엘리엇(T.S. Eliot)의 시와 극에 나타난 추리 소설적 요소

최영승(Chueh Young-Sung) 새한영어영문학회 2001 새한영어영문학 Vol. No.

This study aims to analyze T. S. Eliot's poetry and plays with a view to bringing out the modem mystery elements which function in them both as a dramatic device and as a theme with religious connotations. While many critics including Frank Wilson and David Jones have written on the plays of T. S. Eliot, only some have discussed these elements, but their analyses are not enough. Therefore, this study attempts to show how far Eliot uses the mystery elements to entertain the audience and at the same time to present his religious themes with an eye on the secular and rationalistic trend of the age. By employing the mystery elements Eliot had taken a significant step towards reviving religious mind in secular theater. In conclusion, Eliot uses the mystery elements to his own purposes. He introduces mystery aspects into some poems of his, where these thriller elements play a basic role in developing his interest in detective stories. In Murder in the Cathedral and the subsequent plays the mystery elements impart greater dramatic interest to the religious themes. The insertion of the crime mystery into his works plays a key role in showing his interest in the popular culture. Murder in the Cathedral is a unique play not only because it is an example of a modem mystery play but also because it illustrates the combination of the religious and the secular, the high and the low, and more specifically the use of mystery elements for the exposition of a serious theme. The Family Reunion nearly completes the pattern of a story of crime and punishment ironically reminding of Dickens and Dostoevsky again which is finally transformed into the drama of sin and expiation. The mysterious guest and his companions in The Cocktail Party who remind of several mystery detectives are finally recognized as symbolic figures who help to unite the estranged couple and dispatch the protagonists on different paths of salvation. In The Confidential Clerk there is some real fun in the thriller type of pursuit and analysis of evidence to explore the identities of an unknown father, whose money was swindled away, and a "true" father who had some connections with the church. In The Elder Statesman Eliot shows consistency in the employment of mystery elements such as hidden "crimes", horror and fear of detection, the evidence, and confession of guilt.

엘리엣 시극에 비친 미스테리

최영승(Young-sung Chueh) 한국T.S.엘리엇학회 2000 T.S. 엘리엇 연구 Vol.9 No.-

여성주의 비평가들의 엘리엇(T. S. Eliot) 연구

최영승(Chueh Young-Sung) 새한영어영문학회 2000 새한영어영문학 Vol. No.

One of the most striking aspects of modem literature can be said to be a rising feminism, and feminists have contributed a great deal to our understanding of twentieth century woman writers, but they limit their understanding of both men and women writers by insisting on interminable sexual warfare as an explanation of literary modernism. Especially Sandra M. Gilbert and Susan Gubar among them seem dedicated to perpetuating wars between men and women by criticizing a massive critic T. S. Eliot. In this respect, this thesis aims to show the right way to approach his criticism by studying their methodology to maintain the polarity in his critical writings. Gilbert and Gubar contend that literary history is an exercise designed to retrieve male heroes and that tradition involves an attempt to define and protect the territory of male writers. They also, by using binary logic, devaluate Eliot's critical views on tradition and unified sensibility. But their strategy makes it impossible for them to see the complexity and subtlety of his thoughts. While undermining binary logic, he recovers harmony. He argues in his early philosophical writings that all oppositions and binary sets are unstable, and that fruitfulness is only possible through a combination of masculine and feminine values. Meanwhile Gilbert and Gubar, by polarizing men and women, eliminate all of the complexities in Eliot's literary criticism and completely miss the point of his concept on complementarity, but even though in fact he clearly suggests that unity can be imagined by insisting on difference.

엘리엇과 재즈 -초기 시와 『투사 스위니』를 중심으로-

최영승 ( Young Sung Chueh ) 21세기영어영문학회 2008 영어영문학21 Vol.21 No.2

엘리엇(T.S. Eliot)의 시와 극에 나타난 추리 소설적 요소

최영승 새한영어영문학회 2001 새한영어영문학 Vol.43 No.1

This study aims to analyze T. S. Eliot's poetry and plays with a view to bringing out the modern mystery elements which function in them both as a dramatic device and as a theme with religious connotations. While many critics including Frank Wilson and David Jones have written on the plays of T. S. Eliot, only some have discussed these elements, but their analyses are not enough. Therefore, this study attempts to show how far Eliot uses the mystery elements to entertain the audience and at the same time to present his religious themes with an eye on the secular and rationalistic trend of the age. By employing the mystery elements Eliot had taken a significant step towards reviving religious mind in secular theater. In conclusion, Eliot uses the mystery elements to his own purposes. He introduces mystery aspects into some poems of his, where these thriller elements play a basic role in developing his interest in detective stories. In Murder in the Cathedral and the subsequent plays the mystery elements impart greater dramatic interest to the religious themes. The insertion of the crime mystery into his works plays a key role in showing his interest in the popular culture. Murder in the Cathedral is a unique play not only because it is an example of a modern mystery play but also because it illustrates the combination of the religious and the secular, the high and the low, and more specifically the use of mystery elements for the exposition of a serious theme. The Family Reunion nearly completes the pattern of a story of crime and punishment ironically reminding of Dickens and Dostoevsky again which is finally transformed into the drama of sin and expiation. The mysterious guest and his companions in The Cocktail Party who remind of several mystery detectives are finally recognized as symbolic figures who help to unite the estranged couple and dispatch the protagonists on different paths of salvation. In The Confidential Clerk there is some real fun in the thriller type of pursuit and analysis of evidence to explore the identities of an unknown father, whose money was swindled away, and a "true" father who had some connections with the church. In The Elder Statesman Eliot shows consistency in the employment of mystery elements such as hidden "crimes", horror and fear of detection, the evidence, and confession of guilt.

내러티브 텍스트의 시적 변용과 영상화

최영승 새한영어영문학회 2007 새한영어영문학 Vol.49 No.1

Coppola reproduces Apocalypse Now visually drawing on Conrad's Heart of Darkness and Eliot's The Hollow Men. This study aims to investigate the process how the cinema is recreated from its source novel and the reason why it alludes to Eliot's poetic text. The cinema is primarily visual while literature is generally verbal. The cinema produces meaning through other means than poetry and the novel. If the popular cultural text has the positive and specific features, another kind of reading is called for. The attention to the visual nature of the discourse should be paid. Coppola's cinema represents Conrad's narrative discourse in terms of Eliot's rhythm. Therefore, the poetic transformation and visualization of narrative text form a good spectrum that shows the process of reproduction from high culture to popular culture. A close observation of the three texts clearly shows the process in which the conventional binary opposition between literary canons and a popular cultural text disappears. Eliot's poem shows the textual values of interventions that accept and promote literary evolution in the process of transformation from Conrad's verbal text to Coppola's visual text with images and sounds.

앤 섹스턴(Anne Sexton)의 자살과 바다 이미지

최영승 동아대학교 인문과학대학 영어영문학과 1994 동아영어영문학 Vol.10 No.-

Anne Sexton's death is such a compelling biographical fact that it is tempting to consider her poetry as a window into human self-destruction. Her poems indicate that she viewed death as the preliminary stage for the eternal life. In the interim between her first suicide attempt and her final and successful one, she wrote at least twenty poems primarity dedicated to explaining what it feels like to want, or need, to die. These poems translate into understandable idiom the language of the suicide. Especially Anne Sexton had prepared and intended The Awful Rowing Toward God as a posthumous publication. A year before she died she told an interviewer that she had written the first drafts of these poems in two and a half weeks, that she would continue to polish them, but that she would allow publication only after her death. The image of the sea pervades this collection of poems, and it soon becomes obvious that this metaphorical sea is the carrier for one of the most profound and pervasive ideas of death and creation. For Sexton personally the sea is excape and renewal, and it is both a danger and life-support system. In most of her poetry it is also the setting for death and life. In general death is always and in every case fearful and terrifying. Sexton's fina1 work is contrary evidence. Her views on death would be an exhilaration. For Sexton suicide would be a positive judgment of the worth of life. Her suicide can be seen as grounded in magnanimity, as the result of ardent curiosity, the self-chosen final basis of a structure of life and art now safisfactorily completed.

엘리엇(T. S. Eliot) 비평과 여성주의

최영승 동아대학교 인문과학대학 영어영문학 1995 동아영어영문학 Vol.11 No.-

One of the most striking aspects of modern literature can he said to be a rising feminism, and feminists have contrbuted a great deal to our understanding of twentieth century woman writers, but they limit their understanding of both men and women writers by insisting on interminable sexual warfare as an explanation of literary modernism. Especially Sandra M Gilbert and Susan Gubar among them seen dedicated to perpetuating wars between men and women by criticizing a massive critic T.S. Eliot. In this respect this thesis aims to show the right way to approach his criticism by studying their methodology to maintain the polarity in his critical writings. Gilbert and Gubar insist that literary history is an exorcist designed to retrieve male heroes and that tradition involves an attempt to define and protect the terntory of male writers, They also, by using binary logic, devaluate Eliot's critical views on tradition and unified sensibility. But their strategy makes it impossible for them to see the complexity and subtlety of his thoughts. While undermining binary logic, he recovers harmony. He argues in his early philosophical writings that all oppositioins and binary sets are unstable Because he convicts that fruitfulness is only possible through a combination of masculine and feminine values. Therefore Gilbert and Gubar, by polarizing men and women, eliminate all of the complexities in Eliot's literary criticism and completely miss the point of his concept on complementarity He clearly suggests that unity can be imagined by insisting on difference.

앤 섹스턴(Anne Sexton)의 패러디(parady)에 나타난 남성과 여성의 역할

최영승 신한영미어문학회 1997 새한영어영문학 Vol.36 No.-

Anne Sexton, in her Transformations a parody of Grimm's fairy tales, concerns with the roles of men and women, expressing the actual aspect of their patriarchal society which women are brought pressure upon by men. Her feministic attitude against patriarchy arises from her strong antipathy to the traditional views of women. She loses her won identity in her role as housewife and her double egos as mother and poet are divided in her most poems. In this respect this study aims to enlarge the scope of understanding Sexton's parody poems by making clarify the meaning of the roles of characters in Transformations. 'The Maiden without Hands' expresses love and lust of a man in patriarchal society. And 'Twelve Dancing Princesses, also represents the typical image of the dictatorial father. Sexton's interest in incest embodies 'Briar Rose' in which father plays a role of lover to his daughter. While Sexton describes the pretty princess as a stupid rabbit in 'Show White and the Seven Dwarfs' and she brings a cannibal witch into 'Hansel and Gretel'. She also compares an evil woman with a wounded mother in 'Rumpelstiltskin'. In 'The Little Peasant' Sexton Draws an independent woman based on the theme of adultery. Therefore Anne Sexton tries to strengthen the creative power of women for recovery of dignity through the role changes in her parody Transformations. Her gynocentric discourse can get the power through the relationship between men and women. In her poetry men exist in the center of dignity and women do not be excluded from its center and marginalized.

여성주의 비평가들의 엘리엇(T. S. Eliot) 연구 : 길벗(Sandra M. Gilbert)과 구바(Susan Gubar) 및 브루커(Jewel Spears Brooker)를 중심으로 본 엘리엇 문학의 여성주의 비평 Feminist Criticism on T. S. Eliot with Special Reference to Sandra M. Gilbert, Susan Gubar Jewel Spears Brooker

최영승 새한영어영문학회 2000 새한영어영문학 Vol.42 No.1

One of the most striking aspects of modern literature can be said to be a rising feminism, and feminists have contributed a great deal to our understanding of twentieth century woman writers, but they limit their understanding of both men and women writers by insisting on interminable sexual warfare as an explanation of literary modernism. Especially Sandra M. Gilbert and Susan Guber among them seem dedicated to perpetuating wars between men and women by criticizing a massive critic T. S. Eliot. In this respect, this thesis aims to show the right way to approach his criticism by studying their methodology to maintain the polarity in his critical writings. Gilbert and Gubar contend that literary history is an exercise designed to retrieve male heroes and that tradition involves an attempt to define and protect the territory of male writers. They also, by using binary logic, devaluate Eliot's critical views on tradition and unified sensibility. But their strategy makes it impossible for them to see the complexity and subtlety of his thoughts. While undermining binary logic, he recovers harmony. He argues in his early philosophical writings that all oppositions and binary sets are unstable, and that fruitfulness is only possible through a combination of masculine and feminine values. Meanwhile Gilbert and Gubar, by polarizing men and women, eliminate all of the complexities in Eliot's literary criticism and completely miss the point of his concept on complementary, but even though in fact he clearly suggests that unity can be imagined by insisting on difference.