로렌스의 소설에 나타난 교육

황규완 ( Kyu Wan Hwang ) 한국로렌스학회 2005 D.H. 로렌스 연구 Vol.13 No.2

Sons and Lovers에 나타난 분리의 Leitmotif

황규완 ( Hwang¸ Kyu-wan ) 현대영미어문학회 1991 현대영미어문학 Vol.9 No.-

In D. H. Lawrence’s novels, there is thought to be more aspects de pending on audio-visual intuition and sense than characters’ dialogues and outer plots. Because many parts of his novels are made of visual scenes, and narrators’ interpretation or characters’ dialogues are not continuous, these scenes seem to have nothing with main themes surfacely. Though such scenes don’t have any special symbolic meaning, they have thier own meaning in a degree, help to realize the themes potentially and suggestively, and proceed the pursuit of the themes constantly. The scenes of Lawrence’s novels aren’t made of exterior events or social relationship among characters structually, but appear them selves nearly independently and have symbolicity and their own plots. When the scenes with symbolicity are connected with characters, they become leitmotif. In the novels with many symbolic scenes, the motives of characters’ outer behaviors become weakened and are felt unnaturally. To supplement such weakness and unnaturalness, it is leitmotif that has any compensational relation with outer actions and gives novels natural harmony. As leitmotif revealed in Lawrence’s works is examined, we can see it is appropriate to his thought and his works’ themes. Lawrence’s thought is generally explained in terms of dualism. To him the world is the conflicting relationship between two ideas opposed each other dualistically. What he pursues is the harmony and balance of this relationship. This is applied to the relationship between male and female, individual and society, and so on. Prior to establishing such human relationships, indivdual’s ‘single being’ should be established. The pursuit of single being begins from Lawrence’s early novel, Sons and Lovers. In this work, Paul parts from Mother, Miriam, and Clara and becomes independent. Paul’s relationship of Mother, lived with him and of woman, acquainted with him newly are an obsessive, one-sided, unbalanced one which doesen’t admit their beings respectively, so their relations are not successful. And their conflicting soul and body, ideal and reality, knowledge and instinct do not keep the balance with them. Therefore leitmotif plays roles connecting characters to themes complexly and explaining Paul’s separateness and independence well. It usually lays emphasis on revealing characters’ personalities. It shows Paul’s incomplete establishment of his self owing to the vague images connected with him and assimilated to or distinguished with other women. And it shows the process of Paul’s parting and independence from other characters for the establishement of being.

D.H.Lawrence와 미국소설(Ⅰ) : The Rainbow와 The Scarlet Letter

황규완 ( Hwang¸ Kyu-wan ) 현대영미어문학회 1994 현대영미어문학 Vol.12 No.-

The main characters. Pearl and Anna in The Scarlet Letter, and Hester and Lensky in The Rainbow have some similarities in their backgrounds of birth and growth environment. In character, they represent a similar symbol showing a new type of women or of dual women. In plot, their roles have similarities, too. Conclusively the relationship between Lawrence's The Rainbow and Hawthorne’s The Scarlet Letter is sure to have a close relation with Lawrence’s criticism. Lawrence’s The Studies of Classic American Literature shows that the criticism on Hester and Pearl in The Scarlet Letter is considered to refer to Lydia and Anna in The Rainbow. So Lawrence’s criticism represents some connections between his works and Hawthorne’s as well as plays a role of explaining his works. Like this, the characters described in their works and his criticism are considered to have in common a dual meaning and a dual role.

Lady Chatterley’s Lover : 대조를 통한 화합

황규완 ( Hwang¸ Kyu-wan ) 현대영미어문학회 1993 현대영미어문학 Vol.11 No.-

D. H. Lawrence’s thought is generally explained in terms of dualism. The world seems to him to be the dualistic relationship between two ideas opposed to each other. What he pursues is the harmony and balance of this relationship. This is applied to the relations of male and female, individual and society, the natural and the artificial, and so on. In Lady Chatterley’s Lover, the author contrasts the harmonious relationship between Connie and Mellors, and also of industrial civilization and nature through contrasting descriptions of the development of their relationship, and of her goings and comings to the village and forest. Especially the forest, as a repetitive image, is a place where life is restorted and where the polluted mind and body are purified. Lawrence insists that on the basis of balanced relationships, we should perceive the importance of human life in general and establish tenderness, close contact between human beings, and that we should recognize the importance of restoring true human nature and that we should value the essence of human nature again. Human nature, according to Lawrence, cannot be restored by pur-suing an epicurean instinct but by eliminating mechanical and cold thoughts, especially those greedy thoughts on which materialism, and mammonism are based. Real consummation is embodied by these contrasts.

D. H. Lawrence소설의 주제를 구현하는 언어

황규완 ( Hwang¸ Kyu-wan ) 현대영미어문학회 1992 현대영미어문학 Vol.10 No.-

Style is “a quality of language which communicated precisely emotions or thoughts, or a system of emotions or thoughts, peculiar to the author” (Murry 71). That is, style means not only a linguistic aspect as a medium but is deeply related with an author’s peculiar character. Therefore, we can through style, notice the author’s attitude to see and express things and then find his peculiarity to distinguish him and others. The featrues of Lawrence’s style are summarized as follows. First, his expression is concrete and direct rather than abstract and intellectual. Concrete nouns are used, while abstracts avoided. In verbals, the use of action verbs to indicate motions directly contain activeness and concreteness. By using the definite article, ‘the’, from the first time, Lawrence emphasized the things he expresses are not strange but very familiar and adds more clearness to his works. Secondly, nominals are used frequently. Lawrence’s novels has the weak motivations of plots and actions in a general aspect. Therefore, as the use of action verbs is decreased, naturally nominals are used effectively to suggest the situations or themes of his works. Thirdly, the length of sentences is an important source to make readers feel rhythm in verse. However, Lawrence uses short sentences with concrete vocabulary repeatedly to feel such rhythm in prose as in verse, and he makes us feel strong liveliness and life power in his language. Fourthly, the sound effect through onomatopoeia. He empha-sizes concreteness by using onomatopoeia to describe the direct movement of things. Fifthly, the repetition of vocabulary. By repeating same words or synonyms, he symblizes the meanings of the words. Sixthly, the use of standard English and dialects together. According to the themes and plots of his novels, in the middle of the use of standard Anglo- Saxon, he also puts some dialects into his works intentionally to show character’s qualities, or their violence and ignorance. So his peculiar style is an effective way to stand for his thoughts and themes.

아이의 성장: 『무지개』와 『사랑하는 여인들』에서의 딸

황규완 ( Kyu Wan Hwang ) 한국로렌스학회 2019 D.H. 로렌스 연구 Vol.27 No.1

The main characters in The Rainbow and Women in Love as a sort of family romance and bildungsroman are mostly daughters. The story of Ursula’s growth is different from those of the former generation, Anna or Gertrude Morel. The odd characters and conflicts in her childhood are developed to the demands of independence and modernity as a young lady which are already intended by Lawrence in “Sisters” which became The Rainbow and Women in Love. She grows up into a woman as an individual, self-responsible being, taking her own initiative which had been deeply informed by her growth as a child through agon with the family, especially the father, Will, who gives the novels a characteristic of Oedipal romance. Her roles given by Lawrence are to seek the observation of the problem of today, the establishment of a new relation, or the readjustment of the old one, between men and women.

The Spirit of Place에서 본 D. H. Lawrence의 미국

황규완 ( Kyu Wan Hwang ) 한국로렌스학회 2002 D.H. 로렌스 연구 Vol.10 No.1

로렌스와 문학생태학

황규완 ( Kyu Wan Hwang ) 한국로렌스학회 2010 D.H. 로렌스 연구 Vol.18 No.1

We can find many elements of literary ecology in Lawrence`s literature which are simply not a stress of nature or environment. In Lawrence`s works, the point of human ecological lives is not expressed only by pure nature or wild field but by the dealing of human affection, reason and complicated human relations. Lawrence`sworks have much value of depth on literary ecology which is superior to natural ecology or environmental ecology. Lawrence`s religion, ideology, theory, and thought are harmonious and unified with nature, and his characters are appeared by using natural power and physical things themselves, not by using a simile of natural images. There are ecological expressions and awareness of the relations between man and universe, not the simple reflection of human lives on nature or romantic expression of nature in his works. We can feel his ecologism, not with a theory about the meaning of mystical experience, but with glimmerings of the experience of nature itself. Lawrence`s works embody his ecological themes which express the organic complexion of human history and natural history. They also express the unity between human and nature, and human feeling by using natural physical power directly. It makes us recognize that man lives in nature and man is a component in nature, not a conqueror of it. His various works make us feel through experiential recognition that the relationship between man and nature is evolved and has been changed towards ecological direction. I think the revival of natural environment is only possible now that nature has apparently been subdued by industrial technology. His literary ecology stresses the vitality and sacredness of nature and environment once again at present.

벤야민, 들뢰즈의 “차이”관에 의한 문학 작품의 해석

김상구 ( Kim¸ Sang-koo ),황규완 ( Hwang¸ Kyu-wan ) 현대영미어문학회 1996 현대영미어문학 Vol.14 No.-

Walter Benjamin’s restoration of pure language is for achieving “difference” in his allegorical criticism and translation. The difference means transformation. This concept is similar with the “difference” which Heidegger defined as the concept of destruction in his existentialism. Heidegger also defined it as “uncovering.” This uncovering can be done by destroying some texts constantly and repeatedly, and the consistent destruction reveals the difference. The importance of difference is stressed in the situation that Benjamin’s allegorical criticism and translation seek for the difference. It is also related with Deleuze’s remark. He said the eternal reversion is to return to “becoming” and “difference” not “being” and “the same.” Therefore Benjamin’s and Deleuze’s differences are correlated and their ideas are widely adaptable for the interpretation of literary works.

스마트폰을 이용한 자동차 번호판 인식

김백기(Baek-Ki Kim),황규완(Kyu-Wan Hwang) 한국정보기술학회 2014 Proceedings of KIIT Conference Vol.2014 No.5