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Percy Bysshe Shelley의 유토피아적 미학
강엽, 주환명 釜山大學校 2000 人文論叢 Vol.56 No.1
Percy Bysshe Shelley was strongly influenced by William Godwin. His works reflect his understanding and adoption of Godwin's belief. He placed the reform of the human community at the center of his thought and literature. His concept of what it should be is so far beyond established orders as to be called utopian. This study begins with the presumption that Shelley's literary and political praxis is patterned with three lines: the poet as an individual, reality, and utopia. It also posits Shelley's struggle as two-folded; he should not only have fought against anti-reform powers, but he should have also explored the untrodden road for establishing utopian aesthetics. This essay deals with Address to the Irish People, Queen Mab, "Alaster: or the Spirit of Solitudes," and Revolt of Islam in terms of Shelley's attack on authoritarianism and his skepticism of the early Romantic poets. The analyses on utopian aesthetics are made with regard to such works as Letter to Maria Gisborne, The Witch of Atlas, and Epipsychidion. These works describe the conditions of a utopian world and utilize imagination as a vehicle by which we can arrive at it. Lastly, this essay examines Adonais as a recorded exploration of the existential situations of a utopian poet. A close reading of this celebrated work reveals that Shelley urges himself to admit the pain and suffering from the real and to achieve utopia by poetry, the production of creative imagination.
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