Ways to Improve the Efficiency of the Self Quality Inspection Analysis for RTE Kimbab

Seonah KIM,Song-Soo LIM 한국유통과학회 2019 The Journal of Industrial Distribution & Business( Vol.10 No.9

Purpose - The self quality inspection which is mandatory in Republic of Korea can play an important role in promoting food safety, but the cost for self quality inspection is also a big burden especially for small businesses. In addition, excessive or duplicated inspection costs resulting from the standard gaps of various ministries and agencies ultimately effect negative social utility. Thus, this paper aims to suggest ways to improve the analysis of self quality inspection for the Ready-to-Eat Foods in terms of dried laver, in order to reduce costs caused by overinclusion. Research design, data, and methodology - The focus of interest is seaweed in Kimbab, which is to be exempted from the Vibrio parahaemolyticus test on the three grounds. First, existing literature provides little support for the necessity of performing a microbiological test. Second, laver products do not require the V.parahaemolyticus test by international standards such as the CODEX. Third, no case was found for seaweed products on the list of information on failed food items over the 2015~16 period. Results - Other types of seaweed such as exportable and seasoning seaweed are not subject to the test. Hence, exclusion of the V.pahaemolyticus test on seaweed is a valid point, bringing about large expected cost savings to many small businesses. Conclusions - Based on a complete survey of 75 food-testing agencies from March 20th to 30th, 2018, this paper finds that the proposed revision of the Kimbab test is likely to save an average of 130,000 won per business per year. Especially, in the case of the testing fee of Salmonella spp.(n,c,m,M), the cost difference by agencies was found to be up to five times. The regional gap in testing fees can be considered an unfair barrier. Accordingly, it is necessary to examine whether the testing fee is set at an appropriate level through the cost-extraction program proposed by the Ministry Food and Drug Safety. Hence, the survey results also point out that harmonization of testing fees charged by different food-testing agencies is appropriate with respect to transparency and efficiency.

Prevalence of referral reasons and clinical symptoms for endodontic referrals

Kim, Seonah The Korean Academy of Conservative Dentistry 2014 Restorative Dentistry & Endodontics Vol.39 No.3

Objectives: To investigate the prevalence of different primary reasons for endodontic referrals and the clinical symptoms of the referred cases. Materials and Methods: Clinical data of total endodontic treatment cases (1,014 teeth) including endodontic referral cases (224 teeth) between January 1, 2010 and December 31, 2012, at Kangdong Sacred Heart Hospital, were investigated retrospectively. The one major reason for referral, the clinical symptoms, and the resulting treatment procedures of referral cases were recorded. The percentages of clinical symptoms of the endodontic referral cases and the total endodontic treatment cases were compared by ${\chi}^2$ test for each symptom. Results: Persistent pain was the most frequent reason for endodontic referral (29.5%), followed by presence of gingival swelling and sinus tract (24.1%), and apical radiolucency (12.9%). Referrals in cases involving endodontic difficulties such as canal calcification, broken instruments, post, perforation, and resorption were less than 5.0%, respectively. The percentages of four major clinical symptoms of pain, apical radiolucency, previous endodontic treatment, and gingival swelling and sinus tract were significantly higher in the endodontic referral cases than those in the total endodontic cases (p = 0.001). Among the included referral cases, 72.8% were treated with nonsurgical endodontic treatment only. Teeth other than the referred teeth were diagnosed as the origin of the problem in 5.8% of the referrals. Conclusions: The high prevalence of pain, apical radiolucency, previous treatment, and gingival swelling and sinus tract in endodontic referral cases suggest that these symptoms may be what general practitioners consider to be difficult and refer to endodontists.

Green Routes to Renewable Energy through Thermochemical and Biochemical Conversions

Seonah KIM 한국생물공학회 2015 한국생물공학회 학술대회 Vol.2015 No.10

Design Principles for Sustainable Chemistry: A Theoretical and Machine Learning Approach

Seonah KIM 한국생물공학회 2023 한국생물공학회 학술대회 Vol.2023 No.4

영화산업 다양성 정책 현황 및 발전 방향에 관한 연구

김선아(Seonah Kim) 한국콘텐츠학회 2022 한국콘텐츠학회논문지 Vol.22 No.6

한국 영화산업에서 ‘다양성 영화’는 ‘저예산영화’, ‘독립 · 예술영화’ 등과 혼용되어 사용됐다. 영화의 개념이 온오프라인의 멀티플랫폼 시대로 전환되며 영화산업에서도 미디어 다양성에 대한 논의가 중요해졌다. 이와 함께 영화산업에서 소수자에 대한 포용성과 다양성을 확대하려는 움직임 역시 뚜렷하다. 최근 세계 영화산업은 활발해진 여성서사와 여성 핵심창작인력에 대한 성인지 관점의 연구와 정책을 기반으로 포용성 영화정책을 수용하며 발전해 가는 중이다. 본 연구는 영화산업을 둘러싼 여러 가지 차원의 다양성에 대한 선행연구와 논의를 바탕으로 한국 영화산업에서 다양성 개념을 재정립하고 소수자에 대한 포용성과 다양성을 확대하기 위한 정책방향을 제언한다. In the Korean film industry, ‘diversity film’ was used interchangeably with ‘low-budget film’ and ‘independent/art film’. As the concept of film is transformed into a multi-platform era that expands online and offline, the discussion of media diversity has become important in the film industry as well. At the same time, the movement to expand the inclusion and diversity of minorities in the film industry is also evident. Recently, the global film industry is developing by accepting inclusive film policies based on research and policies from a gender-perspective on female narratives and creatives. This study suggests policy directions to redefine the concept of diversity in the Korean film industry and to expand inclusiveness and diversity for minorities based on previous studies and discussions on the diversity of various dimensions surrounding the film industry.

근로표준계약 시행 후 나타난 영화스태프의 직군별 임금과 고용기간의 변화 및 문제점에 관한 연구

김선아(Seonah Kim),안영진(Young-jin Ahn) 한국영화학회 2017 영화연구 Vol.0 No.73

2000년대 한국영화산업의 성장과 더불어 영화스태프의 노동환경과 임금수준이 열악하다는 비판이 꾸준히 제기되어 왔으며 이에 2007년 영화산업 단체협상, 2008년 영화산업 임금협약이 체결되어 2012년 1차 노사정 이행협약으로 이어져, 4대보험 적용과 1일 12시간 근로 등을 원칙으로 하는 근로표준계약이 도입되었다. 본 연구는 2016년 50%에 가까운 상업영화들이 근로 표준계약을 적용하는 상황에서 실제 스태프의 임금상승의 효과와 고용환경에 어떤 변화가 발생했는지를 주요 적용대상인 제작, 연출, 촬영, 조명의 4개 직군을 중심으로 조사하여 발생한 변화와 문제점 등을 밝혀내고자 한다. 근로표준계약의 도입은 한국영화산업이 발전하는 과정에서 내부 구성원들의 성숙한 의사합의를 통해 만들어낸 큰 성과이다. 그러나 시행 초기의 변화와 발생한 문제점들을 조속히 파악하고 정리해서 원칙을 재정립하는 발전적 해법을 찾아보는 일은 영화산업의 지속적인 발전과 노동환경의 질적 성장을 위해서 반드시 필요한 일이다. Along with the growth of the film industry of Korea in the 2000s, there has been a continuous criticism about poor work environment and wage level for film staff. Therefore, the group negotiation in 2007 and the wage agreement of film industry in 2008 have been concluded, leading to the first tripartite commission of labor, management, and government in 2012, and the standard employment contract under four major insurances and 12 hours of work limit per day has been introduced. In this study, while almost 50% of commercial films are created under the standard employment contract in 2016, the change in work environment and staff wages has been evaluated by studying four major occupations in the film industry – production, direction, filming, and lighting, and the change and issues after introduction of standard contract are to be evaluated. The introduction of standard employment contract was a huge accomplishment through mature agreement among members of the film industry in Korea. Rapid evaluation of changes and issues in the initial stage, re-establishment of principles, and determination of developmental solutions regarding problems in the film industry are essential matters for qualitative growth of labor environment for film staff and continuous improvement of the film industry in Korea.

VR 영화의 시점과 프레임-VR단편영화〈동두천〉을 중심으로

김선아(Seonah Kim) 한국콘텐츠학회 2020 한국콘텐츠학회논문지 Vol.20 No.4

〈동두천〉(Bloodless, 2017)은 1992년 미군에 의해 살해당한 한국 여성 성노동자 윤금이씨에 관한 실제 사건을 바탕으로 만든 VR단편다큐멘터리 영화이다. 본 연구는 〈동두천〉에서 나타난 1인칭 시점의 혼용과 암묵적 프레임 안에 덧붙여진 이차 프레임의 활용을 구체적으로 살펴본다. VR 기술의 발달과 더불어 VR 영상문법에 관한 이해가 깊어질 때 VR영화의 스토리텔링 역시 다양하고 흥미로워질 수 있을 것이다. 〈Bloodless, 2017〉 is a VR short documentary based on a real case of a Korean female sex worker Yoon Geum-yi who was killed by the US military in 1992. This study examines the mix of the first person point of view and the application of the second cadre added in the implicit frame shown in 〈Bloodless〉. With the development of VR technology and deepening the understanding of Virtual Cinematography, storytelling of VR films will also become diverse and interesting.

학부 한중통역 교재 분석

김선아(Kim, Seonah) 한국통번역교육학회 2020 통번역교육연구 Vol.18 No.4

This paper conducted an analysis to recognize the current status of interpretation education and problems related to the publication and use of textbooks and to find out the degree of compliance with the demand for undergraduate interpretation education in the four textbooks. First of all, regarding the goals and contents of the undergraduate interpretation education, unlike graduate schools, we should focus on basic introductions of interpretation and improvement of target language skills. It also pointed out that due to the limitations of the language ability and background knowledge of undergraduate learners, the focus should be on training that analyzing the contents of the text and deriving its meaning. Then we analyzed the composition, contents, and training methods of interpretation materials for undergraduates published in Korea. Through this, we could see that there is a gap between the reality of the professional interpretation and the reality of undergraduate interpretation education in the existing textbooks, and we could recognize that various approaches are needed to explain and introduce words and useful expressions.

한국 지역극장의 현황 및 지역 문화공간으로서의 발전방향에 관한 연구

김선아(Seonah Kim) 한국영화학회 2015 영화연구 Vol.0 No.63

한국에 최초의 체인 멀티플렉스가 등장한 1998년 이후 지역 주민들의 문화생활의 중심이었던 지역극장들은 점점 사라져 갔다. 다양성 영화를 상영하는 예술영화전용관의 경우는 정부의 지원을 받으며, 아트플러스 네트워크라는 이름으로 운영된다. 이런 아트플러스 네트워크 역시 서울과 대도시에 위치하며 체인 멀티플렉스가 중요한 부분을 차지한다. 이와 같이 대부분 영화극장이 서울과 대도시에 집중되어 있어 중소도시를 포함한 지역의 문화향유권이 심각하게 제한을 받고 있는 것이 현실이다. 이를 해소하기 위해 국가에서는 2013년부터 극장이 없는 지방 자치단체를 중심으로 작은 영화관 사업을 추진하고 있다. 본고에서는 이와 같이 지역주민의 문화향유권 보호와 지역 문화예술 활성화를 위해 지역극장에 대한 관심이 높아지고 있는 상황에서 지역극장이 가진 한계와 문제점 및 앞으로의 발전방향을 알아보고자 한다. 이를 위해 오래전부터 지역을 기반으로 민간 주도형 예술영화상영관 네트워크가 활성화된 일본의 사례를 커뮤니티 시네마 운동을 중심으로 살펴보며 한국의 사례와 비교하여 고찰해보았다. 일본 커뮤니티 시네마는 민간 주도의 소규모 지역극장들로 주로 비영리법인 또는 생활협동조합의 형태로 운영되고 있으며, 예술ㆍ독립 영화 등의 상영과 지역 밀착형 프로그램 운영을 통해 지역주민의 문화 공간인 동시에 교육 및 커뮤니티의 공간으로 활용되고 있다. 본고에서는 이와 같은 일본 커뮤니티 시네마의 민간 주도형 설립 형태와 지역 밀착형 운영 방식을 소개하고 아직 시행 초기에 머물러 있는 국내 작은 영화관 사업을 포함한 지역극장의 발전방향을 제시하였다. 더불어 지역극장이 지역 주민의 문화생활의 기반인 동시에 새로운 지역 문화공간의 창조와 발견으로 이어져야 한다는 점을 말하고자 하였다. Since the introduction of franchise multiplex cinemas in 1998, local theaters in Korea which were the cultural center of local community gradually disappeared. Art Theaters which screen diversity film are run by the name of ‘Artplus Network’ and they receive government support. These Artplus Network theaters locate in Seoul area and in a few major cities and franchise multiplex cinemas play important role in operating them as well. Since Art Theaters are concentrated within particular location, the types of films and the diversity of culture that local people can enjoy are quite limited. To provide opportunities for local people to enjoy more culture, the government launched ‘Small theatre Project’in 2013 for local communities lacking movie theaters. This study examines limitations and problems of local theatres which are being noted for both the appreciation and the invigoration of culture and art in regions and the paper also proposes ways for improvement. For this purpose, this paper overviews the art theater networks in Japan where private sector-led art theater networks are well developed, focusing on the case of ‘Community Cinema Activity.’ The case study shows that small and medium-sized private local theaters are run in the form of NPO(Non Profit Organization) or Co-op(Co-operative) and that the nonprofit theaters are utilized as a space for education and communal cultural space through screening art films and independent films and through running cultural programmes tailored to the region. This paper examines the private sectorled type of establishment and community-led operating system of Japanese Community Cinema. This study tries to suggest the ways in which the local theater projects including incipient ‘Small Theater Project’ can be improved. Also, I tried to address that local theaters can create a new cultural space for the region as they serve as a basis for cultural activities in the region.

영화 상영시장의 현황 및 개선 방향에 관한 연구 – 극장 요금과 스크린 독과점을 중심으로

김선아(Seonah Kim) 한국콘텐츠학회 2023 한국콘텐츠학회논문지 Vol.23 No.1