http://chineseinput.net/에서 pinyin(병음)방식으로 중국어를 변환할 수 있습니다.
변환된 중국어를 복사하여 사용하시면 됩니다.
- 中文 을 입력하시려면 zhongwen을 입력하시고 space를누르시면됩니다.
- 北京 을 입력하시려면 beijing을 입력하시고 space를 누르시면 됩니다.
RISS 인기검색어
- 검색키워드
- 저자 : Simon Pena-Fernandez (검색결과 1 건)
- 무료
- 기관 내 무료
- 유료
-
Home Advice, Gossip, and Professional Resignation
Simon Pena-Fernandez 숙명여자대학교 아시아여성연구원 2016 Asian Women Vol.32 No.1
The cinematic image of journalism has traditionally relegated the role of women to the background. The same occurs in Billy Wilder films, whose powerful portrayal of the profession in Ace in the Hole (1951) and The Front Page (1974) was cemented in his previous career as a reporter for tabloids in Vienna and Berlin in the twenties. Among the numerous journalists that appear in the twenty-six films he wrote and directed, only one in ten are women, and they are also relegated to the stereotypical patterns of representation of the early twentieth century. But unlike many other directors who worked as journalists before entering the world of motion pictures and who subsequently contributed to the construction of the film stereotype of the profession, Wilder could boast about something that was hardly within reach of his peers, since he had impersonated a female journalist who offered advice in the Berlin tabloid Tempo. This paper analyzes the female journalist characters in the twenty-six films written and directed by Billy Wilder, among the 240 workers in the mass media who appear in those films. The results show that Wilder relied on a highly stereotyped portrait of the profession, with only three female characters with enough of their own identity to stand out as individuals, and that Wilder’s portrait ties in with a primitive view of the profession in which women are only one out of ten media workers and only suited to write gossip columns and offer home advice.
KCI
DBpia연관 검색어 추천
이 검색어로 많이 본 자료
활용도 높은 자료
