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韓國 新文學에 있어서의 魯曼主義的 傾向 : INTRODUCTORY REMARKS FOR FURTHER STUDY 그 硏究를 위한 基礎的인 試論
趙鳳濟 東亞大學校 1963 東亞論叢 Vol.1 No.-
To look at romanticism shown in every nation's literatures, a conclusion may be come to that it was the representation of national passion when nationalism was at its height. From this point of view, the romantic tendency found in various novels of the Korean literature after 1894 also revealed the same kind of national passion. As an example in this thesis, Lee Kwang Su's literary works mostly written prior to the year 1919 are considered to run parallel with the romanticism of France which led to the French Revolution and that of Japan in the middle of the Meiji Era which made her win the Japan-China war. The year 1919 which saw the 3.1 movement in Korea was when Korea showed its literary romanticism at its climax. During the subsequent four or five years, that is, until 1924, when Baekcho school tended to decline, our literature showed the same quality as the morbid elements of the German romanticism at that time, and then our literary works were replaced by the socialistic rea1ism in the late twenties, the process of which is observed in this thesis. The year 1919 was a turning-point. I think it reasonable to look upon the Korean romanticism several years prior to 1919 as that of the first term and the one several year after it as the second.
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「懊惱의 舞蹈」考 : 飜譯의 內容과 그 水準을 考察하는 立場에서
趙鳳濟 東亞大學校 1964 東亞論叢 Vol.2 No.1
The first modern anthology translated into Korean from French is Dancing of Agony Through this translated anthology, the poetical works of French symbolists in the end of 19th century were first introduced into this country. And there is no doubt that this translated anthology exerted a deep influence on the development of modern Korean poetry. In this thesis I discussed the life of Kim Ock briefly who was the translator of the Dancing of Agony. And also I attempted bibliographical introduction for 'Kim Ock's Dancing of Agony', and at the same time I explained the circumstance of the translation in this translated anthology. Especially, I considered the level of translation taking Verlaine's Chanson D'Autumne' as an example. In the method of consideration, I have compared Kim Ock's translation with the original, and English translation as well as Japanese Ueda Bin's translation which was carried in Kaicho Ong. And then I found that the syllable of the original verse was transmuted into a new form through the process of translation. The outcome is that so called French symbolism as a historical concept has been transmuted into symbolism as a general concept through the process of Korean translation. In other words, in disregard of description for the fact, emotion and thought, the creation which is seeking illusion by dint of image and music (Osmon) has failed actually in the creative writing or in the process of translation because of the difference in linguistic structure, although being conscious of French symbolism as a historical concept. Therefore, French symbolism as a historical concept was transmuted into symbolism as a general concept which causes a mood and symbol by virtue of rhythm in the shape of vocal sounds or emotional effect of image in imagination.
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劉永奎,趙奉濟 대한치과교정학회 1980 대한치과교정학회지 Vol.10 No.1
The purpose of this study was giving some helpful datas in analysing the degree of anteroposterior jaw disharmony with the "Wits" appraisal. The cephalograms of 105 Korean adults with normal occlusion ranging from 17 to 20 years of age and 76 Koreans with various malocclusion ranging from 12 to 24 years of age were studied and analyzed statistically. The results were as follows; 1. The mean value of "Wits" appraisal in normal occlusion group was -0.82mm in males and -0.17mm in females. 2. There was no significant difference between the males and females in normal occlusion group. 3. The mean value of "Wits" appraisal in Angles class Ⅱ malocclusion group was 2.67mm and higher than normal group. 4. The mean value of "Wits" appraisal in Angles class Ⅲ malocclusion group was -8.11mm and lower than normal group.
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김우덕,조봉제 新羅大學校 1999 論文集 Vol.48 No.-
Nach außen wird der Treuhander voller Eigentumer, aber im Innenverhaltnis is er zum Treugeber verpflichtet, sein Treuhandeigentum nur in dem vereinbarten Sinne. Wenn Eigentum einem anderen zu treuen Handen ubertragen wird, hier spricht man von einer Trennung des wirtshaftlichen vom rechtlichen Eigentum. Aber gesetzlich ist die fiduziarischen Eigentumsubereignung beim Namen eines anderen verboten. Als sogennante Treuhandgrundschuld dient die Sicherungsgrundschuld der Sicherung von Forderungen mehrerer Glaubiger gegen den Schuldner, die Grundshuld wird zugunsten eines Treuhanders bestellt. In dieser Form hat die Sicherungsgrundshuld in der Praxis zur Sicherung der Forderungen aus Inhaberschuldverschreibung verdrangt. Der Treuhander wird voller Eigentumer, er kann also auch uber das Eigentum verfugen, selbst wenn er dadurch seinen Verpflichtungen dem Treugeber gegenuber zuwiderhandlt. Dennoch schlagt dieses Pflichtverhaltnis Treuhander und Treugeber ausnahmsweise sachenrechtlich durch, insbesondere wenn Glaubiger des Treuhanders in das Treugut vollstrecken oder der Treuhander in Konkurs fallt. Der Treugeber kann dann sein Eigentum realisieren.
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상악골 급속 확장시 상악골의 응력 분산과 변위에 대한 유한요소법적 분석
조봉제,손병화 대한치과교정학회 1985 대한치과교정학회지 Vol.15 No.1
Recently, rapid palatal expansion technique is widly used for the correction of the skeletal imbalance in CI III malocclusion patients. There were many studies about the cephalometric changes to rapid palatal expansion but quantitative analysis were small. The purpose of this study was to analysis the stress and displacement of the maxilla in human dry skull to rapid palatal expansion. The results were as follows: 1. The anterior portion of palate show more lateral and inferior displacement than the posterior portion. But the posterior portion show more anterior displacement. 2. In transpalatal suture area, the medial portion show more anterior and inferior displacement than teh lateral portion. But the lateral portion show more lateral displacement than the medial portion. 3. In mid-sagittal plane, the lower portion (palatal area) of maxilla show more anterior, lateral, inferior displacement than the upper portion (frontamaxillary stuture area). 4. In zygomatic arch, the adjacent area to maxillsa show tensile stresses and the adjacent area to frontal bone show compressive stresses. 5. The sequence of stress bearing area to R.P.E. is upper retromolar area, upper 1st molar, 1st premolar, 2nd premolar, anterior segment of teeth.
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