http://chineseinput.net/에서 pinyin(병음)방식으로 중국어를 변환할 수 있습니다.
변환된 중국어를 복사하여 사용하시면 됩니다.
The Concept of Mode of Exchange: An Auto-Critique
John Lie 한국학술연구원 2014 Korea Observer Vol.45 No.3
My Ph.D. dissertation, “Visualizing the Invisible Hand: From Market to Mode of Exchange,” sought at once to criticize the neoclassical conceptualization of the market and to propose an alternative frame- work for the study of “market” exchange (Lie, 1988). Although I published a series of articles (e.g. Lie, 1992, 1993, 1997), my project did not generate much discussion or debate. One might have thought that it died stillborn from the press. Hence, it is gratifying to know that some scholars have found my work to be of some interest.
( John Lie ) 성균관대학교 국정관리대학원 2015 국정관리연구 Vol.10 No.1
The social sciences developed in Europe and the United States in the nineteenth century and therefore reflect the prevailing scientific philosophy of the place and the time. This paper argues that the social sciences in the twenty-first century need to take seriously the constancy of change (rather than assuming order), the salience of transnational and global relations and institutions (rather than focusing on the national), and the crucial role of reflexivity (rather than presuming causal determinism). Contemporary social scientists need to close the systematic gap between past theories and contemporary reality. The paper draws on some concrete examples from South Korea, especially in the realm of risk and reflexivity.
John Lie 한국학술연구원 2013 Korea Observer Vol.44 No.4
South Korean popular culture has generated a great deal of interest abroad, making South Korea into a potentially major soft power. In spite of the global dissemination of South Korean popular music and television drama, there is a genre that remains relatively unknown abroad: literature. This paper seeks to explain the reasons why South Korean literature is not part of the Korean Wave. In addition, the paper points to the potential problems of cultural policy that seeks to export “culture”: global popularity may very well vitiate cultural content.
What Is the K in K-pop? South Korean Popular Music, the Culture Industry, and National Identity
John Lie 한국학술연구원 2012 Korea Observer Vol.43 No.3
In the early 2010’s, the expansion of South Korean popular culture around the world is led by popular music, usually known as Kpop. In this paper I seek to answer two questions. First, what are the sources of its success beyond the South Korean national border?Secondly, what does it say about contemporary South Korean society and culture?
Introduction to "The Globalization of K-pop"
John Lie 고려대학교 민족문화연구원 2013 Cross-Currents Vol.- No.9
The global pop-music sensation of 2012 was Psy’s “Gangnam Style.” I am not sure if imitation is the sincerest form of flattery, but the sheer proliferation of downloads and impersonations, copycat videos and parodic performances—the very constitution of virality—established K-pop (South Korean popular music) as a global pop culture phenomenon...
John Lie 고려대학교 민족문화연구원 2013 Cross-Currents Vol.- No.9
Psy’s “Gangnam Style” was the global pop music and video sensation of 2012, but it failed to go viral in Japan. The involuted nature of the Japanese popular music industry—especially the imperative of indigenization—stunted the song’s dissemination. Simultaneously, the song failed to resonate with its potential base of Japanese K-pop fans, who valorized beauty and romance. In making sense of the Japanese reception of “Gangnam Style,” the author also analyzes the sources of both the Korean Wave and the anti–Korean Wave in Japan.
Asian Studies/Global Studies: Transcending Area Studies and Social Sciences
John Lie 고려대학교 민족문화연구원 2012 Cross-Currents Vol.- No.2
The post–World War II growth of area studies, and Asian studies in particular, posed a serious challenge to the mainstream social sciences. Yet the epistemic and institutional foundations of area studies were never well articulated or justified, and the post–Cold War years brought a pervasive sense of crisis to its intellectual mission and justification. In particular, the author focuses on the tensions, if not contradictions, between social science disciplines and area studies. In advocating a more integrated human science, which depends more on mobile networks of scholars than on fixed fields of discipline-bound professors, the author suggests global studies as a fitting field of inquiry in the age of globalization.
존 리(John Lie),홍은미(번역자) 고려대학교 아세아문제연구소 2008 亞細亞硏究 Vol.51 No.4
The paper considers and criticizes Gilles Deleuze and Felix Guattari's concept of "minor literature". The French theorists highlight deterritorialization, politicization, and essentialization as the three key elements of minor literature and underscore its revolutionary potential. After showing their misreading and misrecognition of Kafka's idea about "small" or "minor literature," the paper turns to an analysis of the genesis and development of Zainichi identity and literature. The postcolonial Korean population in Japan was disrecognized by the Japanese public but misrecognized themselves as essentially Koreans. The recognition of their diasporic or minority existence and identity stemmed, pace Deleuze and Guattari, from actions and writings of territorialized, non-politicized, and non-essentialist (individualist) Koreans in Japan. The path of recognition underscores Deleuze and Guattari's misrecognition of minor literature.