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Chi-she Li 한국예이츠학회 2019 한국예이츠 저널 Vol.58 No.-
This paper traces W. B. Yeats’s bearings on the Australian playwright Louis Esson. The branching out of Yeats’s influence in discussion can be traced back to one single play, Cathleen Ni Houlihan (1902). Cathleen Ni Houlihan is structured by the twin formal factors, the diegetic-space centeredness, and the mimesis of the protagonist’s embodied reorientation, which together constitute what I call “the technique of spatialization.” What Esson takes from this play, by reconstruction, is not the perpetuation of Irish folklores, but the staging form of spatialization. This particular staging technique has been extensively adapted by Esson to offer the spectators the imagination of the hostile space of Australia in three one-act plays, including Dead Timber, The Sacred Place, and The Drovers. This essay looks at the global Yeats in these plays in the context of early twentieth-century Anglophone modernism and offers a way to explain how the (re)mapping of space is at stake in the playwriting for cultural nationalism.
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An Emerging Identity of Capital Owners in Charles Dickens’ Great Expectations
Chi-she Li 19세기영어권문학회 2011 19세기 영어권 문학 Vol.15 No.2
This paper discusses the relationship of capital, things, and selfimprovement in Charles Dickens’ Great Expectations (1860-1) and focuses on the character of Abel Magwitch to delineate a positive attitude toward the possession of capital shown in the novel. Dickens reproduces the chill-and-kill culture in the early 19th century brought on by the punitive financial prohibition measures of capital punishment, long-term imprisonment or transportation out to colonies, while highlighting the optimistic anticipation of profit making by personal participation in capital investment in the 1850s after the financial reforms. Meanwhile, Dickens also avoids a swing to a total embrace of things without any assertion of a person’s agency. Great Expectations offers readers a transit for entering a status of coexistence with things, from an unformulated fear of owning things to techniques of detaching the self from the dominance of things over subjectivities. By this study I wish to contribute to the understanding of high-Victorian novels as complex reactions to the classical idea of homo oeconomicus, which underpins the political economy initiated by Adam Smith and others.
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