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Dylan Thomas의 詩的 에너지 : 죽음의 극복을 주제로
李世珪 檀國大學校英美文化硏究所 1983 英美文化 Vol.2 No.-
Pound once said: "Great literature is simply language charged with meaning to the utmost possible degree". Pound's concise description reflects not only upon the achievements of the past but upon experiments undertaken in the present century. Pound's is susceptible of various interpretations depending upon where one directs the falling stress. Perhaps it is true to say that most modern experimental poets have been preoccupied with the charge of language, the energy with which meaning conveyed. The aesthetic problem sleeping in Pound's statement can give access to the poetry of Dylan Thomas. This paper aims to examine the contasted aspect of energy revealed in the earlier poetry with the later's of Dylan Thomas. dylan Thomas once descried his poetry as a record of passing from darkness into some measure of light. This represents a indication that he aims to quest for poetic identity by means of the poetry; he gropes for it in a round about way through the process of overcoming death. In the earlier poetry, he attempts to come to terms with death on the basis of "the principle of Process," identifying death with life. As a result, a single force which is creative and destructive as the same time unifies the poet with the natural environment. Therefore, the earlier poetry can be said to register the regularity of destructive and creative force; pulsation, systole and diastole, inhalation and exhalation. but in the later poetry, he tries to come to terms with death through the energetic love and belief; love and belief becomes agents subduing the conflict between poetic vision and realistic awareness. This is the reason why poetic energy becomes condensed on the image of love and belief; why it becomes visible as suddenly as an open artery.