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현대 과학박물관의 공감각적 전시 공간 특성에 관한 연구
조은란 ( Joh Eun-ran ) 대한전시디자인학회 2011 전시디자인연구 Vol.8 No.4
현대사회 국가경쟁력의 척도가 되는 과학박물관은 국가의 과학문화의 정수를 담고 있는 컨텐츠 보고로 과학문화의 핵심적인 자원이 된다. 따라서 현대의 과학박물관은 다양화된 기능을 요구받고 있고 그에 따라 과학박물관이 추구해야할 영역은 무한한 것으로 확대되고 있다. 직접적인 삶의 감각에서 벗어나 테크놀로지의 발전과 다양하고 무수히 많은 매체들에 의한 가상현실에 둘러싸인 현대 사회 사람들은 직접적인 감각을 통해 자신의 존재를 보다 더 확실하게 인지하고자 하는 욕구가 발생한다. 이에 공감각에 대한 개념과 들뢰즈의 감각론의 중심사상인 리좀에 의한 표현특성과 공감각의 상관성을 토대로 추출된 표현 특성인 비정형성, 비가시성, 잠재성, 가변적 표현성으로 각각의 특성의 세부적인 공간표현 특성을 분석틀로 하여 여섯 개의 과학박물관의 전시공간을 선정해 분석해 보고자 한다. As the hierarchy and boundary among heterogeneous classes in the whole area, modern society is converting itself into social system of horizontal relationship under the circumstance of which self-evolving digital and sex-mixed environment in culture, economy and art. It is the era of new design that stimulates invisible senses to make feeling with five senses and inside the senses, comparing to having been concerned with external shape or things visible so far. Five senses of human beings have been thought to be managed independently; however it came to be known as the sensory organs act in interactive way when the sensory organs of colour, light, sound, taste and scent, are stimulated. Now it is called as the synaesthesia. This article will explore relationship of the two perceptions; the perception of the synaesthesia which became prominent recently, and the Deleuze’s sensationalism of rhizome, organe which removed and unified hierarchy of five senses as a sub-concept drawn by Platon’s sensationalism. The cases of the Smithsonian National Museum of Natural History, La Villette La Cite des Sciences et de I'lndustrie, Ciudad de las Artesy las Ciencias, Phaeno Science Center, MiraiKan ,Amerian Museum of National History will be used for this study.
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1900 파리세계박람회 한국관 건축과 전시물에 관한 연구
김태현 ( Kim Tae-hyun ),조은란 ( Joh Eun-ran ),송종간 ( Song Jong-gan ) 대한전시디자인학회 2010 전시디자인연구 Vol.7 No.4
1900 파리세계박람회에 최초로 국가관을 건립하여 참가한 한국은 경복궁의 근정전을 모태로 하는 전통건축양식으로 건축하였고, 여러 가지의 전시물 등을 통하여 한국의 문화와 삶을 잘 표현하였다. 당시의 정치적, 경제적으로 어려운 시국이었음에도 불구하고, 고종의 관심으로 인하여 매우 체계적으로 위원회를 결성하여 박람회에 참가하여 세계에 우리나라를 홍보하고, 우리문화의 우수성을 알리는 계기를 마련하였다. 초기에 한국관에 대한 모든 책임을 맡은 드 글레옹 남작은 한국의 주요 생산품을 모아 진열해 놓는 것 이외에 한국 서민들의 일상생활을 보여주는 제물포의 한 거리를 재현하고자 했었다. 그러나 1900년 글레옹이 사망하는 바람에 새로운 재정후원자 미므렐백작이 한국관을 기획하였는데, 두 개로 설계된 건물을 하나로 줄였고, 민속부문의 전시 기획을 철회하고 단지 공공부문의 전시만을 실현시켰다. The first Korean national pavilion in 1900 Paris Expo was built as traditional building style similar to Keunhungjun in Kyoungbokgung. Korean culture and Life style was represented well through the many exhibited objects. Even though political and economical situation was poor at that time, Korean pavilion showed the superiority Korean culture well by the interest of king Gojong with the systematic committee. Gleon who take a charge of Korean pavilion had planned exhibition of Korean major products and the street which shows daily life of the common people. After his sudden death in 1900, Mimerel who was a new economical patron had planned Korean pavilion reducing one building, and realized only pubic exhibition without the folk exhibition.
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권혁태(Kwon, Hyeok Tae),조은란(Joh, Eun Ran) 한국디지털디자인협의회 2013 (사)한국디지털디자인협의회 conference Vol.2013 No.4
Advancement of the digital media has brought, upon requests from users, the evolvement of space into various forms. Stories, information, and events in such diverse forms of space have evolved in parallel. Interactions between senses of sight, touch, and hearing and the sophisticated movements of the media serve as triggers for responses in the spatial environment. The thesis focuses on analysis on the expression and language of spatial design in accordance with expressional types of the spatial environment. The responsive environmental space means the space where reacts and adapts to the interaction between humans and nature naturally, rather than to mechanical signals or pre-set configurations. The responsive space, in that sense, could be considered a space with artificial intelligence (IA). Space with real intelligence would cause unexpected, complicated issues and it would be only humans, after all, that could respond to such issues. This means the users of the responsive space should always be humans.
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리차드 마이어의 주거 건축에 나타난 공간 설계 변화 연구
이선민(Lee, Sun-Min),조은란(Joh, Eun-Ran),허범팔(Hur, Bum-Pall) 한국실내디자인학회 2011 한국실내디자인학회논문집 Vol.20 No.2
This study describes development process of residential architectural space in the Richard Meier’s residential works through chronological analysis. By analyzing house layout, floor plan, elevation, materials and colors and light entering of his residential works, changes in his architectural space has been studied. Richard Meier’s early work is designed as three-dimensional shape, and places emphasis on geometric form. However, recently completed residential works by Richard Meier focuses on the horizontal sun shading louvers, which has ability. In addition, teak and a special UV protective glass are used to control natural environment. Through this research, it was found that Richard Meier has maintained his architectural language in terms of the design layout of the house and planar with colors that appear on the initial project. Using light input methods and materials used for active development, it was found that many design elements were applied and developed.
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