драмы. Подчеркивается, что Тикамацу создал 24 бытовые и более 100 исторических драм, почти каждая из них становилась событием в театральной жизни Японии того времени. Главная тема всех бытовых драм Тикамацу - противоречие между долгом и чувствами человека, что неизбежно приводит к столкновению с устоявшейся в феодальном обществе моралью. Исход борьбы всегда решен в феодальном обществе - побеждает старый уклад, но сочувствие автора было на стороне побеждённых. В этом его верность духу своего времени, гуманизм и подлинное новаторство драматурга, который идейно открыл эпоху Нового времени в Японии. Тикамацу показал на японской сцене драму своего современника, маленького человека, который ценой жизни отстаивает самое дорогое, что у него есть - любовь и доброе имя. Тикамацу не только реалистически описывал современную ему жизнь, но и подметил зарождение новых конфликтов, характерных не для феодального общества, а для Нового времени. Тикамацу является фигурой эпохальной. В драмах Тикамацу отражена вся феодальная Япония эпохи Гэнроку. Анализ произведений Тикамацу показывает широту его литературного кругозора. Делается вывод о том, что драматург черпает образы для своих пьес из старинных японских хроник, романов, театральных пьес, сборников сказок, новелл. Тикамацу расширил жанровые границы театральных пьес, соединял высокую драму и комедию. Замечательные актеры снискали себе славу, играя в драмах Тикамацу. Японский театр бережет как святыню наследие Тикамацу во всем богатстве традиций театра дзёрури и театра Кабуки. The article is devoted to the work of the great Japanese playwright Chikamatsu Monzaemon (1653-1724), revealing the humanistic foundations of his works. The legislative and ethical prohibitions and regulations that existed in the Tokugawa feudal society, censorship restrictions and government supervision of the theater are shown. The Japanese city theater, which was formed and flourished in the 17th-18th centuries, is considered. joruri and kabuki. The stages of the life and professional path of Chikamatsu, the emergence of the genre of everyday drama are analyzed. It is emphasized that Chikamatsu created 24 everyday and more than 100 historical dramas, almost each of them became an event in the theatrical life of Japan at that time. The main theme of all the everyday dramas of Chikamatsu is the contradiction between duty and human feelings, which inevitably leads to a clash with the morality established in feudal society. The outcome of the struggle has always been decided in feudal society - the old way of life wins, but the author s sympathy was on the side of the vanquished. This is his loyalty to the spirit of his time, humanism and genuine innovation of the playwright, who ideologically opened the era of New Time in Japan. Chikamatsu showed on the Japanese stage the drama of his contemporary, a little man who, at the cost of his life, defends the most precious thing he has - love and a good name. Chikamatsu not only realistically described his contemporary life, but also noticed the emergence of new conflicts that were characteristic not of feudal society, but of the modern era. Chikamatsu is an epochal figure. The Chikamatsu dramas reflect the entire feudal Japan of the Genroku era. Analysis of the works of Chikamatsu shows the breadth of his literary horizons. It is concluded that the playwright draws images for his plays from old Japanese chronicles, novels, theatrical plays, collections of fairy tales, short stories. Chikamatsu expanded the genre boundaries of theatrical plays, combined high drama and comedy. Wonderful actors have earned fame through their performances in the Chikamatsu dramas. Japanese theater cherishes the heritage of Chikamatsu as a shrine in all the richness of the traditions of joruri theater and kabuki theater.

ТВОРЧЕСТВО А.С. ПУШКИНА В СТРАНАХ ЮЖНОЙ И ВОСТОЧНОЙ АЗИИ (НА ПРИМЕРЕ ИНДИИ И ВЬЕТНАМА): К ИСТОРИИ ВОПРОСА

Вартаньян Эгнара Гайковна(E. G. Vartanyan) 경북대학교 러시아-유라시아 연구소 2020 러시아유라시아연구 Vol.3 No.1

The article is devoted to the influence of A.S. Pushkin on the culture of the peoples of the East, primarily on the example of India and Vietnam. Based on the use of inter-civilization approaches, the study examines the development of international cultural ties. The degree of knowledge of the problem in the scientific literature is shown. The author emphasizes the importance of the novel in the verses Eugene Onegin A.S. Pushkin for the creativity of the Indian poet Vikram Seth, and also shows the love of the Vietnamese people for the works of the great Russian poet. It is concluded that the work of A.S. Pushkin had a great influence not only on Indian and Vietnamese societies, but also on world culture as a whole and expanded the possibilities of interaction and mutual enrichment of cultures of the peoples of East and West.

Performance of the CREAM-III Calorimeter

Moo Hyun Lee,Ho Seok Ahn,Ganel, O.,Ji Hye Han,Jeon, J.A.,Chan Ho Kim,Ki Chun Kim,Lutz, L.,Malinin, A.,GoWoon Na,Shinwoo Nam,Park, I.H.,Na Hee Park,Eun-Suk Seo,Vartanyan, A.,Walpole, P.,Jayoung Wu,Jong IEEE 2009 IEEE transactions on nuclear science Vol.56 No.3

<P>Cosmic Ray Energetics And Mass (CREAM) is a balloon-borne experiment to directly measure the elemental spectra of protons to iron nuclei with energies up to ~ 10<SUP>15</SUP> eV. Energies of these cosmic-ray particles are measured by an ionization calorimeter comprised of 20 layers of 1 radiation length thick tungsten plates and 20 layers of 0.5 mm diameter scintillating fibers. Each tungsten plate is 500 times 500 times 3.5 mm<SUP>3</SUP> and the fibers are grouped into fifty 1 cm wide ribbons. After construction, the CREAM-III calorimeter was tested at CERN, the European high energy physics lab, in the H2 beam line of the SPS. Following the CERN test, the calorimeter was integrated into the CREAM-III instrument, and flown successfully in the 3rd flight of the project, during the 2007/8 Antarctic campaign. We present the performance of the CREAM-III calorimeter in lab and beam tests.</P>