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- 저자 : 히로시우에무라 ( Hiroshi Uemura ) (검색결과 1 건)
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낭만적인 지역에서 새로운 미학 장소로 - 신 민예 운동의 예를 통해 지역에 대한 재해석 -
히로시우에무라 ( Hiroshi Uemura ) 한국영상미디어협회 2017 예술과 미디어 Vol.16 No.1
In this paper, the author aims to rethink locality in the context of art. While the concept of borderless art is cliched, the widely held idea that art must have a locality is also limiting. Histories of art (e.g., Korean, Japanese, Chinese, Italian, French, and English art histories) are often accepted without the slightest doubt. Surely, however, this acceptance brings with it the risk of confusing cultural boundaries with political ones. Such an ideology stems from a sort of Romanticism, in which the essence of art is attributed to the sup- posed land of origin. The relationship between local identity and artistic iden- tity, however, is not so straightforward. It is this relationship that the author will examine here via a discussion about Mingei, a modern Japanese design movement that emerged in the first half of the 20th century, and the more re-cent movement Neo Mingei, as promoted by the contemporary artist Toshio Matsui. What is the relationship between the land and the artistic production? What sort of meaning is bestowed when an artist or a designer creates work in a local context? These are the questions which the author will try to answer. The key to finding the answers lies in the distinction between the ac- tual placement of the artwork and the aesthetic perception of the locality of the work. It is argued that the locality should not be a pretext for the artist or craftsman to affirm his authenticity.
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