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Spinal Metastasis from Struma Ovarii: Case Report and Review of the Literature
Kazuyoshi Kobayashi,Shiro Imagama,Shin Tsunekawa,Kaori Hosokawa,Minemori Watanabe,Zenya Ito,Kei Ando,Naoki Ishiguro 대한척추외과학회 2015 Asian Spine Journal Vol.9 No.2
Struma ovarii is a rare tumor that is defined as an ovarian teratoma with a thyroid tissue component exceeding 50%. Most of these tumors are benign, with malignant struma ovarii occurring in <1% of patients. Here, we describe the case of a 49-year-old female patient with malignant struma ovarii who developed thoracic spine metastasis. She had undergone an oophorectomy and was diagnosed with struma ovarii 10 years previously. She had remained recurrence-free thereafter. At 49 years of age, she developed low back pain and was admitted to our hospital for evaluation of a spinal tumor at the Th7 level. An emergency bone biopsy led to a diagnosis of metastasis from malignant struma ovarii. External beam radiotherapy inhibited further tumor growth and there was no resulting muscle weakness. This is the first report of spinal metastasis occurring 10 years after resection of struma ovarii, indicating the need for long-term follow-up.
Asian Shakespeare Intercultural Archive (A-S-I-A) : A Collaborative Digital Project
Suematsu Michiko,Kobayashi Kaori 한국셰익스피어학회 2010 셰익스피어 비평 Vol.46 No.1
Asian Shakespeare has gained worldwide recognition for its role in the emergence of new artistic and cultural forms in the global age. Directors such as Ninagawa Yukio, Miyagi Satoshi, Ong Keng Sen, Oh Tae Sook, Wu Hsing-Kuo and many others experiment with new combinations of traditional and contemporary performance, new strategies for working across languages and genres, new ways of reaching diverse audiences. Shakespeare productions in Asia are now widely recognized as among the most innovative and distinguished in the world: they are changing how we understand the Shakespearean plays. They serve as a forum for theatre artists to deal with such contemporary questions as the emergence of new ideas of national and Asian identity, and reshape debates about the relation of East and West. In this paper we introduce Asian Shakespeare Interactive Archive: a Collaborative Digital Project (A S I A), which is a collaborative intersection between practitioners, individual scholars and three major Asian Shakespeare projects?the MIT Shakespeare Project (Massachusetts Institute of Technology), Relocating Intercultural Theatre (National University of Singapore) and A Web Archive of Asian Shakespeare Productions (JSPS Kaken/ Gunma-Doho Universities). A S I A is an extensive on-line archive of Asian Shakespeare productions dedicated to synergizing the field of Asian Shakespeare intercultural performance studies. This interactive, user-driven archive will feature new tools for use by scholars, teachers, practitioners and audiences.