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RISS 인기검색어
- 검색키워드
- 저자 : Mbuh M. Mbuh (검색결과 2 건)
- 무료
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- 유료
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Ngwi Qwang, 'The Black Madonna' and the Changing Curve of African Feminism
Mbuh, Mbouth M. 숙명여자대학교 아세아여성문제연구소 2002 Asian Women Vol.15 No.-
Postcolonial Africa has been grossly characterized by the chauvinistic instinct of a male ego that has appropriated the essence of communal life into a vision of manly nightmares. The woman, arguably, has been the hardest hit by this phenomenon, expected to adjust to male-conceived patterns of life that are imposed on her. The situation has been compromised by the conspiracy of history, politics and economic enterprising, which, traditionally, largely favour the male, and where the woman is forced into a formalised conviviality, to the extent that gender roles have been stereotyped for her even when it is relevant to acknowledge her indispensability in some male-arrogated domains today. This paper, therefore, argues that in African feminist writings, Woman is re-invested into her traditional role of power broker and in this guise she poses as a phenomenon that defies conventional boundaries, definitions and expectations. She is thus summoned to redeem her re-defined society by beginning with her own personality against the betraying prospects of male consciousness. But she is not intoxicated by the re-discovery of her strength so that, as the paper will seek to conclude, she celebrates her power in mutuality with, not submission to, the male in a situation where such compatibility provides a more harmonious vision for the future in every aspect of the community’s life.
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Nawi Qwang, 'The Black Madonna' and The Changing Curve of African Feminism
Mbuh M. Mbuh 숙명여자대학교 아시아여성연구원 2002 Asian Women Vol.15 No.-
Postcolonial Africa has been grossly characterised by the chauvinistic instinct of a male ego that has appropriated the essence of communal life into a vision of manly nightmares. The woman, arguably, has been the hardest hit by this phenomenon, expected to adjust to male-conceived patterns of life that are imposed on her. The situation has been compromised by the conspiracy of history, politics and economic enterprising, which, traditionally, largely favour the male, and where the woman is forced into a formalised conviviality, to the extent that gender roles have been stereotyped for her even when it is relevant to acknowledge her indispensability in some male-arrogated domains today. This paper, therefore, argues that in African feminist writings, Woman is re-invested into her traditional role of power broker and in this guise she poses as a phenomenon that defies conventional boundaries, definitions and expectations. She is thus summoned to redeem her re-defined society by beginning with her own personality against the betraying prospects of male consciousness. But she is not intoxicated by the re-discovery of her strength so that, as the paper will seek to conclude, she celebrates her power in mutuality with, not submission to, the male in a situation where such compatibility provides a more harmonious vision for the future in every aspect of the community's life.
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