인공열화 시 공기질 및 습도가 밀랍지의 열화에 미치는 영향

양은정,최경화,강영석,조정혜,정혜영,Yang, Eun Jeong,Choi, Kyoung Hwa,Kang, Yeong Seok,Cho, Jung hye,Jeong, Hye Young 국립문화재연구소 2012 保存科學硏究 Vol.33 No.-

제책 시료의 경우 낱장과 달리 제책 위치에 따라 공기, 습도, 빛 등의 접하는 정도가 다르기 때문에 열화특성 또한 제책 위치에 따라 다르다. 특히 밀랍지는 일반적인 한지와는 달리 통기성이 없으며 발수성이 있는 성질을 가지고 있기 때문에 밀랍지로 제작된 제책본의 경우 주위 보존환경과 접하는 부분과, 외부와 접하지 않는 내부에서의 열화 인자 및 기작(mechanism, 機作)의 상이성(相異性)은 일반 서적들에 비해 높다. 따라서 본 연구에서는 밀랍본의 내 외부의 열화 특성의 상이성(相異性)을 분석하기 위해 공기 및 수분의 조건에 따라 밀랍지를 인공열화 시킨 후 각 조건별 열화 특성을 비교 분석하였다. 인공열화 후 밀랍지의 물리적, 광학적 특성 분석 결과, 산소가 밀랍지의 열화를 촉진시키는 것으로 나타났으며, 습도 50 % RH 조건이 0 %RH의 조건보다 밀랍지의 열화에 안정적인 것으로 나타났다. 또한 열화된 시편으로부터 추출된 밀랍의 GC/MS 분석을 실시하여 각 조건에 따른 밀랍의 분해산물을 비교분석한 결과, 열화가 진행됨에 따라 팔미트 산 등의 지방산을 포함하는 C9-C20의 탄소수를 가지는 저분자화합물이 증가되고, 탄화수소화물 및 지방족 알코올 등을 포함하는 C21-C36의 탄소수를 가지는 화합물과 왁스 에스테르 등을 포함하는 C34 이상의 고분자화합물은 감소되어 밀랍성분이 분해되었음을 알 수 있었다. 각 조건에 따른 밀랍의 분해는 물리적, 광학적 특성 변화율과 마찬가지로 산소에 의해 촉진되는 것으로 나타났으며, 습도 50% RH에서보다 0% RH에서 높게 발생되는 것으로 나타났다. A beeswax-treated paper has no air permeability but has the water repellency compared with a general Hanji. Because of these properties, the differences of the aging factors and mechanisms between the outer partition of beeswax-treated paper that is affected by the surrounding conservation environment and the inner partition of it that is not affected are bigger than general books. In this research, we analyzed and compared the aging characteristics through the accelerated aging of the beeswax-treated paper by some air and humidity conditions. The results of the physical and optical analysis after the artificial aging, it was shown that the oxygen accelerates the aging of the beeswax-treated paper and the condition with the humidity 50% RH is more stable than the condition with the humidity 0% RH. The results of the CG/MS analysis that was conducted to figure out the decomposition charateristics of the beeswax according to the air quality and the humidity, a low molecular weight compound that the number of carbon is C9-C20 including a fatty acid such as a palmitic acid was increased as the aging was progressed. However, under the same environment, a compound that the number of carbon is C21-C36 including a hydrocarbon and a aliphatic alcohol and a high molecular weight compound that the number of carbon is more than C34 including a wax ester were decreased. A rate of change according to the air quality and the humidity was similar to the beeswax-treated papers.

가정용 칫솔 UV 살균기의 성능 개선법에 관한 연구

양은정,이미선,김정우,Yang, Eun-Jung,Lee, Mi-Seon,Kim, Jung-Woo 배재대학교 자연과학연구소 1999 自然科學論文集 Vol.11 No.1

가정용 칫솔 UV 멸균기의 성능을 개선 할 목적으로, 먼저 UV 처리에 따른 칫솔의 멸균효과를 알아보기 위한 실험을 하였다. UV를 5분, 15분, 30분, 60분의 여러 시간동안 처리하여 실험한 결과, 유의성 있는 효과는 15분 후에 나타났으며, 그 때 80% 이상의 세균 치사율이 됨을 알 수 있었다. UV에 장시간 노출될 경우 나타나는 플라스틱의 탈색을 예방하기 위하여 15분 UV 처리 후 2시간의 무처리 시간을 주고, 다시 3분을 처리한 결과, 97%의 치사율을 보임을 알 수 있었다. 한편, 멸균기에서 칫솔 위치에 따른 멸균효과는 UV light를 직접적으로 받는 위치의 칫솔에만 국한되어 멸균이 되어 이의 개선점이 제시되었다. For the purpose of improving the UV sterilization for toothbrush, the sterilizing effects by the UV light were studied. When toothbrushes were treated with the UV light for 5, 15, 30, 60 minutes, the sufficient antibacterial effect were shown after 15 minutes with 80% of bactericidal effects. To prevent the brownish stain on the sterilizer which was caused by the long exposure of UV light, no UV treatment for two hours after 15 minutes exposure were scheduled and then 3 minutes re-exposure were performed, which showed 97% of bactericidal effect. Also, the antibacterial effects of the sterilizer showed different results depending on the position of the toothbrush, it was recommended to adjust toothbrush to be exposed by the UV light directly.

Reconstruction Asymmetry in A-Movement

양은정 ( Eun Jung Yang ) 서강대학교 언어정보연구소 2003 언어와 정보 사회 Vol.4 No.-

항공기내 승객 경험 개선을 위한 디지털 콘텐츠와 인터페이스 디자인 제안 : 저가 항공사를 중심으로

양은정(Eun-Jung Yang),조윤주(Yoon-Ju Cho) 한국디지털콘텐츠학회 2021 한국디지털콘텐츠학회논문지 Vol.22 No.3

한국 대중춤의 개념 정립을 위한 일고찰

양은정 ( Eun Jung Yang ),정의숙 ( Eui Sook Chung ) 대한무용학회 2008 대한무용학회논문집 Vol.56 No.-

This study aims to characterize the meanings and properties of popular dance in Korea. Attention to the dance breathing together with `I` within the current daily life, i.e. the popular dance that incessantly embodies active utterances within society and exists in the popular life will present a possibility to extend the horizon of the present and future texts of dance. The Korean popular dance, as a set of practices that have made sense in daily life, has given shape to the current dance culture, and moved vividly within the life surrounding us. When taking a look at the aspects of dance in the daily life experienced by the general public, one can define the universal phenomena of dance related to sociocultural properties of Korea and their meanings. This study is an attempt at re-writing the scholarship of dance by trying to study popular dance in connection with the discourses found within the sociocultural context and finding out meanings overlooked in dance scholarship. This study emphasizes that it is necessary (1) to extend the horizon of the scholarship of dance by establishing the concept and category of `popular dance`, which have been classified as a regretted object in the scholarship of dance, (2) to examine the properties of the Korean popular dance by understanding aspects of changes in and characteristics of popular dance in Korean society, and (3) to promote the social influence and status that dance has by examining the features of popular dance past and present. Above all, in attempting at systemizing popular dance, this paper has tried, along with the previous studies in Korea, to establish the concept of popular dance in conjunction with the philosophical, aesthetic, and sociocultural discourses. There are three noticeable tendencies in the previous studies related to popular dance in Korea. First, the concept of popular dance has not been established and the meanings of `social dance`, `life dance`, `life-long dance`, `popular dance`, and `popularization` has been confusingly or reiteratively used. Common to these concepts is the fact that dance is understood as `a cultural activity for everyone who willingly participates` in practical areas where he/she recognizes social values. Thus, all of these concepts are those that can be involved in the discussion of popular dance. Second, the previous studies have classified the types of popular dance on the basis of practical `purposes of dance` related mainly with social life, entertainment, health, and hobby as well as leisure. Most of the types of dance discussed include those related to several media as well as sports dance, disco, jazz dance, and hiphop/break dance etc. Popular dance, contributing to the creation of the contemporary dominant culture, would be one of the types of dance that have been socially addressed and discussed most frequently. Thus, this study has proceeded after classifying popular dance into a type of dance that has been most frequently addressed in connection with media. Third, the previous studies have examined the tendencies of the scholarship of dance in Korea as well as the background of the advent of the concept of `popularization` of dance since the 90s. This study has explored the meaning of `popularization` of dance to the effect that the name of `popularization` of dance reflects the fact that Korean society has changed into the enjoyer-oriented culture and suggests the possibility of study of popular dance. The fact reflects the characteristics of Korean dance culture that discussion about `artistic dance` and `popular dance` in the scholarship of dance in Korea. Thus, this study has developed research on popular dance while highlighting the relationship between the two types of dance.

한중 한자어 사용에 대한 통시적 연구 -시각동사를 중심으로-

양은정 ( Eun Jung Yang ) 한국한문교육학회 2015 한문교육논집 Vol.45 No.-

한자어에서 대부분의 시각동사는 “목(目)”자에서 나왔다고 할 수 있는데, 이것은 눈으로 사물을 보는 것을 뜻한다. “목(目)”에서 기원한 시각동사에는 간(看), 견(見), 망(望), 시(視), 관(觀) 등이 있다. 본문에서는 한중 양국의 문헌에 나타난 시각동사 간(看), 견(見), 망(望), 시(視), 관(觀)의 사용현황을 통시적 관점에서 연구해 보았다. 상고시대부터 근대시대까지 양국 문헌 속에 나타난 시각동사의 사용현황을 살펴본 결과, 각 시대마다 시각동사의 사용에 변화가 있었음이 드러났다. 또한 위의 시각동사를 사용함에 있어서 보편성과 특수성이 존재한다는 것을 알 수있었다. 예를 들어, 양국의 시각동사가 가지는 기본 의미가 비슷했으며, 언어구조가 단음절에서 쌍음절로 변한다는 공통점을 가지고 있었다. 하지만 시각동사의 사용빈도 및 문법형태에서는 양국이 큰 차이를 가지고 있었다. 예를 들어, 중국어에서는 간(看)의 사용이 점차 늘어나는 추세를 보였지만 한국 문헌에서는 그렇지 않았다. 또한 중국어에서는 당송 시기에 나타난 새로운 문법형태가 자리를 잡으면서 현대중국어 문법으로까지 이어진 반면에, 한국 문헌에서는 당송시대에 나타난 문법형태가 거의 발견되지 않았다. 최근 한중 양국은 굉장히 긴밀한 교류를 나누고 있다. 한자교육이 다시 주목을 받고 있는 지금, 한자교육에 있어서 실용성과 활용성이 더욱 강조되어야 할 때이다. 본 대조 연구가 한국에서의 한자교육 및 한자학습에 보다 긍정적이고 효율적인 영향을 가져오기를 기대해 본다. Most Chinese and Korean visual verbs originated from one specific character “目”, which refer to eyes. These visual verbs include:“看”、“見”、 “望”、“視”、“觀”. This paper does a diachronic study on the most frequently used visual verbs such as “看”、“見”、“望”、“ 視”、“觀” together with their usage in Chinese and Korean literature. At the end of this study it concludes that most of these visual verbs have experienced dramatic changes through time in the aspects of their meaning and also how they are to be used. On the other hand, despite the fact that these visual verbs have lots of common meanings and usages in China and Korea, sometimes they have their different meanings and usages in the two countries. Although the developments of the semantic and word structures of these visual verbs are quite similar in the two countries, there are a great deal of differences among their usage frequency and grammar structure. An obvious example is that word “看”has evolved greatly and become the most frequently used visual verb in Chinese whereas it has not evolved at all and still is the least used visual verb in Korean. In addiction although there have been increasing usages of new grammatical structure in the Chinese literature since the Tang and Song Dynasty, there have been little change on this aspect in Korean literature. In recent years the culture exchange between China and Korea has grown very quickly and it is to go without saying that the present day is a very important new era for the Chinese Character education in both countries, especially its practical application in all aspects of the contemporary society. I hope this paper will provide useful contribution to the current Chinese Character education.

포스트구조주의 논의를 통해 본 한국 대중춤의 사회문화적 의미

양은정 ( Eun Jung Yang ),정의숙 ( Eui-sook Jung ) 대한무용학회 2012 대한무용학회논문집 Vol.70 No.1

본 연구는 포스트구조주의(post-structuralism) 대표적인 철학자로 거론되는 질 들뢰즈(Gilles Deleuze)의 철학적 사유와 더불어 춤문화연구를 통해 춤학문의 범위를 넓힌 수잔 리 포스터(Susan Leigh Foster)의 포스트구조주의 담론을 통해 춤학문과 역사 속에서 간과되었던 한국 대중춤 연구의 방법을 새롭게 마련하고, 그 사회문화적 의미를 다시 쓰고자 하는 일고찰(一考察)이다. ``대중``이란 말이 더 이상 낯설지 않고, ``대중춤``에 관한 언급 또한 사회 안에서 자주 이슈화되고 있는 가운데 대중춤 연구의 주목을 통해 춤 연구의 패러다임을 확장시키는 것은 현재의 우리 모습을 춤으로 조명할 수 있다는 점에서 그 의의가 있다고 하겠다. 본 연구의 제II장에서는 포스트구조주의의 대표적인 철학자인 질 들뢰즈의 ``리좀``의 철학적 사유와 춤문화 연구를 통해 춤추는 몸의 영역을 확장한 미국학자 수잔 리 포스터가 제시한 순회학문 (Ambulant Scholarship)의 담론들을 살펴봄으로써 대중춤의 사유모델 및 연구방법론을 그들의 담론에서 찾고자 했다. 제 III장에서는 사회, 정치, 문화 및 역사와의 연계 속에서 몸의 다양한 담론을 형성한 춤문화연구에 영향을 준 문화연구(Cultural Studies), 대중문화연구(Popular Cultural Studies) 및 대중예술(Popular Arts)과의 연계를 통해 대중춤의 범주, 속성 및 특징을 규명함으로써, 결론적으로 제 IV장에서 한국 대중춤의 유형과 사회문화적 의미를 포스트구조 주의의 시각에서 고찰하였다. 따라서 본 연구에서는 대중춤 연구의 체계를 잡고 그 지평을 확대하기 위해 문화연구에 기반 한 대중문화 및 대중예술에 관한 선행연구를 검토함으로써 대중춤의 유형, 범주 및 특징을 정립하고, 포스트구조주의의 철학적, 미학적, 사회문화적인 담론들과의 연계 속에서 한국 대중춤의 사회문화적 의미를 고찰하고자 했다. The steps and patterns of popular dances tend to reflect the values and attitudes of society in the 20th century in South Korea. The purpose of this study is to examine the Korean popular dance which is based on the postsructuralist approahces. This study is to categorize the popular dance in conjunction with the philosophical, aesthetic, and sociocultural discourses. First, this study examines the Deleuze-Guattarian philosophy of the body and Susan Leigh Foster``s ``Ambulant Scholarship" in consideration of the popular dance as a critical inquiry. In Anti-Oedipus, Gilles Deleuze and Felix Guattari analyzed capitalism and schizophrenia with body and desire in which explain the individual integrity and internal relation of beings in the society. Susan Leigh Foster examines the dancing body as a primary text such as "writing body" and "written body" which means embodied-cultural practice. Foster pointed out the "Ambulant Scholarship" which means the conception of body as tangible physicality transporting psychological and social values likewise popular dance. Thoses two philosophical discourses enable to expand the range of bodily actions and endeavors that deserve our attention in the cultural practices. Second, this study has proceeded after classifying popular dance into a type of dance that has been most frequently addressed in connection with media and dominant culture. Third, this study attempt to re-write the bodily history in connection with the discourses of the sociocultural contexts and meanings overlooked in history. Therefore, this study emphasizes that it is necessary (1) to extend the paradigm by establishing the concept and category of ``popular dance,`` which have been classified as a neglected view on the traditional scholarship in dance, (2) to examine the properties of the Korean popular dance by understanding aspects of changes in and characteristics of popular dance in Korean society, and (3) to promote the social influence and status that dance has by examining the features of popular dance past and present.

항암화학요법을 받는 재발성 부인암 환자의 증상 불편감과 우울

양은정(Yang, Eun Jung),유호신(Ryu, Ho Sihn) 한국성인간호학회 2019 성인간호학회지 Vol.31 No.1

일제강점기신문에연재된중국소설번역목록연구

梁恩正(Yang, Eun-jung) 중국어문학연구회 2016 중국어문학논집 Vol.0 No.99

This paper will explore the translation of Chinese novel on the newspaper series columns during the 35 years Japanese colonial time. During the decade of 1910s, Chinese ancient classical novels was the significant Chinese literature published in Korea, represented by the famous novels “ Three Kingdoms” and “Water Margin.” In the 1920s, the trend were the novels written by contemporary writers such as Lu Xun and Xu Zenya. However, since the war between China and Japan broke out during 1930s, more factual and documentary-style works introducing China’s society and culture had been translated, whereas the translations of literary works slowly decreased.

지류 문화재 보존처리용 전분계 풀의 특성 (제1보)

양은정(Eun-Jung Yang),조경실(Kyoung-Sil Cho),최태호(Tae-Ho Choi) 한국펄프·종이공학회 2013 펄프.종이기술 Vol.45 No.4