자기효능감 , 화장근접도 , 의복근접도의 상관관계

조기여(Ki Yeu Jo),유태순(Tai Soon Yoo) 한국복식학회 1997 服飾 Vol.32 No.-

The purpose of this study was to find out the mutual relations of self-efficacy, proximity of cosmetic to self and proximity of clothing to self. The researcher used the scale of Sherer, Mercadante, Maddux, Rrentice-Dunn, Jacobs and Rogers(1982) for a general and social self-efficacy. The scale of Ryckman, Roddins, Thorton, and Cantrell(1982) for a physical self-efficacy. The researcher corrected and supplemented the tools on the basis of Sontag (1978)`s scale for proximity of clothing to self. The researcher developed proximity of cosmetic to self. The subjects of this study were 172 girl students in the university. The research was analyzed by MANOVA, Scheff post hoc test and Cronbach α. The results of this study were as follows ; 1. The person who had a higher self-efficacy was higher in the joy and skin-carve in the sub-causes of proximity of cosmetic to self. There was no differnece in social-confidence, self-satisfaction and disguise. 2. The person who had a higher self-efficacy was high in the self-exprssion and the physical satisfaction in the sub-causes of proximity of clothing to self. There was no difference in the joy, self-consciousness, the consciousness of others, and the novelity. 3. The person who had a higher proximity of cosmetic to self was higher in the joy, self-expression and self-consiousness, of others and the novelity. There was difference in the physical satisfaction.

보고 : 제 9차 해외의류산업 연수회

조기여 ( Ki Yeu Jo ) 한국의류산업학회 2003 한국의류산업학회지 Vol.5 No.1

화장도(化粧度)에 따른 의복근접도(衣服近接度) 및 화장근접도(化粧近接度)에 관(關)한 연구(硏究)

조기여 ( Ki Yeu Jo ),유태순 ( Tai Soon Yoo ) 한국패션비즈니스학회 1998 패션 비즈니스 Vol.2 No.2

자기효능감(自己效能感)에 따른 화장근접도(化粧近接度)에 관(關)한 연구(硏究)

조기여 ( Ki Yeu Jo ),유태순 ( Tai Soon Yoo ) 한국패션비즈니스학회 1999 패션 비즈니스 Vol.3 No.1

일본 에도시대(江戶時代) 여성의 결발양식(結髮樣式)과 머리장식에 관한 연구

조기여(Ki Yeu Jo),이화순(Hwa Soon Lee),정연(Yeon Jung) 한국인체미용예술학회 2001 한국인체미용예술학회지 Vol.2 No.1

  This study was purposed to investigate women"s coiffure styles and hair ornaments in the Edo period of Japan in which Japanese coiffure styles was prospered and the traditional Japanese hairdo was completed, and resulted in following conclusions.<BR>  1. Japanese coiffure styles consisted of four parts of Maegami, Mage, Tabo, and Bin and there had been developments and transformations in the order of Maegami, Mage, Tabo and Bin. Although there was no distinct difference in the Maegami part throughout the period, the Mage part consisted critical part of women"s coiffure style in the Edo period in which the part showed plain figure with no stump in the early days and became to have stump made with several complicated arts since the middle days, thereby it could represent their differentiated status, class and job of the person who wore it.<BR>  It was difficult to tell the Tabo part from the Bin part in early days, but balanced beauty was purposed using subsidiary accessories used to be unseen in the latter days.<BR>  2. In the early days of the Edo period, such simple coiffure styles as Karawamage and Hyogomage which had no stumps and hair tied in the upper were in fashion. In the middle years, Simadamage, Kachyamamage and Kogaimage styles which had stumps and the Tabo part extruded toward the rear direction were emerged and prevailed. Baimage and Marumage styles which had hair expanded from side to side with both Bin"s set with accessories were prosperous in the latter years.<BR>  3. Hair ornaments allowed the coiffure styles of complicated structure a kind of unified beauty and showed high senses of beauty of women in the period. Combs, a tool used for combing the hair was not for ornament but fixed into the hair directly in the early days, but diversified in its forms and materials for ornament since the middle years. Kanzashi, the most gorgeous ornament among the fixings for tied hairdos was made for decorative purpose mainly in the early but it became to have practical purpose also after the appearance of ear-pick in its head. And its forms, materials and positions of fixing represent status and age of the person who wore it. Hairpin had a simple form of stick for making a topknot in the early days, and it developed into gorgeous ones which had separated parts of main in the center hidden in the hair and both sides for ornament made with several materials since the middle years.

미용실종사자의 의사소통만족과 조직공정성, 대인관계스트레스, 조직유효성 간의 구조적 관계

조경미 ( Kyung-mi Cho ),조기여 ( Ki-yeu Jo ),유태순 ( Tai-soon Yoo ) 한국디자인트렌드학회 2016 한국디자인포럼 Vol.52 No.-

연구배경 미용서비스 산업은 선진국을 중심으로 첨단지식산업의 형태로 발전하였으나 우리나라는 많은 부분에서 여전히 전통적인 개인서비스업의 재래산업형태를 띄고 있다. 일부 기업을 중심으로 대형화가 진행되고 있으며 특히, 미용관련 프랜차이즈가 확대되면서 규모별 격차가 심화되고 있다. 전체 미용실 중 미용프랜차이즈는 1.3%에 불과하나 시장점유율은 24%를 차지하고 있다(백영애, 2015). 국내 미용실은 전체사업체의 약 96%이상이 4인 이하의 구성원으로 영세한 자영업 위주로서 산업경쟁력이 취약한 실정이다. 대부분의 미용서비스산업 사업체들은 고객에 대해서는 많은 관심을 가지지만 아직도 직원에 대해서는 고객만큼 주의를 기울이지 않는다. 이에 본 연구는 기술과 서비스라는 인적자원 의존도가 높은 미용서비스 산업을 경영하고자 할 때, 인적자원의 효율적인 관리와 이에 대한 올바른 전략방향을 제시하여 미용서비스 산업의 발전에 도움을 주고자 미용실종사자의 의사소통만족, 조직공정성, 대인관계스트레스, 조직유효성 간의 구조적 관계를 알아보고자 한다. 연구방법 대구·경북지역의 미용실 종사자 673명을 대상으로 2015년 8월 17일부터 9월 23일까지 설문조사를 실시하였으며, SPSS 23.0과 AMOS 23.0을 이용하여 분석하였다. 연구결과 변인들 간의 직접효과가 있는 것으로 나타났다. 결론 첫째, 미용실 종사자의 의사소통만족, 조직공정성, 대인관계스트레스가 조직유효성에 직접적인 효과가 있는 것으로 나타났다. 둘째, 미용실 종사자의 의사소통만족, 조직공정성이 대인관계스트레스에 직접적인 효과가 있는 것으로 나타났다. 셋째, 의사소통만족이 조직공정성에 직접적인 효과가 있는 것으로 나타났다. Background Beauty service industry has developed in the form of high-tech knowledge industry around advanced countries. However, it is still in the form of conventional industry of traditional personal service industry on a number of points. Companies are becoming larger, focusing on some companies. And in particular, a gap is widening according to size, as cosmetology-related franchise is expanding. Among beauty salons, the percentage of beauty franchises is only 1.3%. However, they account for 24% of market share (Youngae Park, 2015). With regard to Korean beauty salons, about 96% of all businesses have 4 or less staff members. And small self-employed businesses take the central place. The actual condition is that the competitiveness of industry is weak. Most of businesses belonging to beauty service industry take much interest in customers, but don`t pay as much attention to employees as to customers yet. Hence, this study is intended to examine constructive relations of beauty salon employees` communication satisfaction, organizational justice, interpersonal relationship stress and organizational effectiveness so as to give help with the development of beauty service industry by efficiently managing human resources and suggesting a correct strategic direction in this regard in case of intending to manage beauty service industry highly dependent on human resources in terms of skills and service. Methods 673 employees of beauty salons in Daegu·Gyeongbuk province have been surveyed from 17 August 2015 to 23 September 2015. And an analysis was made by using SPSS 23.0 and AMOS 23.0. Results It was shown that there was a direct effect between variables. Conclusions First, it was shown that beauty salon employees` communication satisfaction, organizational justice and interpersonal relationship stress had a direct effect on organizational effectiveness. Second, it was shown that beauty salon employees` communication satisfaction and organizational justice had a direct effect on interpersonal relationship stress. Third, it was shown that communication satisfaction had a direct effect on organizational justice.

로이 리히텐슈타인의 회화 모티브 특성을 응용한 헤어아트 연구

임순자 ( Soon-ja Lim ),조기여 ( Ki-yeu Jo ),유태순 ( Tai-soon Yoo ) 한국디자인트렌드학회 2017 한국디자인포럼 Vol.56 No.-

연구배경 조형예술의 한 부분인 헤어아트로서의 창작의 범위를 넓혀서 미술의 회화적인 측면에서 조형성을 부여하고자 한다. 또한 로이 리히텐슈타인의 팝아트 작품에서 이미지를 차용해 디자인하고 헤어피스를 이용한 창의적 헤어아트 작품을 제작하였다. 이러한 작품제작을 통해 앞으로의 헤어아트 디자인에 있어서 예술의 새로운 표현의 한 부분으로 받아들여지는데 도움을 주고자 한다. 연구방법 로이 리히텐슈타인의 회화작품 특징과 표현기법과 헤어아트의 개념 및 특성, 헤어아트의 분류에 대해서 고찰하고, 로이 리히텐슈타인 회화 작품을 응용하여 총 4개의 다양한 헤어아트 작품을 제작하였다. 연구결과 첫째, 로이 리히텐슈타인의 작품의 특징은 만화 광고의 이미지를 차용하여 작품들을 주로 제작하였으며 벤 데이 망점과 환등기 사용, 윤곽선, 만화적인 이미지와 대화풍선으로 세가지로 나눌 수 있다. 둘째, 헤어아트의 분류는 헤어장식 헤어아트, 회화적 헤어아트, 조형적 헤어아트로 분류할 수 있다. 셋째, 로이 리히텐슈타인의 회화를 차용하여 그림을 재분할하여서 일러스트를 그린 후 아크릴 물감으로 채색하고, 그 위에 매니큐어로 색을 입힌 헤어피스를 사용하여 다양한 콜라주 기법, 뿌리기, 땋기, 붙이기 방법을 이용하여서 총 4작품을 제작하였다. 결론 로이 리히텐슈타인의 팝아트 회화 작품이 화려하고 단순한 형태의 헤어아트 작품 개발을 위한 새로운 모티브로 제공될 수 있었음을 알 수가 있었다. Background This study aims to assign formativeness from the painterly aspects of art by establishing the concept and classification of Hair Art, producing works and widening the range of creation as Hair Art which is a part of formative art. Also, a creative Hair Art work was produced with hair pieces after making a design by borrowing images from Roy Lichtenstein`s pop art works. Further, this work production is meant to offer assistance to Hair Art design in its acceptance as a new part of expression of art. Methods The characteristics and work expression method of Roy`s pop art works and his concept, characteristic and classification of Hair Art were considered and studied. Applying his pop art works, a total of four various Hair Art works were produced. Result First, the characteristic of Roy Lichtenstein`s works is that he produced works mostly by borrowing the image of comic-style advertising as a means of properly expressing the US mass society in the 1960s. In addition, Roy Lichtenstein`s expressive techniques can be roughly divided into the three sorts, i.e. Ben-day dot & use of a slide projector, outlines, and cartoony image & narrative balloon. Second, Hair Art can be classified into headdress Hair Art, painterly Hair Art, and formative Hair Art. Third, this study drew illustrations through the subdivision of a picture by borrowing Roy Lichtenstein`s paintings, and then did coloring with acrylic paint, and created a hair piece colored by menikyueo on illustrations, finally producing a total of 4 works using various collage techniques, sprinkling method, braiding method and putting method, etc. Conclusion Roy Lichtenstein`s pop art paintings played a role as a new motif for the development of a colorful but simple form of Hair Art works.

외모관심도(外貌觀心度), 신체만족도(身體滿足度), 자아존중감(自我尊重感)에 따른 미용성형행동 연구(美容成形行動 硏究)

황윤정 ( Yun Jung Hwang ),조기여 ( Ki Yeu Jo ),유태순 ( Tai Soon Yoo ) 한국패션비즈니스학회 2003 패션 비즈니스 Vol.7 No.4

This study was to investigate the undergraduates` values of cosmetic surgery, which is the prevalent social phenomenon in our society, by examining the relations between their cosmetic surgery behavior and appearance concern, body cathexis, and self-esteem. There was weak positive relations between the degree of appearance concern and cosmetic surgery behavior. There were no significant relations between body cathexis and cosmetic surgery behavior and between self-esteem and cosmetic surgery behavior. It was found that cosmetic surgery behavior was obviously different by gender. There were differences in cosmetic surgery behavior according to grades, too.

셀프네일 소비자의 소비동기, 자기효능감, 관여도, 지속의도 간의 구조적 관계

나선영 ( Na Sun-young ),조기여 ( Ki-yeu Jo ),유태순 ( Tai-soon Yoo ) 한국디자인트렌드학회 2017 한국디자인포럼 Vol.56 No.-

연구목적 본 연구는 셀프네일 소비자들의 꾸준한 증가에 따른 소비자들의 셀프네일에 대한 다양한 개성과 욕구, 관심이나 네일관리행동 등을 파악하여 새로운 셀프네일 시장 소비자들의 요구에 맞는 마케팅전략 등을 제시하기 위하여 셀프네일 소비자의 소비동기, 자기효능감, 관여도, 지속의도를 선정하여 변인간의 구조적인 관계를 알아보고자 하였다. 연구방법 2016년 7월 30일부터 8월 28일까지 셀프네일관리를 월 1회 이상 하고 있는 20∼50대 여성 594명을 대상으로 설문조사를 실시하였으며, SPSS 23.0과 AMOS23.0을 이용하여 분석하였다. 연구결론 첫째, 셀프네일 소비자의 소비동기, 자기효능감, 관여도는 지속의도에 직접 영향을 미치는 것으로 나타났다. 즉 셀프네일 소비동기와 자기효능감, 관여도가 높을수록 지속의도가 높게 나타났다. 그리고 셀프네일에 대한 관여도가 지속의도에 가장 큰 영향력을 미치는 변인으로 나타났다. 둘째, 셀프네일 소비자의 소비동기, 자기효능감은 관여도에 직접 영향을 미치는 것으로 나타났다. 즉 셀프네일 소비동기와 자기효능감이 높을수록 관여도가 높게 나타났다. 셋째, 셀프네일 소비자의 소비동기는 자기효능감에 직접 영향을 미치는 것으로 나타났다. 즉, 셀프네일 소비동기가 높을수록 자기효능감이 높게 나타났다. Background The purpose of this study is to look into the structural relationship between variables by selecting a self-nail consumer`s consumption motivation, self-efficacy, nail involvement and continuance intention with the aim of presenting marketing strategies, etc. in line with consumers` needs of the new self-nail market by grasping consumers` wide variety of individuality, desires, concern for self-nail, or nail care behavior, etc. consequent on the steady increase in the number of self-nail consumers. Methods This study conducted a survey of 594 females in their 20s~ 50s, who were doing self-nail care more than once a month, from July 30, 2016 until August 28, 2016, and this study obtained the conclusion based on the analysis results using SPSS 23.0 and AMOS 23.0. Conclusions It was shown that there was a direct effect between variables. First, it was found that a self-nail consumer`s consumption motivation, self-efficacy, nail involvement had a direct influence on continuance intention. In other words, it was found that the higher the self-nail consumption motivation, self-nail self-efficacy and self- nail involvement, the higher the continuation intention. In addition, self-nail involvement was found to be a variable having the biggest influence on continuance intention.

실버계층(階層) 여성(女性)의 의복(衣服) 자아(自我)이미지에 따른 의복구매성향(衣服購買性向)

배현숙 ( Hyun Sook Bae ),유태순 ( Tai Soon Yoo ),조기여 ( Ki Yeu Jo ) 한국패션비즈니스학회 2002 패션 비즈니스 Vol.6 No.4

The purpose of this study is to find out the orientations and characteristic in clothes buying of each age group of elderly women, based on the actual self-image and the ideal self-image of clothing. Grasping the diversity of their clothes` buying orientations will be helpful in making a better merchandise production planning for apparel, and in launching new brands into the market. The study will also provide useful data in developing sales strategies which enable to supply goods that meet consumers` needs and tastes in the quality market, and consequently will help to classify the market. Samples were 488 women of 55 and over, dwelling in Pusan Metropolitan City. The data was analysed by using MANOVA, ANOVA, and the Cronbach`s a reliability was also applied. The conclusions based on the theoretical background and the result of questionnaire surveys were as follows: 1. The order of priority of buying orientations based on clothes`s actual self-image was `practicality`, `cautiousness` and `economical effectiveness` without regard to age. The items that showed the significant differences in 50`s were `cautiousness`, `experimentation`, `fashion-consciousness` and ostentatiouness, and in 70`s were `economical effectiveness`, `experimentation`, `impulsiveness` and `environmental friendliness`, and none in 60`s. 2. The order of priority based on clothes` ideal self-image was the same as that of actual one, and there was no significant difference between age groups