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신경가소성의 개념으로 바라본 유제니오 바르바의 탈-일상성 연구
하나형 ( Ha Nahyung ) 한양대학교 공연예술연구소 2023 공연예술연구 Vol.10 No.-
The purpose of this study is to understand Eugenio Barba's theory of acting, which defines the principles of the actor's presence, through the concept of neuroplasticity. Influenced by Grotowski and Meyerhold, Barba explains the actor's aura in terms of pre-expressiveness. According to Barba, the actor's skills are revealed before the expression described as the point of ‘Sats’. Accordingly, the actor's technique should be different from acrobatics and should be characterized by the creativity of energy and the manifestation of vitality. Barba wrote a book “Theater anthropology’ to spread his idea, and several previous studies support his theory. The purpose of this paper is for the better understanding and interpretation of existing studies, as well as to suggest a scientific explanation for Barba's theory. Research on the operating principles of the nervous system and cognitive science are appropriate tools for explaining the actor's energy. In particular, the theory of ‘neuroplasticity’, which states that the brain continues to change even after adulthood, corresponds to the concept that actors train to acquire the body of an actor. Through actor’s training, practice of imagination, transformation, and restrictions and repetition of the unfamiliar movements, actors acquire a second nature which helps in breaking free from everyday behaviors. This is only possible because of the principle of neuroplasticity. Through this study actors are expected to scientifically understand and apply Barba's concept of pre-expressivity