http://chineseinput.net/에서 pinyin(병음)방식으로 중국어를 변환할 수 있습니다.
변환된 중국어를 복사하여 사용하시면 됩니다.
왕슈(王澍) 건축에 나타난 중국 전통 서예와 산수화의 특징에 대한 연구 - 전통 서예와 산수화의 공간 조성 기법을 중심으로 -
장명월(Zhang, Ming-Yue),조항만(Zo, HangMan) 대한건축학회 2020 대한건축학회논문집 Vol.36 No.4
The Chinese Architect Wangshu, who won the Pritzker Architecture Prize at 2012, is the first and only winner in China. This study focused on the expression of his unique architectural ideas. Especially with a high interest in Chinese traditional calligraphy and landscape painting, Wangshu tried to use its traditional features to form his own architectural way. First this study looked at the features of calligraphy and landscape painting. Second this research studied the expression of Wangshu’s architectural practice in calligraphy’s way. Lastly this study furthered study of Wangshu’s architecture combined with landscape paintings’ features. The results state these following. 1) For calligraphy, he used the “modular composition” of Chinese characters to architectural composition, which included architectural form and materials. The “similarities” and “space creation” of calligraphy are respectively applied to architectural spatial details and site planning. 2) For landscape painting, Wangshu borrows its elements to compose his architecture with “gardening consciousness”. The “view method” of paintings was used to his architectural pedestrian flows, and Wangshu also based on the “space creation” of landscape painting to do architectural space design with creating the similar atmosphere.
북경사합원의 공간 변화 분석 - 중국 북경 고대와 근대시기 전통주택의 비교를 중심으로 -
진즈룬(Jin, Zi-Run),조항만(Zo, Hangman) 대한건축학회 2019 대한건축학회논문집 Vol.35 No.12
After 1840 the first opium war, that changed the social nature and living habitats in China. The purpose of this study is to observe the influence of the war on the plan layout of traditional Chinese residential houses in Beijing Siheyuan. To find out the changes that were made after 1840, and reservation of the past, the space syntax model is used to analyze different social contexts and also compare the ancient and modern residential buildings. The result of the study indicate the following: Before the war, the ancient Siheyuan people"s way of life strictly abide by the hierarchy system; External emphasis shows the host"s status. However, in modern times, the social status became equal, efficient and harmonious relationship internally, while externally, it arranged the orientation and position of buildings to adapt to the natural environment. However, the boundaries between family members and visitors the emphasis on the courtyard and respect for private life remain unchanged.
리우쟈쿤(劉家琨) 건축의 서사성(敍事性) 발현에 대한 연구 - 녹야원석각박물관(鹿野苑石刻博物館)을 중심으로 -
진사굉(Chen, SiHong),조항만(Zo, HangMan) 대한건축학회 2020 대한건축학회논문집 Vol.36 No.7
With the development of economic globalization and the information age, architecture has gradually become a product of politics, capital, and culture and it has lost its architectural significance. In modern architecture, narratology has gradually become a part of it that can be used to improve the expressing method of architectural space. With the help of narratology, we attempt to regain the spiritual meaning that the building should have. This article analyzes the narrative design method at Luyeyuan Stone Carving Museum through a discussion of Chinese architect Liu Jiakun who has a literati background. Through observing the narrative content and getting to know how the narrative is expressed in the building, we may improve the design theory of the existing building and complete the revival of the meaning of the architectural spirit.
글랜 머컷(Glenn Murcutt)의 베란다하우스(Verandah House) 진화에 관한 연구
이승민(Lee, Seungmin),조항만(Zo, Hangman) 대한건축학회 2021 대한건축학회논문집 Vol.37 No.7
Glenn Murcutt’s residential architectures in 1960-90s have evolved to suit regional climates over the period time. To solve the disconnection of British Cottage from the Australian landscape, Murcutt developed a long ‘Verandah House’ by adopting the idea of a ‘Californian bungalow’ into the existing terrace houses. As such this paper investigates Murcutt’s reinvention of the verandah space which became an ideal living platform or externalized inside-out space to reflect the local climate and terrain. Additionally, Murcutt installed adjustable layers to the wall such as shutters and louvers so that the occupant can coordinate with the ‘Verandah House’. This strategy promotes harmonious coexistence between nature and human beings as well as maintains the ecosystem by minimizing energy use. Since 2005, the BUILDING ACT for balcony expansion in Korea was legalized by the construct however balconies are mainly used for the expansion of residential spaces or warehouse. In contrast to ‘Verandah House’, this internalized inside-out space lost the main value of the balcony and ignored the option of the prospective occupant. Thus, the goal of this research is to resolve the dilemma of site-less residential architecture by analyzing Murcutt’s evolutionary process of farmhouse based on his sustainable design strategies in non-technological ways.